Gossip, Then and Now

Gossip, Then and Now

Gossip, an essential human pastime, is full of contradictions. It has the potential to be as destructive to its subjects as it is titillating to its practitioners; it can protect against very real threats, as in the case of certain pre-#MeToo whisper networks, or tip over into the realm of conspiracy. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider the role gossip has played in society over the centuries. They discuss Kelsey McKinney’s new book on the topic, “You Didn’t Hear This from Me,” which Schwartz recently reviewed in The New Yorker, and consider instructive cultural examples—from the Old Testament to “The Real Housewives of Beverly Hills.” Today, many celebrities have embraced being talked about as a badge of honor, even as new technologies allow questionable assertions about anyone—famous or otherwise—to spread more freely and quickly than ever before. “Just being in public makes you potentially fodder for gossip,” Schwartz says. “I do worry about a world in which privacy is compromised for everybody.” Read, watch, and listen with the critics: “You Didn’t Hear This from Me: (Mostly) True Notes on Gossip,” by Kelsey McKinney“Is Gossip Good for Us?,” by Alexandra Schwartz (The New Yorker)“A Lover’s Discourse,” by Roland Barthes“Grease” (1978)“The House of Mirth,” by Edith Wharton“The Custom of the Country,” by Edith Wharton“Moses, Man of the Mountain,” by Zora Neale Hurston“Emma,” by Jane Austen“Gossip Girl” (2007-12)“The Real Housewives of Beverly Hills” (2010—) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Avsnitt(141)

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

In the second in a series of Critics at Large interview episodes devoted to the topic of cult classics, Naomi Fry talks with the New Yorker staff writer Hannah Goldfield about how that designation app...

13 Aug 39min

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

When it dropped in January of 1997, Camp Lo’s “Uptown Saturday Night” thrilled some listeners and confounded others. On the first in a series of Critics at Large interview episodes devoted to resurfac...

6 Aug 46min

The Irony and the Ecstasy of Colson Whitehead

The Irony and the Ecstasy of Colson Whitehead

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of whic...

30 Juli 50min

The Golden Age of the American Idiot

The Golden Age of the American Idiot

The new game show “Nation’s Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that ...

23 Juli 52min

Who Owns the Odyssey?

Who Owns the Odyssey?

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisi...

16 Juli 50min

An American Playlist

An American Playlist

This week, to commemorate two hundred and fifty years of the American experiment, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz present an American playlist. On this special episode, the hosts ...

2 Juli 59min

From The Political Scene: The Politics of the Big Game

From The Political Scene: The Politics of the Big Game

Critics at Large will be back next week. In the meantime, you can hear Vinson Cunningham and Naomi Fry on a recent episode of The New Yorker’s Political Scene, hosted by Tyler Foggatt, where they cons...

25 Juni 37min

Steven Spielberg’s Blockbusters

Steven Spielberg’s Blockbusters

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box of...

18 Juni 55min

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