The Mastering Show

Our guest this episode is LA mastering engineer John Greenham who just won a Grammy for his work on Billie Eilish’s album. We talk to him about how he came to work with Billie, and dig into his work ...

29 Feb 202054min

We talk on this show about making a master sound great all the time - but what does that mean ? How can you tell the difference between a good or a great master, or whether you’re doing great work you...

28 Jan 202035min

I often get asked if it’s possible to restore dynamics to a heavily limited, clipped or compressed source, to achieve a more dynamic master. The answer is… it’s complicated ! So in this episode we do ...

20 Des 201943min

People are talking about minus 14 LUFS loudness more and more these days, but why ? What does this number mean, where does it come from, and why should you care ? In this episode we answer all these ...

15 Nov 201942min

Time for another Q&A episode ! As always you’ve been asking great questions, so in this episode we discuss: * Why Ian talks too much * How dynamic is too dynamic ? * Fade-outs - before or after co...

19 Sep 201937min

Can you make money from mastering ? And if so, how ? If you’re already charging people for your work, how can you be more effective and productive ? Our guest in this episode is Graham Cochrane from ...

23 Aug 20191h 2min

There’s been lots of buzz and discussion about aliasing online recently, and lots of confusion, too. Is it a flaw in the whole idea of digital audio ? Does it explain why analogue modelling plugins c...

22 Jul 201931min

Usually on the show we’re talking about mastering music for CD, download and streaming, but there’s another important final destination for the audio we work on - broadcast. And the difference with b...

25 Jun 20191h 25min