Natasha Piano, "Democratic Elitism: The Founding Myth of American Political Science" (Harvard UP, 2025)

Natasha Piano, "Democratic Elitism: The Founding Myth of American Political Science" (Harvard UP, 2025)

Do competitive elections secure democracy, or might they undermine it by breeding popular disillusionment with liberal norms and procedures? The so-called Italian School of Elitism, comprising Vilfredo Pareto, Gaetano Mosca, and Robert Michels, voiced this very concern. They feared that defining democracy exclusively through representative practices creates unrealistic expectations of what elections can achieve, generating mass demoralization and disillusionment with popular government. The Italian School’s concern has gone unheeded, even as their elite theory has been foundational for political science in the United States. Democratic Elitism: The Founding Myth of American Political Science (Harvard UP, 2025) argues that scholars have misinterpreted the Italians as conservative, antidemocratic figures who championed the equation of democracy with representative practices to restrain popular participation in politics. Natasha Piano contends not only that the Italian School’s thought has been distorted but also that theorists have ignored its main objective: to contain demagogues and plutocrats who prey on the cynicism of the masses. We ought to view these thinkers not as elite theorists of democracy but as democratic theorists of elitism. The Italian School’s original writings do not reject electoral politics; they emphasize the power and promise of democracy beyond the ballot. Elections undoubtedly are an essential component of functioning democracies, but in order to preserve their legitimacy we must understand their true capacities and limitations. It is past time to dispel the delusion that we need only elections to solve political crises, or else mass publics, dissatisfied with the status quo, will fall deeper into the arms of authoritarians who capture and pervert formal democratic institutions to serve their own ends. Natasha Piano is an Assistant Professor of Political Theory in the Department of Political Science at UCLA. She specializes in democratic theory and the history of political thought, focusing on the realist and empirical traditions in political science and Italian political theory Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Mark Schuller, “Humanitarian Aftershocks in Haiti” (Rutgers UP, 2016)

Mark Schuller, “Humanitarian Aftershocks in Haiti” (Rutgers UP, 2016)

The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti (Rutgers University Press...

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Mark Carrigan, “Social Media for Academics” (Sage, 2016)

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Eben Kirksey, “Emergent Ecologies” (Duke UP, 2015)

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Alfie Bown, “Enjoying It: Candy Crush and Capitalism” (Zero Books, 2015)

Alfie Bown, “Enjoying It: Candy Crush and Capitalism” (Zero Books, 2015)

What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and ...

18 Apr 201631min

Emma Jackson, “Young Homeless People and Urban Space: Fixed in Mobility” (Routledge, 2015)

Emma Jackson, “Young Homeless People and Urban Space: Fixed in Mobility” (Routledge, 2015)

What is the experience of young homeless people? What does this experience tell us about space, place and society? In Young Homeless People and Urban Space: Fixed in Mobility (Routledge, 2015), Dr. Em...

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Roshanak Kheshti, “Modernity’s Ear: Listening to Race and Gender in World Music” (NYU Press, 2015)

Roshanak Kheshti, “Modernity’s Ear: Listening to Race and Gender in World Music” (NYU Press, 2015)

The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening t...

1 Apr 201659min

Lisa McCormick, “Performing Civility: International Competitions in Classical Music” (Cambridge UP, 2015)

Lisa McCormick, “Performing Civility: International Competitions in Classical Music” (Cambridge UP, 2015)

The competition seems to be a crucial part of the classical music world. In Performing Civility: International Competitions in Classical Music (Cambridge University Press, 2015), Dr. Lisa McCormick, a...

18 Mar 201648min

Colette Soler, “Lacanian Affects: The Function of Affect in Lacan’s Work”, trans. Bruce Fink (Routledge, 2016)

Colette Soler, “Lacanian Affects: The Function of Affect in Lacan’s Work”, trans. Bruce Fink (Routledge, 2016)

Affect is a weighty and consequential problem in psychoanalysis. People enter treatment hoping for relief from symptoms and their attendant unbearable affects. While various theorists and schools offe...

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