The Kings Who Dodged What They Should Have Done, Part One: PURGATORIO, Canto VII, Lines 82 - 136

The Kings Who Dodged What They Should Have Done, Part One: PURGATORIO, Canto VII, Lines 82 - 136

Please help support this podcast. I have a great many hosting, streaming, licensing, journal, and royalty fees associated with this work. Anything you can give helps! Use this PayPal link here to make a contribution.

We finally get to see who is down in that beautiful dale in front of us on the lower slopes of Mount Purgatory--and it turns out to be a roster of rulers from the mid- to late-1200s.

These kings have mucked up the European landscape and left it in the mess that Dante finds it. They appear to be repenting their actions. But they were also excessively action-oriented figures, going to war with each other for dynastic and territorial control.

Join me, Mark Scarbrough, for the first of two parts on the end of PURGATORIO, Canto VII. This passage is tough--so this first time through it, we'll just fill in the historical details before we turn to questions of interpretation in the next episode of WALKING WITH DANTE.

Here are the segments for this episode:

[01:46] My English translation of the passage: PURGATORIO, Canto VII, lines 82 - 136. If you'd like to read along, print it off, or continue the conversation with me, please go to my website: markscarbrough.com.

[06:00] The passage again, this time glossed with all of its historical detail, a crash course in central and southern European politics of the mid- to late-1200s.

[23:44] The initial interpretive questions we should explore as we try to think through the problems this passage causes COMEDY as a whole and the ways it refocuses the poem Dante's growing political stance.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Juli 37min

Populärt inom Fiktion

pratkoma
kusligt-rysligt-mysigt
storytime
sexnoveller-deluxe
rss-creepypastaradion
thrillerpodden
konspirationsteorier
midnattstaget-creepypastor-fran-internet
karatefylla
rss-nattskiftet
erotiska-berattelser
rss-rysningar
monsterboxen
rss-hemligt
p3-serie
rss-konspirationsteorier
rss-p3-serie
rss-rollspelspodden-skrackblandat
tolkienpodden
skrackstunden