Sir Gawain and the Green Knight

Melvyn Bragg and guests discuss one of the great composers, who was born into a family of musicians in Bonn. His grandfather was an eminent musician and also called Ludwig van Beethoven. His father, who was not as talented as Beethoven's grandfather, drank heavily and died when Beethoven was still young. It was his move to Vienna that allowed him to flourish, with the support at first of aristocratic patrons, when that city was the hub of European music. He is credited with developing the symphony further than any who preceded him, with elevating instrumental above choral music and with transforming music to the highest form of art. He composed his celebrated works while, from his late twenties onwards, becoming increasingly deaf.(Before the live broadcast, BBC Radio 3's Breakfast programme played selections from Beethoven, with Essential Classics playing more, immediately after, on the same network.)With Laura Tunbridge Professor of Music and Henfrey Fellow, St Catherine's College, University of OxfordJohn Deathridge Emeritus King Edward Professor of Music at King's College LondonAndErica Buurman Senior Lecturer in Music, Canterbury Christchurch UniversityProducer: Simon Tillotson.

21 Dec 201750min

Melvyn Bragg and guests discuss the man who was Henry II's Chancellor and then Archbishop of Canterbury and who was murdered by knights in Canterbury Cathedral (depicted by Matthew Paris, above). Henry believed that Becket owed him loyalty as he had raised him to the highest offices, and that he should agree to Henry's courts having jurisdiction over 'criminous clerics'. They fell out when Becket agreed to this jurisdiction verbally but would not put his seal on the agreement, the Constitutions of Clarendon. The rift deepened when Henry's heir was crowned without Becket, who excommunicated the bishops who took part. Becket's tomb became one of the main destinations for pilgrims for the next 400 years, including those in Chaucer's Canterbury Tales where he was the 'blisful martir'. With Laura Ashe Associate Professor of English at Worcester College, University of OxfordMichael Staunton Associate Professor in History at University College DublinAndDanica Summerlin Lecturer in Medieval History at the University of SheffieldProducer: Simon Tillotson.

14 Dec 201752min

Melvyn Bragg and guests discuss Herman Melville's (1819-1891) epic novel, published in London in 1851, the story of Captain Ahab's pursuit of a great white sperm whale that had bitten off his leg. He risks his own life and that of his crew on the Pequod, single-mindedly seeking his revenge, his story narrated by Ishmael who was taking part in a whaling expedition for the first time. This is one of the c1000 ideas which listeners sent in this autumn for our fourth Listener Week, following Kafka's The Trial in 2014, Captain Cook in 2015 and Garibaldi and the Risorgimento in 2016.With Bridget Bennett Professor of American Literature and Culture at the University of LeedsKatie McGettigan Lecturer in American Literature at Royal Holloway, University of LondonAndGraham Thompson Associate Professor of American Studies at the University of NottinghamProducer: Simon Tillotson.

7 Dec 201751min

In a programme first broadcast in 2017, Melvyn Bragg and guests discuss Gauss (1777-1855), widely viewed as one of the greatest mathematicians of all time. He was a child prodigy, correcting his father's accounts before he was 3, dumbfounding his teachers with the speed of his mental arithmetic, and gaining a wealthy patron who supported his education. He wrote on number theory when he was 21, with his Disquisitiones Arithmeticae, which has influenced developments since. Among his achievements, he was the first to work out how to make a 17-sided polygon, he predicted the orbit of the minor planet Ceres, rediscovering it, he found a way of sending signals along a wire, using electromagnetism, the first electromagnetic telegraph, and he advanced the understanding of parallel lines on curved surfaces. With Marcus du Sautoy Professor of Mathematics and Simonyi Professor for the Public Understanding of Science at the University of OxfordColva Roney-Dougal Reader in Pure Mathematics at the University of St AndrewsAnd Nick Evans Professor of Theoretical Physics at the University of SouthamptonProducer: Simon Tillotson.

30 Nov 201749min

Melvyn Bragg and guests discuss the myths and history of the ancient Greek city of Thebes and its depiction in Athenian drama. In myths it was said to be home to Heracles, Dionysus, Oedipus and Cadmus among others and, in history, was infamous for supporting Xerxes in the Persian War. Its prominence led to a struggle with the rising force of Macedon in which the Thebans were defeated at Chaironea in 338 BC, one of the most important battles in ancient history. The position of Thebes in Greek culture was enormously powerful. The strength of its myths and its proximity to Athens made it a source of stories for the Athenian theatre, and is the setting for more of the surviving plays than any other location. The image, above, is of Oedipus answering questions of the sphinx in Thebes (cup 5th century BC).With Edith Hall Professor of Classics at King's College LondonSamuel Gartland Lecturer in Ancient History at Corpus Christi College, University of OxfordandPaul Cartledge Emeritus Professor of Greek Culture and AG Leventis Senior Research Fellow at Clare College, University of CambridgeProducer: Simon Tillotson.

23 Nov 201746min

Melvyn Bragg and guests discuss the life and impact of Germaine de Staël (1766-1817) who Byron praised as Europe's greatest living writer, and was at the heart of intellectual and literary life in the France of revolution and of Napoleon. As well as attracting and inspiring others in her salon, she wrote novels, plays. literary criticism, political essays, and poems and developed the ideas behind Romanticism. She achieved this while regularly exiled from the Paris in which she was born, having fallen out with Napoleon who she opposed, becoming a towering figure in the history of European ideas.With Catriona Seth, Marshal Foch Professor of French Literature at the University of OxfordAlison Finch, Professor Emerita of French Literature at the University of Cambridgeand Katherine Astbury, Associate Professor and Reader in French Studies at the University of Warwick.Producer: Simon Tillotson.

16 Nov 201749min

Melvyn Bragg and guests discuss The Picts and, to mark our twentieth season, that discussion takes place in front of a student audience at the University of Glasgow, many of them studying this topic. According to Bede writing c731AD, the Picts, with the English, Britons, Scots and Latins, formed one of the five nations of Britain, 'an island in the ocean formerly called Albion'. The Picts is now a label given to the people who lived in Scotland north of the Forth-Clyde line from about 300 AD to 900 AD, from the time of the Romans to the time of the Vikings. They left intricately carved stones, such as the one above with a bull motif, from Burghead, Moray, Scotland, but there are relatively few other traces. Who were they, and what happened to them? And what has been learned in the last twenty years, through archaeology? With Katherine Forsyth Reader in the Department of Celtic and Gaelic at the University of GlasgowAlex Woolf Senior Lecturer in Dark Age Studies at the University of St Andrewsand Gordon Noble Reader in Archaeology at the University of AberdeenProducer: Simon Tillotson.

9 Nov 201756min

Melvyn Bragg and guests discuss the context and impact of Pablo Picasso's iconic work, created soon after the bombing on 26th April 1937 that obliterated much of the Basque town of Guernica, and its people. The attack was carried out by warplanes of the German Condor Legion, joined by the Italian air force, on behalf of Franco's Nationalists. At first the Nationalists denied responsibility, blaming their opponents for creating the destruction themselves for propaganda purposes, but the accounts of journalists such as George Steer, and the prominence of Picasso's work, kept the events of that day under close scrutiny. Picasso's painting has gone on to become a symbol warning against the devastation of war.With Mary Vincent Professor of Modern European History at the University of SheffieldGijs van Hensbergen Historian of Spanish Art and Fellow of the LSE Cañada Blanch Centre for Contemporary Spanish Studies andDacia Viejo Rose Lecturer in Heritage in the Department of Archaeology at the University of Cambridge Fellow of Selwyn CollegeProducer: Simon Tillotson.

2 Nov 201754min