The Shocking News That The Soul Is A Little Girl: PURGATORIO, Canto XVI, Lines 85 - 96

The Shocking News That The Soul Is A Little Girl: PURGATORIO, Canto XVI, Lines 85 - 96

Marco of Lombardy continues his discourse on free will, deep in the pitch-black smoke of the third terrace of Purgatory where the angry penitents confront their sin.

His discussion takes a wild turn: a developmental hypothesis of the soul as a little girl, a scheme that may or may not nix original sin from Christian theology.

Join me, Mark Scarbrough, as we explore this complicated passage at almost the very heart of COMEDY.

If you'd like to help underwrite the many fees for this podcast, either with a one-time donation or with a little bit each month as a stipend, please consider doing so at this PayPal link right here.

Here are the segments for this episode of WALKING WITH DANTE:

[01:38] My English translation of the passage: PURGATORIO, Canto XVI, lines 85 - 96. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.

[04:04] A passage from Dante's CONVIVIO that is the basis for some of this passage in COMEDY (CONVIVIO, Book IV, chapter xii, lines 14 - 17.)

[10:37] Dante's developmental hypothesis about the soul.

[15:35] Dante's understanding of the soul as a little girl, to confirm the heteronormative desire that is the basis of creation/being.

[20:02] Answers to whether Dante jettisons the notion of original sin: 1) yes, 2) no, 3) only here, or 4) Dante's doesn't but Marco does.

[26:42] Rereading the passage: PURGATORIO, Canto XVI, lines 85 - 96.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Juli 37min

Populärt inom Fiktion

kusligt-rysligt-mysigt
pratkoma
storytime
sexnoveller-deluxe
thrillerpodden
rss-creepypastaradion
rss-nattskiftet
midnattstaget-creepypastor-fran-internet
erotiska-berattelser
konspirationsteorier
rss-rysningar
karatefylla
rss-konspirationsteorier
rss-hemligt
p3-serie
monsterboxen
rss-p3-serie
tolkienpodden
pojkmottagningen
skrackstunden