The Demonic Struggle For Guido's Embittered Soul: Inferno, Canto XXVII, Lines 112 - 136
Walking With Dante26 Juni 2022

The Demonic Struggle For Guido's Embittered Soul: Inferno, Canto XXVII, Lines 112 - 136

Down in the eighth of the evil pouches (the malebolge) that make up the giant circle of fraud in INFERNO, Guido da Montefeltro has told the (self-justifying) tale of his life. And now comes the struggle at his death, a fight between Saint Francis and a black Cherub from hell.

Join me, Mark Scarbough, as we slow-walk through INFERNO, finishing up Guido's incredible monologue about his life and death. This passage has a few problems in it, not the least of which is the off-handed way Dante (or is it Guido?) mention the great Saint Francis.

Here are the segments of this episode of WALKING WITH DANTE:

[01:23] My English translation of INFERNO, Canto XXVII, lines 112 - 136. If you'd like to read along or drop a comment about this episode, please see the page on my website, walkingwithdante.com.

[03:34] The quick shift from Guido's life to his death.

[04:38] Two small problems at the front of this passage: a black Cherub and the name of the sin for this evil pouch.

[06:19] What is fraudulent counsel?

[08:03] The problem of the off-handed reference to Saint Francis.

[11:28] Conversion demands a "before" and an "after"--that is, a linear story, which Guido's is not.

[13:07] The demonic/Scholastic joke in the passage.

[13:45] One last link between Dante the pilgrim and Guido da Montefeltro.

[15:17] The journey to Minos (and maybe some meta-literary joking around, too).

[16:55] Biting yourself in rage: repetition as one of Dante's key literary devices.

[18:07] Guido's final words--and his humanity.

[21:04] Guido's eternal mutterings.

[22:37] A final textual difficulty to round out Inferno, Canto XXVII.

[25:35] A final reading of Guido's entire monologue: Inferno, Canto XXVII, lines 58 - 136.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Juli 37min

Populärt inom Fiktion

pratkoma
kusligt-rysligt-mysigt
storytime
sexnoveller-deluxe
rss-creepypastaradion
thrillerpodden
konspirationsteorier
midnattstaget-creepypastor-fran-internet
karatefylla
rss-nattskiftet
erotiska-berattelser
rss-rysningar
monsterboxen
rss-hemligt
p3-serie
rss-konspirationsteorier
rss-p3-serie
rss-rollspelspodden-skrackblandat
tolkienpodden
skrackstunden