Nielsen Symphony No. 4, "Inextinguishable"

Nielsen Symphony No. 4, "Inextinguishable"

At the top of the score for the Danish composer Carl Nielsen's 4th symphony, he wrote: "Music is life, and like it, inextinguishable."

This could easily be the shortest podcast I've ever done. I could leave you with that quote and then play you the beginning of the symphony, and you would understand everything Nielsen wanted to portray in this remarkable music. But don't worry, I won't do that. Carl Nielsen's music has never quite made it into the standard standard repertoire, but if there is one piece of his that is played more often than any other, it is his 4th symphony, subtitled The Inextinguishable. But as a whole, Nielsen's 4th symphony is not easy to digest. It is a piece that is contradictory, in the sense that Nielsen uses an extremely small set of motives to write practically every note of music in the score, and yet sometimes the music can feel like a stream of consciousness. Nielsen himself wrote: "I have an idea for a new composition, which has no programme but will express what we understand by the spirit of life or manifestations of life, that is: everything that moves, that wants to live ... just life and motion, though varied – very varied – yet connected, and as if constantly on the move, in one big movement or stream. I must have a word or a short title to express this; that will be enough. I cannot quite explain what I want, but what I want is good."

There is a James Joyce-esque sense of jump-cutting between different ideas, as if that inextinguishable life force is unaffected by earthly things like form and recognizable structure. But if you peek under the hood of this piece, you find that it is really in 4 movements, and the first movement is even in a kind of a Sonata Form. It has an intermezzo, a slow movement, and a rambunctious finale. In many ways, this is a conventional symphony, but in terms of the musical material and the way Nielsen decided to manipulate that material, it is anything but conventional. We'll talk about all of this today, including the influence of World War 1 on the symphony and on Nielsen himself, and the remarkable music that throws us along like a relentless and boundless current of energy. Join us!

Avsnitt(272)

Classical Music Changemakers Week: Aubrey Bergauer + Lorenzo Brewer

Classical Music Changemakers Week: Aubrey Bergauer + Lorenzo Brewer

This week, I'm interviewing 3 people who are making real change in the classical music business. Today, I talk with Aubrey Bergauer, the former Executive Director of the California Symphony, and Lorenzo Brewer, the founder of Nkoda, the Spotify of sheet music. We'll talk about the simple yet radical changes Bergauer made during her tenure, and Brewer's belief in the accessibility of sheet music. I think these interviews will appeal to anyone interested in change, the future, and music itself. https://medium.com/@AubreyBergauer nkoda.com

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Sticky Notes Mailbag!

Sticky Notes Mailbag!

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Beethoven String Quartet, Op. 132 (Part 2)

Beethoven String Quartet, Op. 132 (Part 2)

This week we're diving into one of the great movements ever written in Western Music with the slow movement of Beethoven's Op. 132 quartet. This is a movement that explores Beethoven's contradictory religious beliefs, his core optimism despite all that happened to him during his life, and his fascination with religious music. We'll then look at how Beethoven concludes this epic piece, using sketches of music that started out as being part of his 9th symphony, but not in the way you might expect. Enjoy!

13 Juni 201944min

Beethoven String Quartet, Op. 132 (Part 1)

Beethoven String Quartet, Op. 132 (Part 1)

I've long hesitated to write a show about any of Beethoven's late string quartets. These are pieces that quartets spend the better part of their careers grappling with, struggling with, failing with, and much more rarely, succeeding with. They are some of the most extraordinary pieces of art ever conceived of. 5 quartets, Opus 127, Opus 130, Opus 131, Opus 132, and Opus 135 - all written near or at the end of Beethoven's life, these pieces represent the pinnacle of everything Beethoven achieved, yes, even far beyond his symphonies in this conductors opinion. They explore not only every conceivable emotion, but they dig down into the core of those emotions, defiantly refusing to skim the surface and daring to ask and THEN ANSWER the fundamental questions of life and death. Everyone has a favorite Late Beethoven Quartet, but mine has always been Opus 132, and so this week I'm taking the opportunity of getting a Patreon sponsor request from Maria for a piece of chamber music to take the leap myself into Late Beethoven. We'll discuss Beethoven's situation as he recovered from a life-threatening illness which he was sure was going to be his end, the unusual 5 movement structure of the piece, and this week, the first two movements of the quartet, the first of which, to me, defines everything that Sonata Form can do to express emotion and a narrative in a piece of absolute music.

6 Juni 201945min

How to Build an Orchestra w/Joshua Roman

How to Build an Orchestra w/Joshua Roman

I was thrilled to be joined by Joshua Roman, cellist, composer, and curator. The core of our discussion centers on building an orchestra from the ground up. That is, not taking over an existing orchestra, but starting one completely from scratch. How would this look in 2019? Joshua has been thinking about this for years so it was fascinating to hear him discuss this and many other topics. Thanks again for all of our support and here's to another 100 episodes!

25 Jan 201951min

Deborah Borda, President of the New York Philharmonic

Deborah Borda, President of the New York Philharmonic

Of all the interviews I've done this year on Sticky Notes, this might be my favorite. I sat down a few weeks ago with Deborah Borda, the new CEO and President of the New York Philharmonic, to talk about the future of not only the New York Philharmonic, but also classical music in general. We also talked about the connections between the artistic and social imperative of a classical music organization, Gustavo Dudamel, and the importance of listening to our communities. This was a truly inspiring conversation, so I hope you enjoy it as much as I did!

21 Feb 201849min

42 Years on the New York Phil Front: A Conversation with Glenn Dicterow

42 Years on the New York Phil Front: A Conversation with Glenn Dicterow

This week on Sticky Notes, I'm really happy to welcome Glenn Dicterow, the former concertmaster of the New York Philharmonic, to the show. Glenn was a concertmaster for an incredible 42 years, giving him thousands of great stories, memories, insights, and thoughts about leading, conductors, violin-playing, and orchestral life. Thanks so much for listening, and I hope you enjoy it!

7 Dec 201745min

A Conversation w/ Bass-Baritone Eric Owens

A Conversation w/ Bass-Baritone Eric Owens

Part 2 of The Week of the Voice is here with the incredible bass-baritone Eric Owens! We talk about the joy of getting to play bad guys in opera, his professional-level oboe playing(!!), conducting, the future of classical music, and the art of getting into character. If you've never heard Eric Owens sing before, you're missing out, but it's also a treat to hear him speak on any topic. Thanks for listening!

19 Okt 201739min

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