Shostakovich Symphony No. 10 LIVE w/ The Aalborg Symphony

Shostakovich Symphony No. 10 LIVE w/ The Aalborg Symphony

Longtime listeners of Sticky Notes know that Shostakovich's 10 symphony was the inaugural piece covered on the show. It's been 8 years(!) since that show, so I've totally re-written the episode and had the privilege of presenting this new version live with the Aalborg Symphony Orchestra last week in Aalborg.

Shostakovich, like so many composers before him, was obsessed with musical codes and messages, with songs that expressed two or more meanings, with ideas that were at once black and white and profoundly complex. This also describes Shostakovich himself, a man who was incredibly guarded with his public persona, and even his private persona as well. It is impossible to know anything for sure with Shostakovich, and to me therein lies the greatest strength of his music. The 10th symphony has been described as a portrayal of the Stalin years, as a portrayal of obsessive love, as a requiem, as sarcastic, as humorous, as agonizing, as triumphant, as, as, as….and the truth is that like all of the greatest works of Western Classical music, it is all of those things and so much more. It is a work of profound intensity, grabbing you from the start and not letting go for nearly 50 minutes, which makes sense considering that the piece was written in the shadow of another momentous event, the death of Joseph Stalin. There are very few experiences like hearing Shostakovich's 10th symphony live, and it is the kind of piece that, by the end of it, leaves you a slightly different person than you were when it started. Today on the show, we're going to be talking about a wide range of topics, from orchestral color to Joseph Stalin, from symphonic form to obsessive love, and much more. Join us!

Episoder(273)

Classical Music During the Pandemic

Classical Music During the Pandemic

Today I was thrilled to have with me Matthew Szymanski of the Phoenix Orchestra and Aram Demirjian of the Knoxville Symphony on the show to talk about what classical music as a whole is going to need to do to respond to the current situation with COVID-19. This is a weedsy conversation that digs into streaming, the future, and the sobering realities of audience-free concerts. If you want to hear 3 musicians grappling in real time with this crisis and how we will come out of it, this is the show for you.

11 Mai 202044min

Mahler Symphony No. 2, Part 2

Mahler Symphony No. 2, Part 2

Today we explore the two middle movements of Mahler's 2nd symphony. These movements were meant as intermezzi, and are both memories in their own way. The first is a nostalgic, wistful, and extraordinarily simple(for Mahler) Austrian Landler. The second is a bitterly cynical and ironic retelling of a story from Mahler's favorite collection of folk poetry, Des Knaben Wunderhorn(The Boy's Magic Horn). These are the movements listeners sometimes struggle with the most, so let's uncover their secrets together!

7 Mai 202036min

Debussy Prelude to the Afternoon of a Faun

Debussy Prelude to the Afternoon of a Faun

We're taking a brief detour from Mahler 2 today to discuss Debussy's legendary Afternoon of a Faun, a piece written in the same year as Mahler's 2nd symphony. It's easy to forget how revolutionary this piece was at the time, but composers from Stravinsky to Schoenberg to Boulez to Messiaen were galvanized by this 10 minute masterpiece which Boulez said "breathed new life into the art of music." This is a piece that changed musical history for good, and today we'll find out exactly why it had such an impact.

4 Mai 202035min

Mahler Symphony No. 2, Part 1

Mahler Symphony No. 2, Part 1

"What next? What is life and what is death? Will we live on eternally? Is it all an empty dream or do our life and death have a meaning? We must answer this question, if we are to go on living." These words form the basis of Mahler's epic second symphony. This week, on Part 1, we'll talk about the first movement of the symphony. We'll explore Mahler's multiple programs for the piece, the structure of this huge movement, and of course, the powerful emotions underpinning every single note Mahler ever wrote.

30 Apr 202038min

A Conversation with Jan Swafford, Composer and Author

A Conversation with Jan Swafford, Composer and Author

If you ever wanted to be a fly on the wall for a slightly nerdy conversation between a conductor and a composer who also happens to be a great writer and thinker about classical music, this week's show is for you! This is a wide-ranging, free-flowing conversation that covers the composition process, understanding Beethoven from a composer's perspective, the intimacy of Brahms, and the wackiness and earnestness of the music of Ives. I hope this hour will be as fun an escape for you as it was for me!

27 Apr 202056min

Opus 1s: The First Works of Great Composers, Part 2

Opus 1s: The First Works of Great Composers, Part 2

Every great composer has an origin story. Every composer started somewhere. I'm fascinated with a composers first works because they tell us so much about who they are going to become. In some cases, composers were writing masterpieces before they turned 18! And some were late bloomers, giving some hope to the rest of us! Today we look at composers 5-10: Beethoven, Schubert, Bruckner, Shostakovich, and in my Patreon exclusive mini-episode, Prokofiev. You'll hear some truly astonishing music this week!

23 Apr 202042min

What is Historical Performance?  w/Augusta McKay Lodge

What is Historical Performance? w/Augusta McKay Lodge

Have you ever wondered what the real differences are between modern and historical performance? Why do historical performances sound so different from modern ones? This week, we take a deep dive into historical performance with the baroque violinist Augusta McKay Lodge. We talk the differences in the sound worlds between modern and historical performance, and also try to resolve the "Cold War" between modern and historical performers. This was a truly fascinating interview, so I hope you'll enjoy it!

20 Apr 202041min

Opus 1s: The First Works of Great Composers, Part 1

Opus 1s: The First Works of Great Composers, Part 1

Every great composer has an origin story. Every composer started somewhere. I'm fascinated with a composers first works because they tell us so much about who they are going to become. We can see in so many of these works a germ, a seed of an idea that will blossom into masterpieces. In some cases, composers were writing masterpieces before they turned 18. And some were late bloomers, giving some hope to the rest of us! Today we look at composers 1-5: Mozart, Rameau, Haydn, Mendelssohn, and Korngold.

16 Apr 202045min

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