Writing Excuses

Fifteen minutes long, because you're in a hurry, and we're not that smart.

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Episoder(1014)

21.21: Rhythm and Words

21.21: Rhythm and Words

*Time-Sensitive* Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here! Today, we’re continuing the conversation on sequencing by focusing on rhythm—how the musicality o...

24 Mai 23min

21.20: Sequencing from Mega to Micro

21.20: Sequencing from Mega to Micro

Today, we explore why writers place information in the order they do. From broad-to-narrow framing and cause-and-effect to repetition, rhythm, and surprise, we discuss how sequencing shapes the pacing...

17 Mai 33min

21.19: Getting Everything Connected

21.19: Getting Everything Connected

Today, our hosts discuss how to make every part of your story feel connected through causal chains, thematic resonance, and reader pattern recognition. We take the idea that each action in a story sho...

10 Mai 24min

21.18: Deconstructing the Three Act Structure

21.18: Deconstructing the Three Act Structure

Today, we are joined by Margaret Dunlap as we dive into the three-act structure. This traditional framework—setup, confrontation, and resolution—is a tool to use rather than a formula to follow. We br...

3 Mai 31min

21.17: The Up and Down Escalators

21.17: The Up and Down Escalators

Today we zoom out from moment-to-moment tension and look at how escalation and de-escalation shape a story at the structural level—how raising stakes, lowering pressure, and shifting focus can control...

26 Apr 28min

21.16: Tension and Release as Call and Response

21.16: Tension and Release as Call and Response

Today, we’re talking about tension and release as a kind of call and response, and how that dynamic can guide your reader through a story. It explores how different types of tension—conflict, unanswer...

19 Apr 21min

21.15: Using Contrast for Maximum Effect

21.15: Using Contrast for Maximum Effect

Today, we’re talking about how to use contrast to make key moments in your story hit harder, especially in the middle. We explore how pairing light and dark beats, shifting expectations, or placing op...

12 Apr 23min

21.14: Because at First, They Don’t Succeed

21.14: Because at First, They Don’t Succeed

Today, we’re talking about the “try-fail cycle” and why failure is essential to making the middle of your story actually interesting. It allows readers to follow characters as they try something, fail...

5 Apr 25min

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