532 - Jared Shavelson: Parallels Between Jazz and Punk/Hardcore, Drumming for Seal, Mariachi El Bronx, Biking and Drumming
Working Drummer21 Aug 2025

532 - Jared Shavelson: Parallels Between Jazz and Punk/Hardcore, Drumming for Seal, Mariachi El Bronx, Biking and Drumming

Jared Shavelson was raised in Cherry Hill, New Jersey, just outside of Philadelphia. His drumming journey stated early in life and got his first drumset at age seven. While playing in all of the local orchestras, marching bands, jazz bands, and theaters in southern New Jersey, he was taking weekly private lessons. During this time he was also starting to play out with his own bands, getting him heavily involved with the Philadelphia punk/hardcore scene. Leaving that area in 1999, he went to New York to attend college at SUNY Purchase studying jazz performance with greats like Ritchie Morales and Kim Plainfield. Jared completed 2 years at the Music Conservatory and left after his second year to start touring internationally with the Boston hardcore band The Hope Conspiracy. Soon after, he also began playing with the pop punk band None More Black, along with the political punk band Paint It Black. After living in New York City, Brooklyn, and Philadelphia, he now resides in Los Angeles where he started playing with more eclectic acts like Digital Daggers, Pure Love, The Rentals, The Aquabats, Meg Myers, Seal, Dark Waves, Cyn, Ways Away, Boysetsfire, Joyce Manor, The Bronx, Mariachi El Bronx, Chuck Ragan, Chase Atlantic, Ceremony, and many more. In this episode, Jared talks about: Where social media falls short Biking and drumming The impact of Jared’s teachers early in life Parallels between jazz and punk/hardcore Punk, hardcore and the DIY scene The unique challenges of a band like Mariachi El Bronx Drumming for Seal ⁠Here's our Patreon⁠ ⁠Here's our Youtube⁠ ⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

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Episoder(568)

568 - Matt Musty: Playing with Train, Using Your Space's Sound, Buying Into the Magic of What We Get To Do

568 - Matt Musty: Playing with Train, Using Your Space's Sound, Buying Into the Magic of What We Get To Do

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567 - Tony Leone: Playing with Little Feat, Fronting His Own Group in NY, Realities of Self Doubt

567 - Tony Leone: Playing with Little Feat, Fronting His Own Group in NY, Realities of Self Doubt

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566 - Jon Radford: Playing with Sixpence None The Richer, Leading His Own Trio, DJ-ing and Vinyl Obsession

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565 - Matthew Atkins part 2: Nurturing Life Long Careers in Music,  Unique Challenges as a Canadian Musician, AI as a Threat?

565 - Matthew Atkins part 2: Nurturing Life Long Careers in Music, Unique Challenges as a Canadian Musician, AI as a Threat?

Matthew Atkins is a celebrated veteran of the music industry. An honours graduate of the renowned Musician’s Institute in Hollywood CA, Matthew has worked in a wide array of genres and situations. Mat...

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564 - Ryan Connors: MD'ing for Hozier, Finding Self-Acceptance as a Drummer, Loving the Rehearsal Process

564 - Ryan Connors: MD'ing for Hozier, Finding Self-Acceptance as a Drummer, Loving the Rehearsal Process

Ryan Connors is a multi-instrumentalist, MD, songwriter, and producer based in Nashville. He is currently keyboardist, MD, and backup drummer for Hozier, and has also worked with many other artists an...

23 Apr 1h 11min

563 - Matthew Atkins part 1: Drumming at The Mayfield Theatre, Charting at a Pro Level, Being Prepared

563 - Matthew Atkins part 1: Drumming at The Mayfield Theatre, Charting at a Pro Level, Being Prepared

Matthew Atkins is a celebrated veteran of the music industry. An honours graduate of the renowned Musician’s Institute in Hollywood CA, Matthew has worked in a wide array of genres and situations. Mat...

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562 - Chaun Horton: Playing with Lauren Daigle, Family Life in Sweden and Work Life in Nashville, "Playing in the Crossroads"

562 - Chaun Horton: Playing with Lauren Daigle, Family Life in Sweden and Work Life in Nashville, "Playing in the Crossroads"

Growing up in Rochester, New York, Chaun Horton was birthed into a love of music. Under the tutelage of his father, a church organist, Chaun first learned his craft by playing for local choirs, then e...

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561 - John Spittle: Drumming for Trace Adkins, Developing Pocket and Feel, Three Generations of Drummers

561 - John Spittle: Drumming for Trace Adkins, Developing Pocket and Feel, Three Generations of Drummers

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