Episode 20: G.P.S. for Drunks, and Coming Home to Serbia

Episode 20: G.P.S. for Drunks, and Coming Home to Serbia

This week: A Manhattan bartender, prizefighter, and onetime bank robber returns to his ancestral mansion in Serbia; Michael Friedman brings us a new song written from the campaign trail; and a devastating play tackles rape culture.

Episoder(1020)

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Robert Caro on the Making of “The Power Broker”

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Fifty years ago, in July, 1974, The New Yorker began publishing a lengthy excerpt of Robert Caro’s “The Power Broker.” When the book appeared, it ran more than twelve hundred pages and won a Pulitzer ...

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The New Yorker’s Political Writers Answer Your Election Questions

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At the beginning of 2021, it seemed like America might be turning a new page; instead, the election of 2024 feels like a strange dream that we can’t wake up from. Recently, David Remnick asked listene...

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John Fetterman’s Move to the Right on Israel

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Many Democrats saw John Fetterman as a progressive beacon: a Rust Belt Bernie Sanders who – with his shaved head, his hoodie, and the zip code of Braddock, Pennsylvania – could rally working-class whi...

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Emily Nussbaum on the Beginnings of Reality TV

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Reality television has generally got a bad rap, but Emily Nussbaum—who received a Pulitzer Prize, in 2016, for her work as The New Yorker’s TV critic—sees that the genre has its own history and craft....

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Kevin Costner on “Yellowstone,” “Horizon,” and Why the Western Endures

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Kevin Costner has been a leading man for more than forty years and has starred in all different genres of movies, but a constant in his filmography is the Western. One of his first big roles was in “S...

21 Jun 202432min

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