The Heroic Nella Donati: PURGATORIO, Canto XXIII, Lines 76 - 90
Walking With Dante18 Juni 2025

The Heroic Nella Donati: PURGATORIO, Canto XXIII, Lines 76 - 90

Dante the pilgrim and his rival/friend/fellow poet Forese Donati continue to talk about their concerns: suffering, placement on the mountain, and the role of the living in the service of the dead.

Along the way, they seem to be coming closer and closer to the Christian idea of redemptive suffering, a complex stance in the face of the nihilism that almost overwhelms the suffering in INFERNO behind us.

Join me, Mark Scarbrough, as we explore these problems, plus talk about Forese's wife, Nella, and the role of the vernacular in exploring and explaining the deepest truths.

Here are the segments for this episode of WALKING WITH DANTE:

[01:37] My English translation of the passage: PURGATORIO, Canto XXIII, Lines 76 - 90. If you'd like to read along or continue the conversation with me, please find the entry for the episode of the podcast on my website, markscarbrough.com.

[03:17] The changing notion of suffering--yes, in COMEDY, but even in this small passage.

[07:20] Accounting for time, souls, and their ascents on Mount Purgatory.

[13:32] Nella Donati and two interpretive stances toward her place in the poem: 1) correcting the record or 2) hoping for a full record of a poet's works.

[17:36] Vernacular language and its uncomfortable relationship with "higher" truths.

[24:03] Rereading the passage: PURGATORIO, Canto XXIII, lines 76 - 90.

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Juli 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Juli 37min

Populärt inom Fiktion

kusligt-rysligt-mysigt
pratkoma
sexnoveller-deluxe
thrillerpodden
storytime
rss-nattskiftet
midnattstaget-creepypastor-fran-internet
erotiska-berattelser
konspirationsteorier
rss-rysningar
rss-creepypastaradion
karatefylla
p3-serie
rss-konspirationsteorier
rss-hemligt
monsterboxen
rss-p3-serie
tolkienpodden
pojkmottagningen
skrackstunden