The Strange Brew Of Love And Disgust: PURGATORIO, Cantos VI - VIII

The Strange Brew Of Love And Disgust: PURGATORIO, Cantos VI - VIII

In this episode of WALKING WITH DANTE, we'll read the three cantos that lead us up to the gate of Purgatory itself.

These are tough cantos! It's important to hear them before we break them apart to study them. Many a reader has been daunted by what's happening here before we finally get into Purgatory proper. Don't despair. We'll get down the flow (or lack thereof!) in these cantos before we start to study them more in depth.

Here are the segments for this episode of WALKING WITH DANTE:

[03:24] Reading Purgatorio Cantos VI - VIII. This is my English translation which you'll be able to find on my website, markscarbrough.com, in smaller chunks when we start to break it down and study it in more depth.

[26:53] Initial questions that arise from Purgatorio, Cantos VI - VIII.

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Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

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Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

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Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

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12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

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9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

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5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

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2 Aug 36min

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A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

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From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

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