Writing Excuses 7.25: Writing Capers
Writing Excuses17 Juni 2012

Writing Excuses 7.25: Writing Capers

Capers! They're delicious on bagels with lox and cream cheese. Also, tricky to write well, and often called "heists."

Dan explains the caper/heist format to us using Ocean's Eleven as the model, so we can identify the key elements that are typically present. Brandon explains the key difference between the two styles: In the first, the reader doesn't get the whole plan, and the plan goes off without a hitch. In the second, the reader gets the whole plan, but the plan goes wrong and the team has to improvise. Ocean's Eleven is an example of the first. The Italian Job and Mission Impossible are examples of the second.

One challenge writers face, as opposed to filmmakers, is keeping the reader in the dark for an Ocean's Eleven-style caper without cheating.

We talk about how the formation of a team of experts or specialists is critical to the form, but also works across lots of other forms. Beware using these teams as a substitute for character development, however.

The combined viewing time of our example films is, quite frankly, oppressive. Don't watch them all in one sitting. But if you do, that was all part of our insidious plan to keep you busy while somebody else steals your stuff.

What is a Pig in a Poke: Basically, it's a confidence scheme involving a substitution. Our Sponsors: * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(1004)

21.35: The Four Acts of Kishōtenketsu

21.35: The Four Acts of Kishōtenketsu

This week, our hosts explore kishōtenketsu, an Asian story structure that appears under different names in China, Korea, Japan, and Vietnam. Unlike the Western three-act structure, it isn’t built arou...

30 Aug 21min

21.34: Knowing the Distance

21.34: Knowing the Distance

How close is your reader to the story? Should they be closer? Today, our hosts get nerdy about narrative distance: the space between reader, narrator, character, and world. We talk POV, sensory detail...

23 Aug 23min

21.33: When To Shift Gears

21.33: When To Shift Gears

A story doesn’t always need the same tools from beginning to end. In this episode, we talk about recognizing when it’s time to shift gears—and how to make those changes feel intentional rather than ab...

16 Aug 22min

21.32: Barrier Breaking- Time Constraints

21.32: Barrier Breaking- Time Constraints

There never seems to be enough time to write—but is time really the problem? Our hosts explore the reality of working within limited hours, changing life circumstances, and competing priorities. We sh...

9 Aug 27min

21.31: Deconstructing Save the Cat

21.31: Deconstructing Save the Cat

Save the Cat! The Last Book on Screenwriting You'll Ever Need by Blake Snyder was published in 2005 and is widely popular because it offers a reliable, repeatable storytelling framework. Today we are ...

2 Aug 27min

21.30: Chapter Breaks Soon

21.30: Chapter Breaks Soon

A lot of times people want to know what the "ideal length" is for a chapter. But chapters can range from one sentence, to a single scene, all the way up to Terry Pratchett who doesn't use chapters at ...

26 Juli 27min

21.29: How to Make a Scene

21.29: How to Make a Scene

What makes a scene feel like a scene? This week, we unpack one of storytelling's most basic building blocks. Our hosts explore where scenes begin and end, how they differ from beats, and why framing a...

19 Juli 28min

21.28: Narrative Transitions

21.28: Narrative Transitions

How do you move readers from one scene to the next without losing momentum? Our hosts dig into different types of transitions—from scene breaks and interruptions to brief “through scenes” that bridge ...

12 Juli 26min

Populärt inom Business & ekonomi

framgangspodden
rss-jossan-nina
varvet
rss-borsens-finest
badfluence
avanzapodden
uppgang-och-fall
svd-tech-brief
rss-inga-dumma-fragor-om-pengar
lastbilspodden
fill-or-kill
borsmorgon
tabberaset
24fragor
rikatillsammans-om-privatekonomi-rikedom-i-livet
bathina-en-podcast
rss-kort-lang-analyspodden-fran-di
rss-dagen-med-di
rss-hos-psykologen
kapitalet-en-podd-om-ekonomi