Punk Rock Shakespeare
"Here will we sit and let the sounds of music / Creep in our ears" (The Merchant of Venice, 5.1.63-64) How can young people connect with Shakespeare? It's a question that confronts each generation. Members of Taffety Punk, a Washington, DC, theater company, have taken to heart the mission of bringing Shakespeare into the 21st century. Rebecca Sheir, host of our Shakespeare Unlimited series, talks with Taffety Punk founding member and Artistic Director Marcus Kyd about how he and a group of classically trained actors—who are also ex-punk rockers—are giving new meaning to the term "band of players." From Bootleg performances of Shakespeare's plays—rehearsed and staged in a day—to Riot Grrrls all-female Shakespeare, recordings of punk versions of Shakespeare's Sonnet 71 and Mercutio's "Queen Mab" speech from ROMEO AND JULIET, and the Generator series of experimental works, Taffety Punk is defining Shakespeare for a new generation of theatergoers and theater makers. Marcus Kyd is a founding member and artistic director of Taffety Punk Theatre Company. Taffety Punk Theatre Company's mission is to establish a dynamic ensemble of actors, dancers, and musicians who ignite a public passion for theater by making the classical and the contemporary exciting, meaningful, and affordable. Taffety Punk received the John Aniello Award for Outstanding Emerging Theatre Company at the 2008 Helen Hayes Awards. ---------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul; Garland Scott, associate producer.

Episoder(298)

Why Shakespeare's Stories Still Resonate

Why Shakespeare's Stories Still Resonate

"I prithee speak to me as to thy thinkings," (Othello, 3.3.152) How do Shakespeare's works, written so long ago, still speak to us today? Just as actors and directors strive to work out this questio...

20 Mar 201516min

Shakespeare LOL: All Mirth and No Matter

Shakespeare LOL: All Mirth and No Matter

"I was born to speak all mirth and no matter." (Much Ado About Nothing, 2.1.323) Let's face it: Modern audiences sometimes go from roaring with laughter to scratching their heads when it comes to enj...

20 Mar 201527min

Shakespeare in Translation

Shakespeare in Translation

"Bless thee, Bottom, bless thee! Thou art translated!" (A Midsummer Night's Dream, 3.1.120-121) What happens when Shakespeare’s work is translated into foreign languages? Is it still Shakespeare? Or ...

20 Mar 201524min

Shakespeare Outdoors

Shakespeare Outdoors

"Under the greenwood tree / Who loves to lie with me / And turn his merry note / Unto the sweet bird’s throat, / Come hither, come hither, come hither. / Here shall he see / No enemy / But winter and ...

20 Mar 201531min

In Search of the Real Richard III

In Search of the Real Richard III

"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the pol...

20 Mar 201529min

Actresses on Shakespeare

Actresses on Shakespeare

"All the world’s a stage, And all the men and women merely players." (As You Like It, 2.7.146-147) In Shakespeare's time, only men appeared on stage, with teenage boys playing the women's parts. Tod...

20 Mar 201520min

The Robben Island Shakespeare

The Robben Island Shakespeare

While Nelson Mandela was incarcerated on South Africa's Robben Island, one of the other political prisoners managed to retain a copy of Shakespeare's complete works, which was secretly circulated thro...

20 Mar 201518min

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