The Many Pleasures Of Insults: INFERNO, Canto XXX, Lines 104 - 129

The Many Pleasures Of Insults: INFERNO, Canto XXX, Lines 104 - 129

We're nearing the bottom of the eighth circle of hell, the fundamentals of fraud--where we're treated to an insult contest between Master Adam and Sinon, the Greek who lied to the Trojans and got them to let in the wooden horse.

Join me, Mark Scarbrough, as we walk with the (silent!) pilgrim Dante and his mentor, (the even more silent!) Virgil, through the circles of hell and the "malebolge" of fraud. We're nearing the end of our infernal journey. And we're about to get some very low-class comedy in COMEDY.

Here are the segments for this episode of WALKING WITH DANTE:

[01:48] My English translation of the passage: INFERNO, Canto XXX, lines 104 - 129. If you'd like to read along or drop a comment, please go to my website, markscarbrough.com.

[04:21] Where is the pilgrim Dante?

[06:28] How is this passage funny?

[12:41] The insults are a "progression" of degradation.

[15:06] What's so important about Narcissus?

[16:38] Why is twinning central to this concept of fraud?

[21:14] Dante may be commenting on some of the poetry of his youth: the tenzone with Forese Donati.

[25:48] Is Dante being nostalgic or critical of his tenzone? Or is it even more complicated than that?

[28:07] Why should we complicate this passage so much?

[29:38] Rereading the entire "second act" with Master Adam: INFERNO, Canto XXX, lines 91 - 129.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Juli 37min

Populärt inom Fiktion

pratkoma
kusligt-rysligt-mysigt
storytime
sexnoveller-deluxe
rss-creepypastaradion
thrillerpodden
konspirationsteorier
midnattstaget-creepypastor-fran-internet
karatefylla
rss-nattskiftet
erotiska-berattelser
rss-rysningar
monsterboxen
rss-hemligt
p3-serie
rss-konspirationsteorier
rss-p3-serie
rss-rollspelspodden-skrackblandat
tolkienpodden
skrackstunden