The Madness Of Hugh Capet's Descendants: PURGATORIO, Canto XX, Lines 61 - 81
Walking With Dante30 Mars 2025

The Madness Of Hugh Capet's Descendants: PURGATORIO, Canto XX, Lines 61 - 81

Hugh Capet continues the story of his family, bringing the saga of the French (or Frankish) crown into Dante's day with three of Hugh's most infamous descendants . . . at least as far as the poet is concerned.

Our pilgrim gets treated to a grim recital of French misdeeds. And we catch our first whiff of antisemitism in COMEDY, just at the moment the actual French monarchy is expelling the Jews from French territory.

Join me, Mark Scarbrough, as we explore this tough middle passage in Hugh Capet's rendition of the avaricious wrongs of the Frankish kingdom.

If you'd like to help underwrite the many fees associated with this otherwise unsupported podcast, you can make a one-time donation or a small on-going contribution by using this PayPal link right here.

Here are the segments for this episode of the podcast WALKING WITH DANTE:

[01:43] My English translation of the passage: PURGATORIO, Canto XX, lines 61 - 81. If you'd like to read along or continue the conversation about this difficult passage with me and others, find the entry for this podcast episode on my website, markscarbrough.com.

[04:07] The poetics in the passage: structure and rhyme.

[07:51] The troubled disconnection and reconnection of Provence and France.

[12:48] Hugh Capet's first malicious descendant: Charles I of Anjou (1226 - 1281).

[19:10] The second miscreant among his issue: Charles of Valois (1270 - 1325).

[22:56] The first instance of antisemitism in COMEDY.

[29:37] Hugh Capet's third bad seed: Charles II of Anjou (1254 - 1309).

[32:50] Rereading the passage: PURGATORIO, Canto XX, lines 61 - 81.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Juli 37min

Populärt inom Fiktion

kusligt-rysligt-mysigt
pratkoma
storytime
sexnoveller-deluxe
thrillerpodden
rss-creepypastaradion
rss-nattskiftet
midnattstaget-creepypastor-fran-internet
erotiska-berattelser
konspirationsteorier
rss-rysningar
karatefylla
rss-konspirationsteorier
rss-hemligt
p3-serie
monsterboxen
rss-p3-serie
tolkienpodden
pojkmottagningen
skrackstunden