Pauli's Exclusion Principle (Archive Episode)

Melvyn Bragg and guests discuss Nicolas de Condorcet (1743-94), known as the Last of the Philosophes, the intellectuals in the French Enlightenment who sought to apply their learning to solving the problems of their world. He became a passionate believer in the progress of society, an advocate for equal rights for women and the abolition of the slave trade and for representative government. The French Revolution gave him a chance to advance those ideas and, while the Terror brought his life to an end, his wife Sophie de Grouchy 91764-1822) ensured his influence into the next century and beyond. WithRachel Hammersley Professor of Intellectual History at Newcastle UniversityRichard Whatmore Professor of Modern History at the University of St Andrews and Co-Director of the St Andrews Institute of Intellectual HistoryAnd Tom Hopkins Senior Teaching Associate in the Department of Politics and International Studies at the University of Cambridge and Fellow of Selwyn CollegeProducer: Simon TillotsonReading list: Keith Michael Baker, Condorcet: From Natural Philosophy to Social Mathematics (University of Chicago Press, 1974)Keith Michael Baker, ‘On Condorcet’s Sketch’ (Daedalus, summer 2004)Lorraine Daston, ‘Condorcet and the Meaning of Enlightenment’ (Proceedings of the British Academy, 2009)Dan Edelstein, The Enlightenment: A Genealogy (Chicago University Press, 2010)Mark Goldie and Robert Wokler (eds), The Cambridge History of Eighteenth-Century Political Thought (Cambridge University Press, 2006), especially ‘Ideology and the Origins of Social Science’ by Robert WoklerGary Kates, The Cercle Social, the Girondins, and the French Revolution (Princeton University Press, 1985)Steven Lukes and Nadia Urbinati (eds.), Condorcet: Political Writings (Cambridge University Press, 2009)Kathleen McCrudden Illert, A Republic of Sympathy: Sophie de Grouchy's Politics and Philosophy, 1785-1815 (Cambridge University Press, 2024)Iain McLean and Fiona Hewitt (eds.), Condorcet: Foundations of Social Choice and Political Theory (Edward Elgar Publishing Ltd, 1994)Emma Rothschild, Economic Sentiments: Adam Smith, Condorcet and the Enlightenment, (Harvard University Press, 2001)Richard Whatmore, The End of Enlightenment (Allen Lane, 2023)David Williams, Condorcet and Modernity (Cambridge University Press, 2004)

8 Feb 202450min

Melvyn Bragg and guests discuss one of Shakespeare’s great comedies, which plays in the space between marriage, love and desire. By convention a wedding means a happy ending and here there are three, but neither Orsino nor Viola, Olivia nor Sebastian know much of each other’s true character and even the identities of the twins Viola and Sebastian have only just been revealed to their spouses to be. These twins gain some financial security but it is unclear what precisely the older Orsino and Olivia find enduringly attractive in the adolescent objects of their love. Meanwhile their hopes and illusions are framed by the fury of Malvolio, tricked into trusting his mistress Olivia loved him and who swears an undefined revenge on all those who mocked him.With Pascale Aebischer Professor of Shakespeare and Early Modern Performance Studies at the University of ExeterMichael Dobson Professor of Shakespeare Studies and Director of the Shakespeare Institute at the University of BirminghamAnd Emma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordProduced by Simon Tillotson, Victoria Brignell and Luke MulhallReading list:C.L. Barber, Shakespeare’s Festive Comedies: A Study of Dramatic Form and Its Relation to Social Custom (first published 1959; Princeton University Press, 2011)Simone Chess, ‘Queer Residue: Boy Actors’ Adult Careers in Early Modern England’ (Journal for Early Modern Cultural Studies 19.4, 2020)Callan Davies, What is a Playhouse? England at Play, 1520-1620 (Routledge, 2023)Frances E. Dolan, Twelfth Night: Language and Writing (Bloomsbury, 2014)John Drakakis (ed.), Alternative Shakespeares (Psychology Press, 2002), especially ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies’ by Catherine BelseyBart van Es, Shakespeare’s Comedies: A Very Short Introduction (Oxford University Press, 2016) Sonya Freeman Loftis, Mardy Philippian and Justin P. Shaw (eds.), Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Macmillan, 2023), especially ‘”I am all the daughters of my father’s house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night’ by Eric Brinkman Ezra Horbury, ‘Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man’s Fortune’ (Shakespeare Quarterly 73, 2022) Jean Howard, ‘Crossdressing, the theatre, and gender struggle in early modern England’ (Shakespeare Quarterly 39, 1988)Harry McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022)Stephen Orgel, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge University Press, 1996)William Shakespeare (eds. Michael Dobson and Molly Mahood), Twelfth Night (Penguin, 2005)William Shakespeare (ed. Keir Elam), Twelfth Night (Arden Shakespeare, 2008)Emma Smith, This is Shakespeare: How to Read the World's Greatest Playwright (Pelican, 2019)Victoria Sparey, Shakespeare’s Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester University Press, 2024)

25 Jan 202453min

Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health.With Christopher Riopelle The Neil Westreich Curator of Post 1800 Paintings at the National GalleryMartin Bailey A leading Van Gogh specialist and correspondent for The Art NewspaperAnd Frances Fowle Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries ScotlandProducer: Simon TillotsonReading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019)Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021)Martin Bailey, Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln, 2021)Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019)Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames & Hudson, 2023)Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh’s First Masterpiece (Van Gogh Museum, 2021)Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020)Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022)Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)

18 Jan 202456min

Melvyn Bragg and guests discuss the Roman emperor Tiberius. When he was born in 42BC, there was little prospect of him ever becoming Emperor of Rome. Firstly, Rome was still a Republic and there had not yet been any Emperor so that had to change and, secondly, when his stepfather Augustus became Emperor there was no precedent for who should succeed him, if anyone. It somehow fell to Tiberius to develop this Roman imperial project and by some accounts he did this well, while to others his reign was marked by cruelty and paranoia inviting comparison with Nero.WithMatthew Nicholls Senior Tutor at St. John’s College, University of OxfordShushma Malik Assistant Professor of Classics and Onassis Classics Fellow at Newnham College at the University of CambridgeAnd Catherine Steel Professor of Classics at the University of GlasgowProducer: Simon TillotsonReading list:Edward Champlin, ‘Tiberius the Wise’ (Historia: Zeitschrift für Alte Geschichte, 57.4, 2008)Alison E. Cooley, ‘From the Augustan Principate to the invention of the Age of Augustus’ (Journal of Roman Studies 109, 2019)Alison E. Cooley, The Senatus Consultum de Cn. Pisone Patre: text, translation, and commentary (Cambridge University Press, 2023)Eleanor Cowan, ‘Tiberius and Augustus in Tiberian Sources’ (Historia: Zeitschrift für Alte Geschichte, 58.4, 2009)Cassius Dio (trans. C. T. Mallan), Roman History: Books 57 and 58: The Reign of Tiberius (Oxford University Press, 2020)Rebecca Edwards, ‘Tacitus, Tiberius and Capri’ (Latomus, 70.4, 2011)A. Gibson (ed.), The Julio-Claudian Succession: Reality and Perception of the Augustan Model (Brill, 2012), especially ‘Tiberius and the invention of succession’ by C. VoutJosephus (trans. E. Mary Smallwood and G. Williamson), The Jewish War (Penguin Classics, 1981)Barbara Levick, Tiberius the Politician (Routledge, 1999)E. O’Gorman, Tacitus’ History of Political Effective Speech: Truth to Power (Bloomsbury, 2019)Velleius Paterculus (trans. J. C. Yardley and Anthony A. Barrett), Roman History: From Romulus and the Foundation of Rome to the Reign of the Emperor Tiberius (Hackett Publishing, 2011)R. Seager, Tiberius (2nd ed., Wiley-Blackwell, 2005)David Shotter, Tiberius Caesar (Routledge, 2005) Suetonius (trans. Robert Graves), The Twelve Caesars (Penguin Classics, 2007)Tacitus (trans. Michael Grant), The Annals of Imperial Rome (Penguin Classics, 2003)

11 Jan 202453min

Melvyn Bragg and guests discuss one of the most influential theologians of the twentieth century. Karl Barth (1886 - 1968) rejected the liberal theology of his time which, he argued, used the Bible and religion to help humans understand themselves rather than prepare them to open themselves to divine revelation. Barth's aim was to put God and especially Christ at the centre of Christianity. He was alarmed by what he saw as the dangers in a natural theology where God might be found in a rainbow or an opera by Wagner; for if you were open to finding God in German culture, you could also be open to accepting Hitler as God’s gift as many Germans did. Barth openly refused to accept Hitler's role in the Church in the 1930s on these theological grounds as well as moral, for which he was forced to leave Germany for his native Switzerland.WithStephen Plant Dean and Runcie Fellow at Trinity Hall, University of CambridgeChristiane Tietz Professor for Systematic Theology at the University of ZurichAnd Tom Greggs Marischal Professor of Divinity at the University of AberdeenProducer: Simon TillotsonReading list:Karl Barth, God Here and Now (Routledge, 2003)Karl Barth (trans. G. T. Thomson), Dogmatics in Outline (SCM Press, 1966)Eberhard Busch (trans. John Bowden), Karl Barth: His Life from Letters and Autobiographical Texts (Grand Rapids, 1994)George Hunsinger, How to Read Karl Barth: The Shape of His Theology (Oxford University Press, 1993)Joseph L. Mangina, Karl Barth: Theologian of Christian Witness (Routledge, 2004)Paul T. Nimmo, Karl Barth: A Guide for the Perplexed (Bloomsbury, 2013)Christiane Tietz, Karl Barth: A Life in Conflict (Oxford University Press, 2021)John Webster, Karl Barth: Outstanding Christian Thinkers (Continuum, 2004)

4 Jan 202455min

Melvyn Bragg and guests discuss Poe (1809-1849), the American author who is famous for his Gothic tales of horror, madness and the dark interiors of the mind, such as The Fall of the House of Usher and The Tell-Tale Heart. As well as tapping at our deepest fears in poems such as The Raven, Poe pioneered detective fiction with his character C. Auguste Dupin in The Murders in the Rue Morgue. After his early death, a rival rushed out a biography to try to destroy Poe's reputation but he has only become more famous over the years as a cultural icon as well as an author.WithBridget Bennett Professor of American Literature and Culture at the University of LeedsErin Forbes Senior Lecturer in 19th-century African American and US Literature at the University of BristolAndTom Wright Reader in Rhetoric at the University of SussexProducer: Simon TillotsonReading list: Peter Ackroyd, Poe: A Life Cut Short (Vintage, 2009)Amy Branam Armiento and Travis Montgomery (eds.), Poe and Women: Recognition and Revision (Lehigh University Press, 2023)Joan Dayan, Fables of Mind: An Inquiry into Poe's Fiction (Oxford University Press, 1987)Erin Forbes, ‘Edgar Allan Poe in the Great Dismal Swamp’ (Modern Philology, 2016)Kevin J. Hayes (ed.), Edgar Allan Poe in Context (Cambridge University Press, 2012) J. Gerald Kennedy and Scott Peeples (eds.), The Oxford Handbook of Edgar Allan Poe (Oxford University Press, 2018)Jill Lepore, 'The Humbug: Poe and the Economy of Horror' (The New Yorker, April 20, 2009)Toni Morrison, Playing in the Dark (Vintage, 1993)Scott Peeples and Michelle Van Parys, The Man of the Crowd: Edgar Allan Poe and the City (Princeton University Press, 2020)Edgar Allan Poe, The Portable Edgar Allan Poe (Penguin, 2006)Shawn Rosenhelm and Stephen Rachman (eds.), The American Face of Edgar Allan Poe (Johns Hopkins University Press, 1995)

28 Dec 202358min

Melvyn Bragg and guests discuss Marguerite, Queen of Navarre (1492 – 1549), author of the Heptaméron, a major literary landmark in the French Renaissance. Published after her death, The Heptaméron features 72 short stories, many of which explore relations between the sexes. However, Marguerite’s life was more eventful than that of many writers. Born into the French nobility, she found herself the sister of the French king when her brother Francis I came to the throne in 1515. At a time of growing religious change, Marguerite was a leading exponent of reform in the Catholic Church and translated an early work of Martin Luther into French. As the Reformation progressed, she was not afraid to take risks to protect other reformers.With Sara Barker Associate Professor of Early Modern History and Director of the Centre for the Comparative History of Print at the University of LeedsEmily Butterworth Professor of Early Modern French at King’s College LondonAnd Emma Herdman Lecturer in French at the University of St AndrewsProducer: Simon TillotsonReading list: Giovanni Boccaccio (trans. Wayne A. Rebhorn), The Decameron (Norton, 2013)Emily Butterworth, Marguerite de Navarre: A Critical Companion (Boydell &Brewer, 2022)Patricia Cholakian and Rouben Cholakian, Marguerite de Navarre: Mother of the Renaissance (Columbia University Press, 2006)Gary Ferguson, Mirroring Belief: Marguerite de Navarre’s Devotional Poetry (Edinburgh University Press, 1992)Gary Ferguson and Mary B. McKinley (eds.), A Companion to Marguerite de Navarre (Brill, 2013)Mark Greengrass, The French Reformation (John Wiley & Sons, 1987)R.J. Knecht, The Rise and Fall of Renaissance France (Fontana Press, 2008)R.J. Knecht, Renaissance Warrior and Patron: The Reign of Francis I (Cambridge University Press, 2008)John D. Lyons and Mary B. McKinley (eds.), Critical Tales: New Studies of the ‘Heptaméron’ and Early Modern Culture (University of Pennsylvania Press, 1993)Marguerite de Navarre (trans. Paul Chilton), The Heptameron (Penguin, 2004)Marguerite de Navarre (trans. Rouben Cholakian and Mary Skemp), Selected Writings: A Bilingual Edition (University of Chicago Press, 2008) Marguerite de Navarre (trans. Hilda Dale), The Coach and The Triumph of the Lamb (Elm Press, 1999)Marguerite de Navarre (trans. Hilda Dale), The Prisons (Whiteknights, 1989)Marguerite de Navarre (ed. Gisèle Mathieu-Castellani), L’Heptaméron (Libraririe générale française, 1999)Jonathan A. Reid, King’s Sister – Queen of Dissent: Marguerite of Navarre (1492-1549) and her Evangelical Network (Brill, 2009)Paula Sommers, ‘The Mirror and its Reflections: Marguerite de Navarre’s Biblical Feminism’ (Tulsa Studies in Women’s Literature, 5, 1986)Kathleen Wellman, Queens and Mistresses of Renaissance France (Yale University Press, 2013)

21 Dec 202346min

Melvyn Bragg and guests discuss the most influential work of Thorstein Veblen (1857-1929). In 1899, during America’s Gilded Age, Veblen wrote The Theory of the Leisure Class as a reminder that all that glisters is not gold. He picked on traits of the waning landed class of Americans and showed how the new moneyed class was adopting these in ways that led to greater waste throughout society. He called these conspicuous leisure and conspicuous consumption and he developed a critique of a system that favoured profits for owners without regard to social good. The Theory of the Leisure Class was a best seller and funded Veblen for the rest of his life, and his ideas influenced the New Deal of the 1930s. Since then, an item that becomes more desirable as it becomes more expensive is known as a Veblen good. With Matthew Watson Professor of Political Economy at the University of WarwickBill Waller Professor of Economics at Hobart and William Smith Colleges, New YorkAndMary Wrenn Senior Lecturer in Economics at the University of the West of EnglandProducer: Simon TillotsonReading list:Charles Camic, Veblen: The Making of an Economist who Unmade Economics (Harvard University Press, 2021)John P. Diggins, Thorstein Veblen: Theorist of the Leisure Class (Princeton University Press, 1999)John P. Diggins, The Bard of Savagery: Thorstein Veblen and Modern Social Theory (Seabury Press, 1978)John Kenneth Galbraith, The Affluent Society (Penguin, 1999) Robert Heilbroner, The Worldly Philosophers: The Lives, Times and Ideas of the Great Economic Thinkers (Penguin, 2000), particularly the chapter ‘The Savage Society of Thorstein Veblen’Ken McCormick, Veblen in Plain English: A Complete Introduction to Thorstein Veblen’s Economics (Cambria Press, 2006)Sidney Plotkin and Rick Tilman, The Political Ideas of Thorstein Veblen (Yale University Press, 2012)Juliet B. Schor, The Overspent American: Why We Want What We Don't Need (William Morrow & Company, 1999)Juliet B. Schor, Born to Buy: The Commercialized Child and the New Consumer Culture (Simon & Schuster Ltd, 2005)Thorstein Veblen, The Theory of the Leisure Class (first published 1899; Oxford University Press, 2009)Thorstein Veblen, The Theory of Business Enterprise (first published 1904; Legare Street Press, 2022)Thorstein Veblen, The Higher Learning in America (first published 2018; Johns Hopkins University Press, 2015) Thorstein Veblen, Absentee Ownership and Business Enterprise in Recent Times: The Case of America (first published 1923; Routledge, 2017)Thorstein Veblen, Conspicuous Consumption (Penguin, 2005)Thorstein Veblen, The Complete Works (Musaicum Books, 2017)Charles J. Whalen (ed.), Institutional Economics: Perspective and Methods in Pursuit of a Better World (Routledge, 2021)

14 Dec 202355min