The Emergence of Trotskyism in the United States: Part 1 of 3
Part 1 of 3. In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021). Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable. Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about. As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket. Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
23 Des 20221h 12min
Arya Aryan, "The Post-War Novel and the Death of the Author" (Palgrave Macmillan, 2021)
Arya Aryan's The Post-War Novel and the Death of the Author (Palgrave Macmillan, 2021) not only discloses and examines different functions and concepts of authorship in fiction and theory from the 1950s and 1960s to the present but it also reveals, at least implicitly, a trajectory of some of the modes and functions of the novel as a genre in the last few decades. It argues that the explicit terms of much of the theoretical and philosophical debate surrounding the concept of authorship in the moment of High Theory in the 1980s had already been engaged, albeit often more implicitly, in literary fictions by writers themselves. This book examines the fortunes of the authorship debate and the conceptualisations and functions of authorship before, during, and after the Death of the Author came to prominence as one of the key foci for the moment of High Theory in the 1980s. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
23 Des 202233min
Geert Lovink, "Sad by Design: On Platform Nihilism" (Pluto Press, 2019)
Why is the internet making us so unhappy? Why is it in capital’s interests to cultivate populations that are depressed and desperate rather than driven by the same irrational exuberance that moves money? Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app. Sad by Design: On Platform Nihilism (Pluto Press, 2019) by Geert Lovink offers a critical analysis of the controversies which drive our online media behaviours. Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies because boredom is the first stage of overcoming ‘platform nihilism’. Geert Lovink speaks to Pierre d'Alancaisez about the frustrations of studying the internet as it evolves from networks to platforms, the politically-contingent notions of online 'communities', and cycles of ideological production and capture. Geert Lovink is a media theorist and internet critic who has chronicled the development of internet and network cultures as they came of age alongside him. He is the author of Zero Comments, Networks Without a Cause, Social Media Abyss, and most recently Struck on the Platform. He is the founder of the Institute of Network Cultures. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
22 Des 202256min
Jacob Kramer, "The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance" (Temple UP, 2015)
In The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance (Temple University Press, 2015), Jacob Kramer examines how progressivism emerged at a time of critical transformation in American life. Kramer presents a study of Wilsonian-era politics to convey an understanding of the progressives’ views on radical America. Jacob Kramer is an Associate Professor of History at Borough of Manhattan Community College. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
21 Des 202254min
Quito J. Swan, "Pasifika Black: Oceania, Anti-Colonialism, and the African World" (NYU Press, 2022)
Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black: Oceania, Anti-Colonialism, and the African World (NYU Press, 2022) is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation. Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria's Wole Soyinka, the Nuclear Free and Independent Pacific's Amelia Rokotuivuna, Samoa's Albert Wendt, African American anthropologist Angela Gilliam, the NAACP's Roy Wilkins, West Papua's Ben Tanggahma, New Caledonia's Déwé Gorodey, and Polynesian Panther Will 'Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans. In a world grappling with the global significance of Black Lives Matter and state-sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world, and the Global South. Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
20 Des 20221h 34min
Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries
Many of the creative industries look like an hourglass. On the one side, you have creators; on the other, the rest of us. In the middle, Rebecca Giblin and Cory Doctorow say there's often a 'chokepoint.' Corporate behemoths -- be they streaming apps, publishers, tech giants, or others -- put on the squeeze, exploiting their market power to extract rents, push down wages, and push up costs. But Cory and Rebecca have solutions to break the stranglehold, and in this episode of Darts and Letters Cory helps Jay explore various chokepoints, from concert tickets to audiobooks, and how we can open up the industries and get workers paid. SUPPORT THE SHOW You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. ABOUT THE SHOW For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
19 Des 202249min
Clara E. Mattei, "The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism" (U Chicago Press, 2022)
A groundbreaking examination of austerity’s dark intellectual origins. For more than a century, governments facing financial crisis have resorted to the economic policies of austerity—cuts to wages, fiscal spending, and public benefits—as a path to solvency. While these policies have been successful in appeasing creditors, they’ve had devastating effects on social and economic welfare in countries all over the world. Today, as austerity remains a favored policy among troubled states, an important question remains: What if solvency was never really the goal? In The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism (University of Chicago Press, 2022), political economist Clara E. Mattei explores the intellectual origins of austerity to uncover its originating motives: the protection of capital—and indeed capitalism—in times of social upheaval from below. Mattei traces modern austerity to its origins in interwar Britain and Italy, revealing how the threat of working-class power in the years after World War I animated a set of top-down economic policies that elevated owners, smothered workers, and imposed a rigid economic hierarchy across their societies. Where these policies “succeeded,” relatively speaking, was in their enrichment of certain parties, including employers and foreign-trade interests, who accumulated power and capital at the expense of labor. Here, Mattei argues, is where the true value of austerity can be observed: its insulation of entrenched privilege and its elimination of all alternatives to capitalism. Drawing on newly uncovered archival material from Britain and Italy, much of it translated for the first time, The Capital Order offers a damning and essential new account of the rise of austerity—and of modern economics—at the levers of contemporary political power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
19 Des 20221h
Ben Pitcher, "Back to the Stone Age: Race and Prehistory in Contemporary Culture" (McGill-Queen's UP, 2022)
What does Prehistory mean to us now? In Back to the Stone Age: Race and Prehistory in Contemporary Culture (McGill-Queen's UP, 2022), Ben Pitcher, a Reader in Sociology at the University of Westminster, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
18 Des 202248min
