Walking With Dante
Ever wanted to read Dante's Divine Comedy? Come along with us! We're not lost in the scholarly weeds. (Mostly.) We're strolling through the greatest work (to date) of Western literature. Join me, Mark Scarbrough, as I take on this masterpiece passage by passage. I'll give you my rough English translation, show you some of the interpretive knots in the lines, let you in on the 700 years of commentary, and connect Dante's work to our modern world. The pilgrim comes awake in a dark wood, then walks across the known universe. New episodes every Sunday and Wednesday.

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Episoder(511)

From Lofty To Lyrical In The Prophetic Voice: PURGATORIO, Canto XXIII, Lines 91 - 111

From Lofty To Lyrical In The Prophetic Voice: PURGATORIO, Canto XXIII, Lines 91 - 111

Having praised his wife, Nella, Forese Donati launches into the prophetic voice, the new "high style" that Dante has developed, a screed with a lyrical undertow.This complicated poetic act can only be...

22 Jun 202528min

The Heroic Nella Donati: PURGATORIO, Canto XXIII, Lines 76 - 90

The Heroic Nella Donati: PURGATORIO, Canto XXIII, Lines 76 - 90

Dante the pilgrim and his rival/friend/fellow poet Forese Donati continue to talk about their concerns: suffering, placement on the mountain, and the role of the living in the service of the dead.Alo...

18 Jun 202526min

Pain, Solace, And Being Human: PURGATORIO, Canto XXIII, Lines 49 - 75

Pain, Solace, And Being Human: PURGATORIO, Canto XXIII, Lines 49 - 75

Having met his poetic rival, Forese Donati, Dante the pilgrim must make sense of the clear and present pain he sees in friend's face.This passage is a curious example of felix culpa, the fortunate fal...

15 Jun 202529min

Gluttons For Poetry: PURGATORIO, Canto XXIII, Lines 28 - 48

Gluttons For Poetry: PURGATORIO, Canto XXIII, Lines 28 - 48

Dante now walks with the skeletal gluttons who have God's writing on their faces.Along the way, there are increasingly complex and almost gaming literary references that litter the text until Dante th...

11 Jun 202533min

Starved For Affection: PURGATORIO, Canto XXIII, Lines 1 - 27

Starved For Affection: PURGATORIO, Canto XXIII, Lines 1 - 27

Our pilgrim must move beyond the mystical tree on the sixth terrace of Mount Purgatory. So he sets off behind Virgil and Statius, only to overtaken by a group of cadaverous, skeletal penitents, whose ...

8 Jun 202527min

Did Dante Think The Characters In Classical Poems Were Real?

Did Dante Think The Characters In Classical Poems Were Real?

Did Dante think that the characters in Virgil's and Statius's poems were real? Did he believe that the characters who changed shape, being, and even substance in Ovid's METAMORPHOSES were actual and h...

4 Jun 202519min

You Are What You Eat . . . And Read: PURGATORIO, Canto XXII, Lines 130 - 145

You Are What You Eat . . . And Read: PURGATORIO, Canto XXII, Lines 130 - 145

Virgil and Statius begin to trek around the sixth terrace of Mount Purgatory but are stopped by an upside-down tree . . . that causes more questions than it provides answers.A voice in the tree warns ...

1 Jun 202527min

Going In Circles To Go Forward: PURGATORIO, Canto XXII, Lines 115 - 129

Going In Circles To Go Forward: PURGATORIO, Canto XXII, Lines 115 - 129

Our pilgrim, Virgil, and Statius arrive on the otherwise empty sixth terrace of Mount Purgatory. Virgil seems more hesitant. And our pilgrim, Dante, more passive, as he listens to the two older, wiser...

28 Mai 202523min

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