
Nailah Hunter - Black Valhalla
Nailah Hunter - "Black Valhalla," a 2020 self-released single. With "Black Valhalla", Los Angeles-based composer/harpist Nailah Hunter imagines a place where Black people "are safe and exalted." In this interview with KEXP's Dusty Henry, Hunter explains: I mean, again, Valhalla being the place where the Nordic gods live and the people... Actually just kidding, they don't live there, but it's a place where warriors go. I have always loved that idea. And I love Vikings and all of that stuff. But I realized how Black people are left out of that narrative. So obviously, the name of the song had to be 'Black Valhalla.' But I think the idea initially was like to speak to the fallen, the slain black people. But then at the same time, not wanting to martyr them in that way where it's like, 'Oh, they're fallen soldiers.' It's like, no, that was someone's son that's now dead. That was someone's daughter who's now dead. So I'm not trying to glorify it in that way, but just thinking of an official place where their sacrifice, what happened to them is actually recognized for what it is. And just a 'safe and glorious hall' – we all deserve that, Black people deserve that. We've been through a lot. So that's where that was coming from. And yeah, just this idea that it's not quite safe here on this plane for black people. Maybe somewhere else is safe. It's a global thing, but maybe it's different on another plane. In conjunction with KEXP’s Music Heals: Mental Health, we’re asking Song of the Day artists to spotlight a different organization. Hunter chose the Loveland Foundation, an organization that provides therapy for young Black girls and women. (Proceeds from today's featured track are being donated to the Foundation.) In her KEXP interview, she explains: I was just searching for the right organization and that came up and I was like, "Yes, this is exactly it." Because black girls need to talk about what's going on. It is so difficult to be a black woman in this world. And you need to be able to talk about that with someone else. And I just know for me, like when I found my African-American therapist, I was literally changed. I had been to therapists before who were white and it just didn't work because they didn't understand... they couldn't understand certain aspects. So I'm just thankful for any organization that is connecting black girls to therapists. So that's why I chose them. Learn more about the Loveland Foundation here. Donations are accepted here.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
3 Des 20206min

Kassa Overall - Darkness in Mind
Kassa Overall - “Darkness In My Mind” from I THINK I’M GOOD on Brownswood Recordings. Originally hailing from Seattle and now based out of New York, Kassa Overall has used his inimitable blend of jazz, hip-hop, and experimental leanings to explore heady and existential topics. With his latest record, I THINK I’M GOOD, he’s at his most personal and revealing. On the record he explores his own experiences with mental illness, having experienced manic episodes and subsequent hospitalizations in his youth. “Mental instability or hyper-sensitivity was something that felt too taboo to talk about," Kassa Overall says in the record’s Bandcamp description. "I want to show the world that mentally sensitive people are the innovators of our society, and hopefully set a new standard that includes a healthy way of life and embracing our unique perspective on reality.” He addresses these themes directly on the LP’s standout track, “”Darkness In My Mind.” Joined by jazz pianist Sullivan Fortner, the two create an atmosphere that veers into the gothic with elegant-yet-nightmarish piano keys cascading against Overall’s mournful, vocoder-effected vocals. The song veers drastically between moments of beauty and bliss to skittering, hectic rhythms and electronic fever dreams. The musical tension is an apt complement to Overall’s musings over his troubles, recreating that troubling and inescapable dream that can come in our most difficult mental moments. In conjunction with KEXP’s upcoming Music Heals: Mental Health, we’re asking Song of the Day artists to spotlight a different organization. Overall has chosen the Jazz Foundation of America’s Musicians Emergency Fund. The foundations outlined goal is to create a program that protects artists and “turns despair into hope.” They do this by ensuring blues, jazz, and roots artists are given the housing assistance they need, the care they need to stay healthy, and financially security to keep their basic needs met. Learn more about the Jazz Foundation of America here. Donations are accepted here. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
2 Des 20206min

Orion Sun - mama's baby
Orion Sun - “mama’s baby,” a 2020 self-released single. Philadelphia-based songwriter Orion Sun’s latest single, “mama’s baby,” was written after experiencing police brutality during a protest earlier this year in late May. Thrown into the ground multiple times and her arm twisted, she left with not just physical injuries but emotional pain from the trauma she lived. As she details in the description on her Bandcamp page, it took her some time to recover and process what happened to her. Some healing finally came as she turned to music. Less than a week after the event, she recorded and released “mama’s baby” with proceeds going to Breonna Taylor’s GoFundMe page. She explains the writing process below: “i've been in pain physically and emotionally but upon completing this song a wave of peace came over me. it was the first time my anxiety subsided in a long while and i thought if this did that for me then it might for other people. i want to share this song with you today in hopes that you can find some peace during this time. even when people can look at the world burning and feel nothing because the fire hasn't touched their skin, there are people feeling deeply and fighting in their own important way for the change that is inevitable. keep your head up and breathe and know that evil will never prevail long enough to be forever.” The hum of turntable needle wavers above Sun’s plaintive keyboard and the steady roll of her voice. Echoes and reverb come in and out of the mix, but Sun stays constant and hardly ever raises her voice or deviates from the soothing melody. “I’ve seen it all, it don’t affect me,” she repeats on the song before ending with, “I mean we all pass on, at least respect me.” While there is a mournful sorrow ruminating in the track, that sense of peace resonates throughout like a slow exhale. In conjunction with KEXP’s upcoming Music Heals: Mental Health, we’re asking Song of the Day artists to spotlight a different organization. Sun has chosen the Loveland Foundation. Loveland Foundation supports healing and mental health services for communities of color, with a particular focus on Black women and girls, including giving financial assistance for therapy, offering fellowships, residency programs, and more. Learn more about Loveland Foundation here. Donations are accepted here. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
1 Des 20203min

Sampa the Great - Time's Up (Remix) feat. Junglepussy
Sampa The Great - “Time’s Up (Remix) feat. Junglepussy,” a 2020 single on Ninja Tune. While music can be healing, oftentimes the industry is quite the opposite. As Sampa The Great (aka Sampa Tembo) addresses on “Time’s Up,” it can be even more perilous for Black artists working against systemic racism within the industry. “‘Time’s Up’ is a track that was made to reflect a conversation between two young Black artists about the Australian music industry,” Tembo said in a statement upon the song’s release in 2019. “With the current atmosphere it’s an important time to address systemic racism within the music industry, especially as it slowly rebuilds. She continues, “Allyship should never be performative and as we continue past blackout day, all music orgs/labels should be put to task in bringing forward their initiatives for real change within their industry.” A year after the song’s release, Tembo is continuing to open up the conversation and giving the song new life with a remix competition, encouraging Black women and non-binary artists to hop on the track and share their own experiences. She set things off with this remix featuring New York rapper Junglepussy, who calls out bluntly that there are people “making money off our pain, it must be the protocol.” It’s the ideal complement to Tembo’s original verse, speaking her truth on how female rappers are often grouped together and rising above expectations and outdated norms. In conjunction with KEXP’s upcoming Music Heals: Mental Health, we’re asking Song of the Day artists to spotlight a different organization. Tembo has chosen Pola Psychology. Tembo and Pola Psychology have partnered together with the goal of ensuring African youth have access to safe, appropriate, and responsive mental health care. “At a time when it is needed the most, this is not just about raising the much needed funds, but also about letting my friends and the wider African and black community know that this service exists,” Tembo says on the organizations website. Their current goal is to raise $20,000 to pay for a year of therapy for 16 African youth. Learn more about Pola Psychology here. Donations are accepted here. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
30 Nov 20202min

Stas THEE Boss - Rotary Style
Stas THEE Boss - “Rotary Style” from the 2020 EP Sang Stasia! on LucidHaus. Sang Stasia!, one of two outstanding EPs from the former Seattle resident and host of KEXP’s Street Sounds, was crafted from beats made for other singers but for some reason never recorded. The Black Constellation representative weaves her trademark multisyllabic rhymes over a cosmic sample looped to psychedelic effect, calling out corporate shills for churning out weak music for profit. The way Stas builds her rhyming sounds over the loopy harmonies of the beat is truly hypnotic. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
27 Nov 20201min

Seth Bogart - Men on the Verge of Nothing
Seth Bogart - “Men on the Verge of Nothing” from Men on the Verge of Nothing on Wacky Wacko Records. Inspired in equal measure by Pedro Almodóvar and Poly Styrene, the artist formerly known as Hunx spins the former’s classic 1988 dark comedy (titled Women on the Verge of a Nervous Breakdown) into a treatise on the uselessness of male privilege. The album’s title track zeroes in on this concept through the vehicle of lighthearted new wave while Bogart takes Mr. Know-It-Alls to task as they fail upwards. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
26 Nov 20203min

STR4TA - Aspects (Demus Dub)
STR4TA - "Aspects (Demus Dub)," a 2020 single on Brownswood Recordings. While 2020 and the COVID-19 pandemic have kept us from dancing out our sorrows, artists and producers around the globe are still holing up in their studios to give us sensational, future dance floor hits. Case in point, the new Brit-Funk project STR4TA. The project’s debut single ‘Aspects’ was recorded in a London shed just before lockdown went into effect before getting a release this fall. The infectious grooves get even more dazzling with the b-side dub mix by producer Demus. Funk and psychedelia instrumentation collide with raw, dance rhythms for a perfect impromptu at-home dance party to tide us over until we can all return to the clubs. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
25 Nov 20207min

Nubya Garcia - The Message Continues
Nubya Garcia - "The Message Continues" from the 2020 album SOURCE on Concord. British jazz wunderkind Nubya Garcia made an awe-inspiring debut this year with her LP, ‘SOURCE.’ Her jazz bona fides and prowess are in full view with “The Message Continues,” a stirring instrumental that sees Garcia’s saxophone taking center stage amongst a wondrous fray of sensational drumming and hypnotic keys and bass lines. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
24 Nov 20206min





















