Feminism in Ukrainian: Oksana Zabuzhko and Lotta Elstad

Oksana Zabuzhko is one of the central writers of Ukraine’s post-Soviet generation. In 1996, she caused great controversy with her debut novel, Field Work in Ukrainian Sex, in which she challenged the current view won women’s role in society and in the relationship, where she was expected to be subordinate to the man.

The novel has become a work of reference for Eastern European feminism, and with its exploration of female experience, language and power, it has been compared to writers such as Jamaica Kincaid and Angela Carter.

The novel portrays the destructive relationship between the writer Oksana and the sculptor Mykola, as well as the many challenges Oksana faces as a young female, Ukrainian poet. In an immediate and colloquial language, partly addressed to the reader, partly the narrator’s own stream of conciousness, Zabuzhko navigates what it means to be Ukrainian and what it means to be a woman, at a moment in time when both identities were being negotiated.

Zabuzhko has published a number of award winning novels, essay collections and books of poetry, including The Museum of Abandoned Secrets and The Longest Journey. She has a PhD in philosophy, and she has taught Ukrainian literature at Harvard and the University of Pittsburgh.

Author and historian Lotta Elstad has also explored history and female experience in novels such as Jeg nekter å tenke [«I refuse to think»] and the critically acclaimed Xiania series. She joined Zabuzhko for a conversation about sex, love and the view of women in Ukraine.

The conversation was held in English.

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