Musical Closure With MATT FLOOD From CASKETS

Musical Closure With MATT FLOOD From CASKETS

For most bands, album number two is make-or-break time. The general consensus is that a band's debut album is their easiest, taking into account things like no pressure as an unknown band and having a larger amount of time to come up with material and draw from their well of music.
But the dreaded sophomore album - especially if the debut is a raging success - is usually the one by which a band is judged. And more than you think fail. There's a multitude of reasons and excuses for this, but we are here to dwell on the positives, not the negatives.
Yorkshire melodic metal outfit Caskets fall firmly into this category. Following the breakthrough global success of their first album Lost Souls, Caskets went more introspective for the follow-up, Reflections, and although it, too, was well received, the band themselves still felt they could do better. And so it is that the band approached album number three, the hurdle of the dreaded second album behind them.
It was another fresh approach from Caskets, with frontman Matt Flood opening up and delving into deeply personal troubles like never before on The Only Heaven You’ll Know, which is out now. It was a risk, in a sense, inviting fans to take such a journey with a band on only their third album, but one which looks set to pay dividends, with Flood joining HEAVY to dive deeper. One of the topics of discussion was a quote from Flood that said, "this record is the sound of me falling apart in real time", which we ask him to elaborate on.
"I write, or I sing, or I've written lyrics where a lot of the meanings of these songs are written about parts of me, or aspects of my life that I've - in all honesty - been too scared or anxious to talk about before," he explained. "Ever. To anyone. I feel like it's time for me now to get these… not only thoughts out of my head for my own sake, but I know that this type of stuff that I've gone through in the past and what I've sung about in these new songs, I know they will potentially help other people listening. They will relate to it, and I hope it helps them find some closure or helps them feel heard and feel seen. A lot of the songs are about my dealings with my belief in Faith and my past with addictions and parts of my upbringing, and my own self-criticisms as well. It's about time I took a little bit of responsibility for some of the bad I've done in my life that I have kept inside and pent up. I let that out not just for me, but so other people can hear that it's fine to acknowledge that sometimes you can be the bad person in a situation, but also know that we all have bad in us, and we all do bad things, but it's also fine to forgive yourself and try and find forgiveness."
In the full interview, Matt talks more about the personal nature of The Only Heaven You’ll Know, what they were going for musically, how the album is the best representation yet of Caskets as a band and how such personal lyrics help in his own healing process.
He talks about the early days of Caskets and the band's early vision, how it has changed since, and their future goals as a band. Matt also talks about how each album has to stand on its own merits rather than repeat the winning formula of what came before, their Australian tour next year and what to expect, plus more.


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Deeper Wells And Deeper Laughs: Dyssidia’s MITCH BRACKMAN Gets Real

Deeper Wells And Deeper Laughs: Dyssidia’s MITCH BRACKMAN Gets Real

Interview by Ali WilliamsIf you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY’s own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl snobbery to deadly Frisbees and Adelaide’s criminally underrated music scene.Dyssidia just dropped their sophomore album Deeper Wells of Meaning—only five years after their debut, because, you know, global pandemics and musicians’ creative “pauses.” Mitch spills on the pain of planning an album launch, only to have COVID crash the party two weeks later. The silver lining? More time to marinate, mature, and, presumably, stare at the ceiling thinking about vinyl colour options. Forget digital downloads; Mitch’s passion for vinyl is a religion. The band doesn’t just release albums—they curate tactile experiences. The latest artwork, painted by Adam Burke (with an actual brush—no AI here, people), is so gorgeous that Mitch reckons at least 20% of positive feedback is just fans drooling over the cover. Want a double LP with wild colours? Dyssidia’s got you. Want a band-branded stubby cooler? Even better—just watch out for Mitch’s plans to weaponize plastic frisbees at shows. Rock and roll, but with dental insurance. The band’s gearing up for their album launch in Adelaide, with Adriatic, Wings of Thanatos, and Kuiper joining the chaos. Touring across Australia is like prepping for the Olympics—distances are brutal, costs are bonkers, and sometimes even the koalas get confused by daylight savings. Perth fans: you’re loved, you’re loyal, but unless someone donates a private jet, don’t hold your breath for monthly Dyssidia visits.Dyssidia have re-joined forces with Wild Thing Records—mainly because the contracts are so chill they’re basically handshakes, and the friendships are the real glue. According to Mitch, it’s not about the business as much as it is about the hang. “Most of the time, you’re just trying to survive and connect with other bands, so your mini-tour isn’t just you in a van talking to yourself.”There’s no road map for being a modern prog-metal band. Dyssidia is all about that flexible, DIY, make-it-work spirit—embracing the weirdness of the times, working from home, and enjoying the freedom to create on your own terms. New music is brewing (eventually), Adelaide is still underrated, and at least Ali and Mitch are now Facebook friends. In the words of the great philosopher: Thanks babe.”Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

12 Des 202518min

Backstage chats with ALL TIME LOW At GOOD THINGS 2025

Backstage chats with ALL TIME LOW At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela gets cozy with All Time Low.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Des 20258min

Backstage Chats With YOURS TRULY At GOOD THINGS 2025

Backstage Chats With YOURS TRULY At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela get up close with Yours Truly. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Des 202513min

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

In 1994, Season to Risk had been on tour for the past four years, playing as a young opening band on legendary shows with Killdozer, Unsane, Neurosis, Prong and Killing Joke. Their first album had sold well, with songs charting on radio and getting music video airtime on MTV and Canada's Much Music. There was an opportunity to take advantage of the popular wave of alt rock and nu metal dominating the air waves and being signed unexpectedly to major label Columbia Records put them in the position that they had amazing support as artists, but also someone to answer to and the machine must be fed.The band decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock, In A Perfect World. The album has become a cult classic and over the course of the past 30 years, some of the songs off In A Perfect World became mainstays in live shows.And now, Season To Risk have decided the time is right to revisit that timeless album, having In A Perfect World remastered by Duane Trower (Weights & Measures Soundlab), creating a reissue that gains new clarity without losing its raw urgency. Released on Record Store Day in the United States, In A Perfect World has been rejigged to embrace the modern sound, with Season To Risk using the experience to harness their focus and energy into live shows and a new record.Singer Steve Tulipana joined HEAVY to take us behind the scenes. We start by asking if the nerves are any different, releasing the same album three decades later."I mean, it's weird," he smiled, "It's 30 years old, which is kind of a trip obviously for us. To think about how much time has passed… It doesn't feel like 30 years ago by any means, which is over half my life. I'm more nervous because we have some US dates we're going to start. It's a pretty gruelling little run of shows we're doing, and we haven't done that in many, many years. So that's got me nervous, more than the record coming out".Going into In A Perfect World back in 1994, Season To Risk had just finished four years on the road and were understandably more than a little jaded. We ask Steve if this had any effect on the finished product."Yes, I do think we were (jaded)," he nodded. "So a lot of the material from the first record - and it's a cleaner record for sure - we were young, and it was our first material that you take a bunch of years to write. Then you get signed, and then it was delayed forever. We were always trying to challenge ourselves, and we were wanting to be more… it's not like it was incredibly conscious. I mean, we didn't want to sell out, but we were trying to find this heavy thing. We had some road on us, and we had some life experience on us at that point so it was darker and things were a little more fucked up. To be candid, I was a little more fucked up in my head, but that's the experience you go through, right?"In the full interview, Steve focused on the reissue of In A Perfect World, reflecting on the surreal nature of the album's 30-year anniversary. The remastering process was highlighted, with improvements made by guitarist Duane Trower being explained, although digital rights for a remastered version have not been granted by Sony, leaving fans without a digital option for now.The conversation also explored the band's artistic evolution, with Steve discussing their maturation and the incorporation of new elements like synthesizers in their upcoming material. The importance of clarity in lyrics while maintaining a unique sound was emphasized. We spoke about the release of a new album, with the aim for completion by the first quarter of the next year.Steve discussed the natural evolution of Season To Risk and how it has impacted their music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Des 202523min

Backstage chats with COBRA STARSHIP At GOOD THINGS 2025

Backstage chats with COBRA STARSHIP At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela sits down for an awesome one on one with Cobra Starship.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Des 20258min

Backstage chats with WINDWAKER At GOOD THINGS 2025

Backstage chats with WINDWAKER At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra gets to know Aussie metal sensations Windwaker.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Des 202511min

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Interview by Angela CroudaceAfter years of anticipation, Born of Osiris are finally set to return to Australia this coming March and for drummer Cameron Losch, the excitement is doubled. While the band last toured the country six years ago, Cameron himself hasn’t performed on Australian soil for roughly a decade due to an injury during their previous run. “I am just so excited. It’s been way too long,” he says, reflecting on how much he loved every visit in the past.Some of his clearest memories include being pranked about “drop bears” moments after landing, and wandering through bushland stunned by wild kangaroos an experience far removed from his Midwest home. This time, he’s hoping for more of those uniquely Australian moments, plus a chance to reconnect with fans face-to-face, something he’s grown to treasure deeply on recent tours.Australia will also be among the first to witness a major milestone: the 15-year anniversary celebration of The Discovery. The band is performing eight tracks from the beloved album, reworked with fresh flair. Cameron promises surprises, intensity, and some of the most challenging drumming of his career.Sharing the bill with the crushing Signs of the Swarm, Born of Osiris’ March run is shaping up to be an unmissable blend of nostalgia, evolution, and explosive energy. Australia, get ready, they’re coming back stronger than ever.BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour DatesWednesday 18th March ADELAIDE, Lion Arts FactoryThursday 19th March MELBOURNE, Max WattsFriday 20th March BRISBANE, Brightside OutdoorsSaturday 21st March SYDNEY, Manning BarTickets From: https://thephoenix.au/born-of-osiris-2026/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Des 202526min

Backstage chats with LORNA SHORE At GOOD THINGS 2025

Backstage chats with LORNA SHORE At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela chat with the most brutal band on the bill, Lorna Shore. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Des 202515min

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