The Ezra Klein Show

​​“One of the biggest things about poetry is that it holds all of humanity,” the poet Ada Limón tells me. “It holds the huge and enormous and tumbling sphere of human emotions.”When the news feels sodden with violence and division, it can be hard to know where to put the difficult emotions it provokes. Poetry may seem an unlikely destination for those emotions, especially to those who don’t read it regularly. But Limón’s poems are unique for the deep attention they pay to both the world’s wounds and its redemptive beauty. In otherwise dark times, they have the power to open us up to the wonder and awe that the world still inspires.Limón’s books of poetry — like her 2018 collection, “The Carrying,” which won the National Book Critics Circle Award, and her 2015 collection, “Bright Dead Things” — are filled with meditations on grief and infertility, as well as striking moments of insight about friendship, lust and our fellowship with animals. Her most recent book, “The Hurting Kind,” explores what it means to share the planet with nonhuman beings like birds and trees. Limón describes the marvels of Kentucky’s rural landscape and the dusky beauty of a New York City bar with equal care. Her writing is highly acclaimed by fellow poets and also delightfully accessible to those who have never before picked up a book of poetry.Limón is a lively reader of her own poetry, so to structure this conversation, I asked her to read a varied selection of her work. We use those readings to discuss what poetry gives us that the news doesn’t, the importance of slowing down in a world that demands speed, how the grief of infertility differs from that of losing a loved one, how to be “in community” with ancestors and animals in lonely times, why Limón loves “chatty” and humorous poems as much as serious ones, why we often have our best thoughts in cars and on planes, how Instagram and Twitter affect our relationship to the world, why Limón meditates every day, how our relationship to excitement changes as we age and more.Book Recommendations:Stones by Kevin YoungFrank: Sonnets by Diane SeussPostcolonial Love Poem by Natalie DiazThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Haylee Millikan; original music by Isaac Jones and Jeff Geld; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin, Kristina Samulewski, Rebecca Elise Foote and Jahan Ramazani. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

24 Mai 20221h 17min

When Justice Samuel Alito’s draft opinion on Dobbs v. Jackson Women’s Health Organization leaked a few weeks ago, it signaled that Roe v. Wade appears likely to be overturned in a matter of weeks. If Roe falls, questions about the right to abortion will re-enter the realm of electoral politics in a way they haven’t for 50 years. States will be solely in charge of determining whether abortion is permitted, under what conditions it should be permitted, and what the appropriate thresholds are for making those decisions.That means ordinary voters and their representatives will be forced to grapple with the moral — even metaphysical — quandaries at the heart of the abortion debate. What does it mean to belong to the human species, and when does that belonging begin? Is there a bright line at which an egg, a blastula, or a fetus attains the status of “person”? And how do we weigh the competing interests of mothers, families, and fetuses against one another? Those questions are the foundation on top of which abortion law and policy is built.Kate Greasley is a law professor at the University of Oxford in the U.K., where she studies, among other things, the legal and moral philosophy of abortion. She’s the author of “Arguments About Abortion: Personhood, Morality, and Law,” and co-author of “Abortion Rights: For and Against” alongside Christopher Kaczor, a philosopher who opposes abortion. While Greasley ultimately believes in the right to choose, she does a remarkably comprehensive job of carefully and fairly considering all the arguments, contradictions and nuances of this issue.We discuss why both progressives and conservatives should be open to questioning their preconceptions about abortion, what the Bible does — and doesn’t — suggest about abortion, why the status of fetal life is the central question at the heart of abortion ethics, whether life begins at conception or emerges later in fetal development, how the complex, messy moral intuitions that most of us have around questions of life and death don’t lend themselves neatly to either an abortion rights or anti-abortion camp, why late-term abortions pose particularly challenging moral questions, how the pregnant person’s bodily autonomy weighs against the fetus’s and more.Mentioned:“Can Fetuses Feel Pain?” by Stuart DerbyshireBook recommendations:Beyond Roe by David BooninAbortion: Three Perspectives by Michael Tooley, Celia Wolf-Devine, Philip E. Devine and Alison M. JaggarAbout Abortion by Carol SangerThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris, Rollin Hu and Kate Sinclair; original music by Isaac Jones; mixing and engineering by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

20 Mai 20221h 12min

The experience of reading Hannah Arendt’s 1951 classic “The Origins of Totalitarianism” in the year 2022 is a disorienting one. Although Arendt is writing primarily about Nazi Germany and Stalinist Russia, her descriptions often capture aspects of our present moment more clearly than those of us living through it can ever hope to.Arendt writes of entire populations who “had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true.” She describes “the masses’ escape from reality” as “a verdict against the world in which they are forced to live and in which they cannot exist.” She points out that in societies riddled with elite hypocrisy, “it seemed revolutionary to admit cruelty, disregard of human values, and general amorality, because this at least destroyed the duplicity upon which the existing society seemed to rest.”It’s hard to read statements like these without immediately conjuring up images of Vladimir Putin’s Russia or Donald Trump’s presidency or the QAnon faithful. But that’s exactly the point: The reason Arendt is so relevant today is that her diagnosis doesn’t apply just to the Nazi or Soviet regimes she was writing about. It is more fundamentally about the characteristics of liberal societies that make them vulnerable to distinctly illiberal and authoritarian forces — weaknesses that, in many ways, have only become more pronounced in the 70 years since “The Origins of Totalitarianism” was first released.Anne Applebaum is a staff writer for The Atlantic and a Pulitzer Prize-winning historian. Her writing — including her most recent book, “Twilight of Democracy: The Seductive Lure of Authoritarianism” — is focused on the resurgence of autocratic movements and governments around the world, and why members of Western societies have abandoned liberal democratic ideals in favor of strongman leaders, conspiratorial movements and authoritarian regimes. And in the introduction she wrote to a new edition of “The Origins of Totalitarianism,” Applebaum argues that Arendt’s insights are more relevant now than ever.So this is a conversation that uses Arendt’s analysis as a window into our present. Applebaum and I discuss how “radical loneliness” lays the groundwork for authoritarianism, what Putin and Trump understand about human nature that most liberals miss, the seductive allure of groups like QAnon, the way that modern propaganda feeds off a combination of gullibility and cynicism, whether liberalism’s own logic is making societies vulnerable to totalitarian impulses, why efforts by populist politicians to upend conventional morality have held such appeal in Western liberal democracies, how the ideology of “economism” blinds Western liberals to their own societies’ deepest vulnerabilities, what liberals need to do differently to counteract the rise of global autocracy and more.Mentioned:“Review of Adolph Hitler’s ‘Mein Kampf’” by George OrwellBook Recommendations:Cuba by Ada FerrerThe Lincoln Highway by Amor TowlesThe Origins of Totalitarianism by Hannah ArendtThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris, Rollin Hu, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

17 Mai 20221h 2min

“It begun to dawn on many conservatives that in spite of apparent electoral victories that have occurred regularly since the Reagan years, they have consistently lost, and lost overwhelmingly to progressive forces,” Patrick Deneen writes in a recent essay titled “Abandoning Defensive Crouch Conservatism.” He goes on to argue that conservatives need to reject liberal values like free speech, religious liberty and pluralism, abandon their defensive posturing and use the power of the state to actively fight back against what he calls “liberal totalitarianism.”To progressive ears, these kinds of statements can be baffling; after all, Republicans currently control a majority of state legislatures, governorships and the Supreme Court, and they are poised to make gains in the midterm elections this fall. But even so, there’s a pervasive feeling among conservatives that progressives are using their unprecedented institutional power — in universities, in Hollywood, in the mainstream media, in the C-suites of tech companies — to wage war on traditional ways of life. And many of them have come to believe that the only viable response is to fight back against these advances at all costs. It’s impossible to understand the policies, leaders, rhetoric and tactics of the populist right without first trying to inhabit this worldview.That is why, for this second conversation in our series “The Rising Right,” I wanted to speak with Deneen. He is a professor of political science at the University of Notre Dame, and his 2018 book, “Why Liberalism Failed,” has become a touchstone within the conservative intelligentsia and was even fairly well received by liberals. But since then, Deneen’s writing has come to express something closer to total political war. And with three other professors, he recently started a Substack newsletter, “The Postliberal Order,” to build the kind of intellectual and political project needed to fight that war.This is a conversation about what Deneen’s “postliberal” political project looks like — and the tensions and contradictions it reveals about the modern populist right. We discuss (and debate) Deneen’s view that conservatives keep losing, why he believes the left is hostile to the family, whether America needs stricter divorce laws, what the post-liberal right would actually do with power, the virtues and vices of policy analysis, whether post-liberals have built their core arguments around an invented straw man liberalism, Joe Biden’s agenda for families and much more.Mentioned:“A Good That Is Common” by Patrick Deneen“Replace the Elite” by Patrick Deneen“Abandoning Defensive Crouch Conservatism” by Patrick DeneenBook recommendations:The New Class War by Michael LindDominion by Tom HollandThe Art of Loading Brush by Wendell BerryThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris and Rollin Hu; original music by Isaac Jones and Jeff Geld; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

13 Mai 20221h 37min

Today we're bringing you an episode from our friends at Sway about the war in Ukraine and the challenges of conflict-zone reporting. Clarissa Ward has had, as she puts it, a “long and very complicated relationship” with Russia. The chief international correspondent for CNN, she has had stints in Moscow since the beginning of her career, and has struggled to get a Russian visa since she investigated the 2020 poisoning of the Russian opposition leader Aleksei Navalny.But that hasn’t stopped her from reporting on the region, and in particular on Russia’s invasion of Ukraine. Yet after months of war, it can be an uphill battle to keep the viewers’ attention on the front line. “Our job is to keep finding ways to make sure that we don’t become numb and desensitized to the horrors of war, because that is exactly how wars continue and grind on,” Ward says.In this conversation, taped last week, Kara talks to Ward about her time reporting in Ukraine, what it’s like to “let fear sit in the passenger seat” when reporting from the front and how the hangover of war can leave correspondents detached from the “bourgeois and banal” normalcy of home.You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

10 Mai 202242min

Right now, Republicans of all stripes — Ron DeSantis, J.D. Vance, Mike Pence, Glenn Youngkin — are trying to figure out how to channel the populist energies of Donald Trump into a winning political message. The struggle to achieve such a synthesis is the defining project on the American right today. Its outcome will determine the future of the Republican Party — and American politics.To understand what the post-Trump future of the G.O.P. will look like, it helps to have a clearer understanding of the party’s past — particularly the chapters that many conservatives prefer to forget. Traditional histories of American conservatism view Donald Trump’s election as an aberration in the lineage of the American right — an unprecedented populist rejection of the conservatism of Ronald Reagan and William F. Buckley Jr.But Matthew Continetti’s new book “The Right: The Hundred-Year War for American Conservatism” flips that conventional history on its head. In Continetti’s view, the “populist” energies that Trump harnessed in 2016 aren’t anything new for the American right — they have always been central to it. The American right has always been defined by a back-and-forth struggle — and at times a synthesis — between its populist grass roots and its elites.I wanted to bring Continetti on the show because this history is crucial to understanding where the Republican Party could go next. And also because this is the first episode in a new series we are producing called “The Rising Right.” Over the next few weeks, “The Ezra Klein Show” will feature conversations with conservative writers, scholars and thinkers who are trying to harness the forces that Trump unleashed and build a superstructure of ideas, institutions and policy around them. But to see where that movement is going, you have to take seriously where it came from.Mentioned:“Can Reaganism Rise Again?” by Ross DouthatBook Recommendations:Let Us Talk of Many Things by William F. Buckley Jr.Making It by Norman PodhoretzThe Prince of Darkness by Robert D. NovakThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Jenny Casas; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

6 Mai 20221h 22min

Today we're bringing you an episode from our friends at The Argument about Florida's “Don't Say Gay” bill and the broader wave of anti-L.G.B.T.Q. legislation, spurred by the political right, that is spreading across the country. According to the Human Rights Campaign, this year alone, more than 300 anti-L.G.B.T.Q. bills have been introduced in state legislatures. Why has this issue become a major focus of the Republican Party? And how is the way society treats individuals who identify as L.G.B.T.Q. changing? Jane Coaston speaks to her Times Opinion colleagues Ross Douthat and Michelle Goldberg about these questions and brings a deeply personal perspective to the table.Mentioned:“How to Make Sense of the New L.G.B.T.Q. Culture War” by Ross Douthat in The New York Times“Gender Unicorn” from Trans Student Educational ResourcesThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

3 Mai 202239min

If Elon Musk’s bid to purchase Twitter comes to fruition, the world’s richest person will own one of its most important communications platforms. Twitter might have a smaller user base than Facebook, Instagram and even Snapchat, but it shapes the dominant narratives in key industries like politics, media, finance and technology more than any other platform. Attention — particularly that of elite leaders in these industries — is a valuable resource, one that Twitter manages and trades in.Musk understands Twitter’s attention economy better than anyone. On numerous occasions, his tweets have sent a company’s stock or a cryptocurrency’s value skyrocketing (or plummeting). So what would it mean for Musk to own Twitter? How would that change the platform? How might he use Twitter to change, well, everything else?Felix Salmon is the chief economics correspondent at Axios, a co-host of the Slate Money podcast and someone who has spent a lot of time thinking about the economics of attention, the way modern financial markets work and how money impacts the technologies we use. We discuss Musk’s possible motivations for owning Twitter, how Musk’s distinct brand of tweeting has reaped financial windfalls, what Musk understands about finance and attention that many others don’t, why Twitter is so powerful as a storytelling machine, why journalists are turning away from it, what a decentralized Twitter might look like, how Web3 resembles the 1960s “back to the land” movement, how Musk could break Twitter — but why that might end up saving Twitter — and more.Mentioned:“Elon Musk Got Twitter Because He Gets Twitter” by Ezra Klein"A Crypto Optimist Meets a Crypto Skeptic” on The Ezra Klein Show“A Viral Case Against Crypto, Explored” on The Ezra Klein Show“The Way the Senate Melted Down Over Crypto Is Very Revealing” by Ezra KleinBook Recommendations:The Bond King by Mary ChildsTypeset in the Future by Dave AddeyThe Surprise of Cremona by Edith TempletonThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Jenny Casas, Michelle Harris, Rollin Hu and Kate Sinclair; original music by Isaac Jones and Carole Sabouraud; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

29 Apr 20221h 5min