The Mastering Show #104 - Mastering for Sync ? What, Why and How

The Mastering Show #104 - Mastering for Sync ? What, Why and How

Getting your music "synced" for licensing in TV, movies or ads can be an amazing opportunity for indie musicians to make money and gain exposure. But is it just a pipe dream, and is mastering a necessary part of the process ?

Chris SD from Sync Songwriter is an expert in this topic – just in the last year they've had artists get songs placed in the soundtrack for the Oscar-winning movie "Anora", for example! And this episode I talk to him about this whole topic, including:

  1. What sync licensing is
  2. Why song supervisors might be interested in hearing your music
  3. How people normally submit their music for possible sync opportunities
  4. A better way that you can connect with them to improve the odds of getting your music taken on for use in film, TV and adverts
  5. Which types of songs and artists are most likely to be taken on and
  6. The role mastering and audio production play in this process

And lastly we talk about the free Sync Songwriter Music Supervisor Panel that he's put together to help you find out more about all this - which is taking place this January. For more details, click here – if you decide to give it a try, you'll be helping support The Mastering Show at the same time.

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

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Avsnitt(111)

The Mastering Show #111 - Fix it in the master ?!

The Mastering Show #111 - Fix it in the master ?!

I hear this question all the time - would it be better to fix this in the mix, or in the master ?It’s a fascinating question, and you may think you already know my answer - but it may not be that simp...

31 Aug 39min

The Mastering Show #110 - What makes a REAL mastering engineer ?

The Mastering Show #110 - What makes a REAL mastering engineer ?

I'm seeing several different discussions online about what makes a "real" mastering engineer – and some of them are getting pretty heated !So what really matters the most ? Expertise, experience, or c...

30 Juni 41min

The Mastering Show #109 - Audio repair & fixing faults

The Mastering Show #109 - Audio repair & fixing faults

Audio repair and restoration has always been a huge part of mastering – and not only for re-mastering vintage material.Even modern recordings can have problems like clicks, thumps, hiss, amp buzz, dis...

29 Maj 45min

The Mastering Show #108 - Why I was wrong about Loudness Range

The Mastering Show #108 - Why I was wrong about Loudness Range

I used to say that the Loudness Range (LRA) measurement wasn't really useful when mastering - but recently I changed my mind. In this episode I explain why, and how loudness range is actually somethin...

29 Apr 33min

The Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)

The Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)

More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copi...

31 Mars 1h 8min

The Mastering Show #106 - Are dynamics dead ?!

The Mastering Show #106 - Are dynamics dead ?!

I see it every day: “The Loudness Wars are over - loud won. Get over it”And it’s easy to see why. The average mainstream release hits -8 LUFS integrated or more; club releases regularly hit -6 or even...

28 Feb 34min

The Mastering Show #105 - Loudness at the Grammys: is there REALLY a secret sauce ?

The Mastering Show #105 - Loudness at the Grammys: is there REALLY a secret sauce ?

It was the Grammys this week - you can't have missed it !And somewhere along the way I saw an article by Ian Vargo assessing the loudness and dynamics of the nominees for Best Song.In this episode I t...

31 Jan 27min

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