brian bean, "Their End Is Our Beginning: Cops, Capitalism, and Abolition" (Haymarket, 2025)

brian bean, "Their End Is Our Beginning: Cops, Capitalism, and Abolition" (Haymarket, 2025)

Where do cops come from and what do they do? How did “modern policing” as we know it today come to be? What about the capitalist state necessitates policing? In this clear and comprehensive account of why and how the police—the linchpin of capitalism—function and exist, organizer and author brian bean presents a clear case for the abolition of policing and capitalism. Their End Is Our Beginning traces the roots and development of policing in global capitalism through colonial rule, racist enslavement, and class oppression, along the way arguing how police power can be challenged and, ultimately, abolished. bean draws from extensive interviews with activists from Mexico to Ireland to Egypt, all of whom share compelling and knowledgeable perspectives on what it takes to—even if temporarily—take down the cops and build a thriving community-organized society, free from the police. The lessons they offer bring nuance to the meaning of “solidarity” and clarity to what “abolition” and “revolution” look like in practice. Featuring illustrations by Chicago-based artist Charlie Aleck, Their End Is Our Beginning is an incendiary book that offers a socialist analysis of policing and the capitalist state, a vital discussion of the contours of abolition at large, and the revolutionary logic needed for liberation. Guest: brian bean is a Chicago-based socialist organizer, writer, and agitator originally from North Carolina. They are one of the founding editors of Rampant magazine. Their work has been published in Truthout, Jacobin, Tempest, Spectre, Red Flag, New Politics, Socialist Worker, International Viewpoint, and more. In addition to Their End Is Our Beginning, brian coedited and contributed to the book Palestine: A Socialist Introduction, also published by Haymarket Books. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Episoder(2148)

Catherine Knight Steele, "Digital Black Feminism" (NYU Press, 2021)

Catherine Knight Steele, "Digital Black Feminism" (NYU Press, 2021)

How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

18 Okt 202135min

Peter Mitchell, "Imperial Nostalgia: How the British Conquered Themselves" (Manchester UP, 2020)

Peter Mitchell, "Imperial Nostalgia: How the British Conquered Themselves" (Manchester UP, 2020)

With Imperial Nostalgia: How the British Conquered Themselves (Manchester UP, 2020) Peter Mitchell offers a “history of the present”. That is to say, it is not a narrative of how we got to where we are, but rather a sustained reflection on how history shapes and interacts with our current world. Mitchell also engages the uses history for contemporary political purposes. Mitchell argues that memories of empire are at the root almost every aspect of Britain’s culture wars. From battles over statues to skirmishes within hallowed Oxbridge halls he argues that imperial nostalgia infects British politics. Dr. Mitchell earned his doctorate at Queen Mary, University of London in 2014. His dissertation was on the India Office records and the historiography of the early modern British Empire. In addition to Imperial Nostalgia, he is the co-author of Ruling the World: Freedom, Civilization and Liberalism in the Nineteenth Century British Empire with Alan Lester and Kate Boehme also with Cambridge University Press, 2021. Peter Mitchell is currently an Oral History and Public Engagement Officer with the University of Manchester working on “NHS: Voices of Covid-19” (funded by the AHRC and in partnership with the British Library Oral History Archive). Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Okt 20211h 22min

Erica R. Edwards, "The Other Side of Terror: Black Women and the Culture of US Empire" (NYU Press, 2021)

Erica R. Edwards, "The Other Side of Terror: Black Women and the Culture of US Empire" (NYU Press, 2021)

Dr. Erica R. Edwards's The Other Side of Terror: Black Women and the Culture of US Empire (New York University, 2021) reveals the troubling intimacy between Black women and the making of US global power.  The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Okt 202159min

Alana Jelinek, "Between Discipline and a Hard Place: The Value of Contemporary Art" (Bloomsbury, 2020)

Alana Jelinek, "Between Discipline and a Hard Place: The Value of Contemporary Art" (Bloomsbury, 2020)

Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? Between Discipline and a Hard Place, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Between Discipline and a Hard Place is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world. Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working. Alana Jelinek is an artist and a researcher at the University of Hertfordshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

13 Okt 202157min

Terence Renaud, "New Lefts: The Making of a Radical Tradition" (Princeton UP, 2021)

Terence Renaud, "New Lefts: The Making of a Radical Tradition" (Princeton UP, 2021)

In the 1960s, the radical youth of Western Europe’s New Left rebelled against the democratic welfare state and their parents’ antiquated politics of reform. It was not the first time an upstart leftist movement was built on the ruins of the old. New Lefts: The Making of a Radical Tradition (Princeton University Press, 2021) traces the history of neoleftism from its antifascist roots in the first half of the twentieth century, to its postwar reconstruction in the 1950s, to its explosive reinvention by the 1960s counterculture. Terence Renaud demonstrates why the left in Europe underwent a series of internal revolts against the organizational forms of established parties and unions. He describes how small groups of militant youth such as New Beginning in Germany tried to sustain grassroots movements without reproducing the bureaucratic, hierarchical, and supposedly obsolete structures of Social Democracy and Communism. Neoleftist militants experimented with alternative modes of organization such as councils, assemblies, and action committees. However, Renaud reveals that these same militants, decades later, often came to defend the very institutions they had opposed in their youth. Providing vital historical perspective on the challenges confronting leftists today, this book tells the story of generations of antifascists, left socialists, and anti-authoritarians who tried to build radical democratic alternatives to capitalism and kindle hope in reactionary times. Mathias Fuelling is a doctoral candidate in History at Temple University, working on a political history of Czechoslovakia in the immediate post-WWII years. He can be found on Twitter at https://twitter.com/bucephalus424 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

13 Okt 20211h 10min

Michelle Caswell, "Urgent Archives: Enacting Liberatory Memory Work" (Routledge, 2021)

Michelle Caswell, "Urgent Archives: Enacting Liberatory Memory Work" (Routledge, 2021)

Today I talked to Michelle Caswell about her new book Urgent Archives: Enacting Liberatory Memory Work (Routledge, 2021). What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential in the present. Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing material and symbolic annihilation of Black Americans. As Michelle Caswell argues in her book, imagining liberatory memory work is an urgent project that needs to happen in the now. In the introduction, Caswell begins with the question of the liberatory potential of community archives. Chapter 1 outlines the cyclical conception of time in critique of chronoviolence of white, dominant linear temporality. In chapter 2, Caswell draws from four focus groups to show how different ethnic groups use community archives to address repetitive oppressions by constructing corollary records. Chapter 3 focuses on her work with the South Asian American Digital Archives (SAADA) and the road to discovering the importance of liberatory activation. In Chapter 4, Caswell pushes back against the idea of archivists as passive technicians and repositions them as liberatory memory workers. In the conclusion, Liberation Now! Caswell emphasizes the need to disrupt the dominant narrative on future by embracing the joy of advocacy in the present. Urgent Archives will be an excellent resource for anyone who is interested in critically re-evaluating archives in academia and beyond. In the interview, Caswell recommends following two readings to the listeners: SAADA. Our Stories: An Introduction to South Asian America. Philadelphia: SAADA, 2021. "The Chronopolitics of Racial Time," Time & Society, Special Issue: The Social Life of Time, 29, no. 2 (May 2020): 297-317.  Michelle Caswell is an Associate Professor in the Department of Information Studies at the University of California, Los Angeles, and the co-founder of the South Asian American Digital Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

13 Okt 202155min

Christopher Phelps and Robin Vandome, "Marxism and America: New Appraisals" (Manchester UP, 2021)

Christopher Phelps and Robin Vandome, "Marxism and America: New Appraisals" (Manchester UP, 2021)

If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New Appraisals (Manchester University Press, 2021) sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle. I was joined for this interview by editors Christopher Phelps and Robin Vandome (both University of Nottingham), and contributors Mara Keire (Oxford University) and Andrew Hartman (Illinois State University).  We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it! Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Okt 20211h 12min

Teun Voeten, "Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty" (2020)

Teun Voeten, "Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty" (2020)

With an estimated 250,000 people killed in 15 years, the Mexican drug war is the most violent conflict in the Western world. It shows no sign of abating. In Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty (2020), Dr Teun A. Voeten analyzes the dynamics of the violence. He argues it is a new type of war called hybrid warfare: multidimensional, elusive and unpredictable, fought at different levels, with different intensities with multiple goals. The war ISIS has declared against the West is another example of hybrid warfare. Voeten interprets drug cartels as ultra-capitalist predatory corporations thriving in a neoliberal, globalized economy. They use similar branding and marketing strategies as legitimate business. He also looks at the anthropological, individual level and explains how people can become killers. Voeten compares Mexican sicarios, West African child soldiers and Western jihadis and sees the same logic of cruelty that facilitates perpetrating 'inhumane' acts that are in fact very human. Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

8 Okt 202142min

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