The Chicks vs. The Iraq War

The Chicks vs. The Iraq War

Mike tells Sarah about an impending conflict, a dissident singer and America's first internet-enabled cancellation. Digressions include "Freedom Fries" and 1990s record company shenanigans. The co-hosts harmonize for the first time; Mike struggles not to call the Chicks by their former name. Content note: This episode includes misogynistic, racist and fatphobic language. Support us:Subscribe on PatreonDonate on PaypalBuy cute merch Where else to find us: Sarah's other show, Why Are Dads Mike's other show, Maintenance Phase Links! The Chicks' "Ready to Run" video Karen Pittelman's "Another Country" James Dickerson’s “Dixie Chicks: Down-Home and Backstage” Elites, Masses, and Media Too Famous to Protest: Far-Right Online Community Bonding Over Collective Desecration of Colin Kaepernick, Fame, and Celebrity Activism Blacklists: The Dixie Chicks Controversy Chicks in the Wilderness Chicks In the Line of Fire The Dixie Chicks Were Cancelled For Criticizing The President. Now, They’re Heroes. We’re Changing The Way We Do Business: A Critical Analysis Of The Dixie Chicks And The Country Music Industry The Country Connection: Country Music, 9/11, and the War on Terrorism Free Expression After September 11th: An Online Index Freedom Under Fire: Dissent in Post-9/11 America Exploring Iraq War News Coverage and a New Form of Censorship The LSE's analysis of the Freedom Fries controversy Destroying The Dixie Chicks – Ten Years After AOC’s Anti-Fans Racial Profiling And The War On Terror: Changing Trends And Perspectives Man Eats Dogs: The Hot Dog Stands of Chicago Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

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Episoder(268)

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Crying in Baseball with Julie Kliegman

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9 Jun 1h 26min

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Why are there so many songs about rainbows (and what’s on the other side)? A bridge between worlds, a map to a pot of gold, the centerpiece of a Lisa Frank trapper-keeper, and of course, an ever-chang...

26 Mai 1h 12min

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Ada Blackjack wants one thing: To make enough money to bring her son home from an orphanage. But good work is hard to find in 1920s Nome, Alaska, so when four strangers come to town, looking to hire s...

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