Taking It To The Streets With JAYANT BHADULA From BLOODYWOOD

Taking It To The Streets With JAYANT BHADULA From BLOODYWOOD

Interview by Kris Peters
Billed as an Indian folk metal outfit, Bloodywood are a band much more than that. They are an amalgamation of hard rock and metal, mixed with traditional Indian elements, who create a sound comfortingly similar but also fresh, new and exciting.
While the folk metal element is there, labelling them as such is doing the band a disservice musically.
Bloodywood first landed on the world's sonic radar with the single Ari Ari in 2018, a Punjabi folk song made famous in the early 2000s remix boom in India by hip-hop act Bombay Rockers. The band pushed it further with help from the gritty New Delhi-based conscious hip-hop artist/rapper Raoul Kerr, offering a cultural musical alternative to the mainstream acts that were dominating the charts.
Since then, Bloodywood have taken the world by storm, with their debut album Rakshak solidifying the band's growing reputation.
Bloodywood have been on the road pretty much ever since, performing to packed crowds and at major global festivals, including Lollapalooza India, Download Festival, Bloodstock (UK), Hellfest (France), Summer Breeze (Germany), Brutal Assault (Czechia), Fuji Rock (Japan) and American mainstays like Louder Than Life and Aftershock.
Their sophomore album Nu Delhi came out on March 21 this year, marking a new landmark in the band's short history and proving emphatically that Bloodywood are more than just a metal band from India. They are now a world-class band in their own right.
HEAVY spoke with vocalist Jayant Bhadula to get the rundown.
"Very, very well," he smiled when we asked how the album has been received. "In terms of numbers, it's doing very good, but in terms of people showing up for the shows and singing our lyrics back from the new album, it's a great thing to see. Honestly, as an artis,t the greatest level of validation I can see is when people are singing your lyrics for you, especially the ones that are not in the language as well."
We ask what Bloodywood were going for musically on Nu Delhi.
"In terms of music, we tried to represent the sense of New Delhi where we come from," he mused. "It is a very realistic and metal city where we come from. If you give it love you will get love 100 times back but just like we say in the album, if you fuck around you won't be found and that is what we were trying to capture. That is why this album is more in your face rather than being as subtle as the last one."
In the full interview we talked more about Nu Delhi, Bloodywood's collaboration with Babymetal and how it came about, the cultural dynamics present in their music, blending Eastern and Western cultures together musically and how difficult that is to do, how Nu Delhi differs musically from Rakshak, being labelled as a folk metal band and more.


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Stripped Back And Raw With MAT ROBINS From CICADASTONE

Stripped Back And Raw With MAT ROBINS From CICADASTONE

Earlier this year Melbourne rock outfit Cicadastone released their third album, Future Echoes.An album that typified Cicadastone's sound, Future Echoes was also the band's first album under new label XMusic and solidified Cicadastone's reputation as a musical star on the rise.Creating a hybrid of rock and grunge that is accentuated by a fresh, modern approach, Cicadastone's music has always been ideal for both a full-blown rock assault and the quiet strains of acoustic, so, with the blessing of their label, the band decided to strip back a selection of tracks from Future Echoes and compile them into an easily digestible acoustic EP that was unleashed on the public today.Frontman Mat Robins sat down for a chat with HEAVY to tell us more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

30 Aug 202413min

Finding Solace In Madness With CLAUDIO SANCHEZ From COHEED & CAMBRIA

Finding Solace In Madness With CLAUDIO SANCHEZ From COHEED & CAMBRIA

Coheed & Cambria are possibly one of the most important bands to emerge in this generation.Essentially a progressive metal outfit, Coheed & Cambria are also a fully immersive sonic beacon of hope in a world that is too often void of such feelings.While musically the New York based prog rock icons sing about lands and situations that are bathed in darkness, it is their approach to music and life in general that has seen Coheed & Cambria intertwine themselves into the ears and lives of anyone close enough to be touched by their energy.Over the course of ten albums since the turn of the century, Coheed & Cambria have brought new light to an increasingly stale genre, and, more importantly, done so of their own volition.Now, after an eight-year absence, Coheed & Cambria are readying to make their way back to Australia as part of the massive Monolith Festival, starting in Brisbane on November 2. Monolith features a truly international assortment of bands from differing backgrounds, with fellow American outfit Periphery joining Norwegian prog rockers Leprous, Canadian instrumentalists Intervals, French metalcore dynamos Novelists and Melbourne music machine Silver Fang rounding out the bill.As a special treat, Coheed & Cambria will be playing their third album Good Apollo, I’m Burning Star IV, Volume One: From Fear Through Madness in full to celebrate last year's 25th anniversary of their most successful release to date. Frontman Claudio Sanchez will also be hosting a special question and answer panel called Celebrating 20 Years Of The Amory Wars: The Past, Present And Future where he will be discussing the band's long-running series of comics and graphic novels.HEAVY caught up Sanchez earlier today, fresh off stage from a show with Incubus.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

30 Aug 202418min

Going For Broke With JOSHUA COTTREAU From FANGZ

Going For Broke With JOSHUA COTTREAU From FANGZ

Sydney punk reprobates FANGZ are in the thick of things of late. They just recently finished a massive national run as support to Cancer Bats, and have been busying themselves with releasing new music and generally making life a party wherever they go.True Aussie legends in their own right, FANGZ are a fresh band with an old-school mentality. They play hard and party harder without pause for reflection or decision.That hypothesis will be put to the test this weekend when FANGZ set out to do the almost impossible.A 24-hour East Coast tour.Let that sink in. FANGZ are planning a WHOLE East Coast tour in the same amount of time it allegedly takes the sun to do a lap of the Earth. Starting at the Cherry Bar in Melbourne as Friday night rolls into Saturday morning - so August 31 - the boys then travel to Sydney for a show at Bootleggers precisely 12 hours later and finish up at Greaser in Brisbane before the clock strikes midnight, thus completing an East Coast tour in 24 hours.It sounds too much of an effort to even think about, let alone attempt to pull off, so HEAVY tracked down frontman Joshua Cottreau to see how serious this whole thing is."What do you think?" Cottreau fires back at me when I ask if it is even possible. "It doesn't make sense to NOT try and do that," he laughed. "You know us by now. I'd put more in if I could. I don't think it's that unreasonable. The only thing, obviously, is flights because we're on a tight schedule. As long as everything goes according to plan, it should be sweet. We're really stoked. I think it's a pretty insane idea, but I don't really know anyone else who's done it (laughs). You've gotta go for it, right?"In the full interview, Joshua talks more about the 24 hour East Coast tour, the new track Same Old Story and its nostalgic video, their style of music and why it is so infectious, gives us the scoop on a new - debut - album, their musical growth over the course of three EP's, the upcoming Froth & Fury festival and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

28 Aug 202418min

Making Some Noise With ISAAC WASILIEV From MUZZLE

Making Some Noise With ISAAC WASILIEV From MUZZLE

Interview by Kris PetersBrisbane, it's that time of year again!The annual celebration of music that is BigSound is just around the corner, with the music event that stops the nation set down for the Fortitude Valley from September 3 to 6.It is difficult to comprehend the vast array of benefits BigSound has for artists, music lovers and music industry people, but with a selection of live music, workshops, speakers, showcases and a range of other activities, one thing you can be sure of is getting your absolute fill of music.While recognising the achievements and status of established performers, BigSound also invites up and comers to join festivities, giving many young and hopeful bands an opportunity to not only showcase their music, but also make connections that could ultimately prove valuable for their future career in music.One of those bands is Central Coast trio Muzzle, who will be making their first visit to Brisbane and playing their songs to an established audience with a common love of music.HEAVY caught up with Isaac Wasiliev from the band to find out more.We spoke about their two showcase performances at Tomcat on September 3 and Ric's Backyard on September 5, what people can expect from their show, what they hope to come out of the BigSound experience with, where Muzzle came from and how they have been shaped into the band they are today, adding your own DNA to original music, three songs to listen to in order to know what to expect, their upcoming EP and more.BIGSOUND MUSIC FESTIVAL tix and delegate passes on sale now: www.bigsound.org.auBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

28 Aug 20246min

The Absence Of Light With EDDIE BERG From IMMINENCE

The Absence Of Light With EDDIE BERG From IMMINENCE

Interview by Kris PetersGood Things Festival is back for another year, and that can only mean one thing.More world class live acts!Featuring the likes of KORN, Kerry King, SUM 41, Billy Corgan, Electric Callboy, Mastodon, Jet, The Gaslight Anthem and more, GT24 is already shaping up as an absolute cracker. But, of course, one of the best things about large music festivals is the opportunity to discover new bands. Because if they weren't good, they wouldn't have made the cut, right?For Good Things 2024 one of those bands who will definitely be on people's radar is Swedish metal outfit Imminence who, despite being around for more than a decade, have never made it to our side of the world.Imminence have made a huge impact on the music world pretty much everywhere else, with their latest album The Black cementing their status as one of the bands to watch anywhere and everywhere they play. HEAVY caught up with vocalist/violin player Eddie Berg to find out more."It's always about getting the formal invitation you have been waiting for," he laughed when asked why Imminence have neglected Australia for so long.We bring up the fact that organisers must have extreme faith in the band to bring them out without an established market, to which Eddie nods in agreement."Absolutely," he affirmed. "I think we'll come in cold," he added when asked how much preparation the band will do on what to expect when they get here. "We already have some people there that we're friends with through the internet, so it's gonna be great to finally see them. I think that we should just go in there with an open mind and see what it's like."In the full interview we talk about some of the other bands playing, what Imminence are expecting from Australian audiences, what we should expect from them, three songs for people to listen to in order to know the band better, the early days of Imminence while he was still in high school, his early attitude towards making a career out of music, how he focussed on a career from a young age, the blending of Swedish metal with violin that forms the nucleus of Imminence's sound, how difficult it is in the creative process to infuse the opposing styles together and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

27 Aug 20249min

Striking A Nerve With NIAM HEGARTY From DENTAL PLAN

Striking A Nerve With NIAM HEGARTY From DENTAL PLAN

Interview by Kris PetersAfter dropping two EP's in quick succession towards the end of the last decade, Melbourne indie-punk outfit Dental Plan decided to take their time with their next release, putting into effect not only their music interests and pedigrees, but also their growing knowledge of their craft.2021 saw Dental Plan return with the brutal single Hole In Me, which emphatically announced their re-emergence as a more polished unit. Landslide followed, and anticipation turned into expectation as Dental Plan announced their debut album Raw Nerve was incoming.That album landed on July 19, affirming Dental Plan's growing status, opening the band up for a new range of opportunities that are finally coming to fruition.HEAVY sat down with vocals/guitarist Niam Hegarty to find out more."It's been really good," he enthused of the reception Raw Nerve has received so far. "We've kind of got more streams than I expected and people seem to have been digging it. It's done what it needed to do, which I think is get the word about the band out there. We've been a band for a while, and this is our first record. A long time coming, but I'm looking forward to getting out to play some shows to support it."In the full interview Niam discussed Raw Nerve more in terms of musical direction, how it represents Dental Plan's trajectory to date, what sorts of things are discussed going into a debut album, finding their sound and the balance between genres, how Raw Nerve differs to their self-titled EP, finding your musical identity, future plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

26 Aug 202410min

Old School Mentality With CC From ALGOR MORTIS

Old School Mentality With CC From ALGOR MORTIS

Interview by Kris PetersWith the countdown to Necrosonic Festival at The Mansfield Tavern in Brisbane on August 31 now on, HEAVY thought it appropriate to introduce you to some of the bands playing on the day.Conjured by one of the dark architects behind the legendary Overcranked, Inferno and Dead of Winter Festivals, Necrosonic heralds a day filled with unrelenting brutality and the heaviest, most sinister sounds that the underworld has to offer, some even returning from the dead for the ritual.Hosting 30 bands across three stages over 12 hours, Necrosonic Festival promises to satiate even the heaviest of hungers. One of the band's planning to destroy everything before them is Melbourne old school death metal outfit Algor Mortis, with vocalist CC joining HEAVY recently to talk about what to expect.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

26 Aug 202413min

Finding Comfort In Grief With MANUEL GAGNEUX From ZEAL & ARDOR

Finding Comfort In Grief With MANUEL GAGNEUX From ZEAL & ARDOR

Interview by Kris PetersTo steal a line from their bio, "ZEAL & ARDOR isn’t just a band; it’s a living and breathing entity."Since announcing their arrival with 2017's album Devil Is Fine, Zeal & Ardor have transgressed almost every musical parameter known to man, exploring sonic realms through their music that have no right being disturbed, yet somehow always combine through a submissive force of nature that is both compelling and irresistible.Founding member and main man Manuel Gagneux has long been the heart, soul and public face of this musical enigma, writing and recording everything himself in pursuit of total creative freedom and balance. It is a process which has worked beautifully over three previous albums, but for the band's fourth, Grief, which was released last Friday, Gagneux elected to change things up considerably by inviting his band - for seven years only used as touring musicians - into the studio to help start and complete the project.It was a brave move, but one which has yielded impressive dividends, with added vocal layers and differing thought patterns contributing to yet another musical evolution within Zeal & Ardor.HEAVY sat down with Gagneux earlier today to talk about Grief. We start by asking how the early reception has been for album number four."It's been pretty much what I expected," he smiled, "because it's not as… I wanna say heavy as the other records. So some people are butt hurt and other people are really into it (laughs). It's a good mix."With so much going on from so many different levels on Grief, we ask Gagneux how he would describe the album musically."Oh damn," he pondered. "I think it's just a collection of songs that I was really into. It's kind of like tapas where you have different small dishes; you can have a little bit of that and a little bit of this. It's the opposite of a concept album, I guess. There's a concept to it, but you're not gonna get Tool hours of nerding over it because there's a meaning between every single song. They're just songs, and I like them (laughs)."In the full interview Manuel discusses the musical side of Grief in more detail, how he has expanded on previous music, the continual musical evolution of Zeal & Ardor and how much growth is left in the band, the track Clawing Out and the story behind it, having his band in the studio with him and why now is the right time, relinquishing total creative control and if that was an issue, his creative side and where it comes from, having three different vocal layers on the album, self-producing your music and more.In a new interview segment, we also show Manuel some photos we dug up and asked him to explain them.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

26 Aug 202415min

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