The Most Shocking Line In The Canticle Of Pain: Inferno, Canto XXVIII, Lines 46 - 63
Walking With Dante10 Juli 2022

The Most Shocking Line In The Canticle Of Pain: Inferno, Canto XXVIII, Lines 46 - 63

We're down among the scandal makers and the schismatics in the ninth of the evil pouches (the "malebolge") that make up the great circle of fraud in Dante's INFERNO.

We've heard Muhammad talk about his mutilation--and now we have the answer to his question as to who the pilgrim is. But Dante doesn't answer. Virgil does. And his answer provokes the most shocking line in all of INFERNO.

You might miss it. But join me, Mark Scarbrough, to catch this miraculous utterance in all its truth.

Here are the segments of this episode of WALKING WITH DANTE:

[01:31] My English translation of INFERNO, Canto XXVIII, lines 46 - 63. If you'd like to read along or drop a comment about this passage, please go to my website, markscarbrough.com.

[03:03] Virgil's reply to Muhammad, much like his replies to other great, up-market figures in hell.

[04:49] Virgil's (new?) explanation for COMEDY: the encyclopedic vision.

[06:49] Fra Dolcino and his heresy among The Apostolic Brethren.

[10:31] The important backdating of COMEDY.

[11:44] The fracturing of the lines of poetry among the schismatics.

[13:42] Muhammad as a stumbling block, rather than a schismatic.

[15:54] The most shocking lines in all of INFERNO.

[19:53] A rereading of all of the Muhammad passages in INFERNO: Canto XXVIII, lines 22 - 63.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Juli 37min

Populärt inom Fiktion

pratkoma
kusligt-rysligt-mysigt
storytime
sexnoveller-deluxe
rss-creepypastaradion
thrillerpodden
konspirationsteorier
midnattstaget-creepypastor-fran-internet
karatefylla
rss-nattskiftet
erotiska-berattelser
rss-rysningar
monsterboxen
rss-hemligt
p3-serie
rss-konspirationsteorier
rss-p3-serie
rss-rollspelspodden-skrackblandat
tolkienpodden
skrackstunden