The First Ecstatic Vision . . . Of COMEDY: PURGATORIO, Canto XV, Lines 85 - 93
Walking With Dante24 Juli 2024

The First Ecstatic Vision . . . Of COMEDY: PURGATORIO, Canto XV, Lines 85 - 93

Dante and Virgil have stepped onto the third terrace of Purgatory proper and our pilgrim is hit with an ecstatic vision. In fact, the first one in a poem that may itself seem like an ecstatic vision. And one of the few anywhere in COMEDY.

Join me, Mark Scarbrough, as we look at the first vision on the third terrace of Purgatory, the opening salvo to the true middle of the great poem COMEDY.

Here are the segments for this episode of WALKING WITH DANTE:

[01:49] My English translation of the passage: PURGATORIO, Canto XV, lines 85 - 93. If you'd like to read along to continue the conversation, please find this episode of my website, markscarbrough.com.

[03:07] A vision of the Virgin Mary at the door, speaking in medieval Florentine.

[06:14] The changes in the Biblical story of Mary's leaving the young Jesus behind in Jerusalem and returning to find him.

[09:29] The importance of the possessive pronoun she uses: "my son."

[11:52] The paradox with "ecstatic visions" in COMEDY.

[16:16] The light of an ecstatic vision in transparent or empty space.

[21:43] Two little boys in Canto XV: the sun in the sky and Jesus in Mary's eyes.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(511)

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Okt 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Sep 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Sep 27min

Populärt inom Fiktion

pratkoma
konspirationsteorier
skrackstunden
rss-mottagningen
rss-nattskiftet
storytime
sexnoveller-deluxe
rss-konspirationsteorier
erotiska-berattelser
rss-rysningar
karatefylla
thrillerpodden
midnattstaget-creepypastor-fran-internet
rss-creepypastaradion
tolkienpodden
rss-spoket-har-bredvid
rss-ljuger-du
rss-p3-serie
p3-serie
rss-arkiv-13-svenska-spokhistorier