PALISADE 42: A Mechanical Whine Pt. 4

PALISADE 42: A Mechanical Whine Pt. 4

This episode carries content warnings for discussion of death, imprisonment, slavery, medical experimentation, and mind control.

In the depths of the Temple of the Threshold, a moment passes, a hero dies, and the world begins to change. But Thisbe, Cori, and Brnine—standing in the heart of Exanceaster March's most advanced research facility—don't know that yet. But they do hear it coming.

A mechanical whine in the air is about to become something else. Unfinished plans will be pushed into action. Tomorrow will come, faster for some than others. And life on Palisade will change forever.

This week on PALISADE: A Mechanical Whine Pt. 4

Moon river / wider than a mile / I'm crossing you in style some day

Dossier People

Telford Stare (he/they): One of several foremen tied to the Lone Marble Group's contractor operations division.

Crysanth Kesh (she/her): Mother of Clementine (a.k.a. The Witch in Glass). Once, third in line to the throne of Kesh and de facto leader of the Curtain of Divinity, the predecessor to the Bilateral Intelligence Service. Now dead.

Organizations

The Frontier Syndicate: A powerful conglomerate with a broad purview, including technology, heavy industry, entertainment, telecommunications, and transportation. Led by Exenceaster March (he/him), the Syndicate betrayed the Pact of Free States and joined the Bilats in order to be part of their colonization efforts on Palisade. Developed the Altar, the predominant war machine of the current era.

The Lone Marble Group: Built around a single artifact recovered from an Advent facility, this Frontier Syndicate subsidiary develops the future of Bilat war machinery.

The Church of Received Asterism: The most widely practiced faith in the galaxy, and one of the earliest major organizations in the Divine Principality, created at the beginning of the Miraculous Millenium, over 3000 years ago. Teaches that Divines, the immortal machines and mechs that helped establish the Principality's hold on the galaxy, reflect the best aspects of the state itself. The divine Strength, in other words, is like a living flag of the Principality's own strength. Organized as a central church, led by a religious leader named a "Cycle," whose will is enacted across the Principality by their many "Songs," who rule worlds, star systems, or sometimes entire constellations.

The Church of Progressive Asterism: Created as the teachings of the prophet Logos Kantel grew in popularity 1000 years ago, and made a secondary state religion in order to prevent a large schism. Teaches that Divines are true embodiments of their names, and that the citizens and states of the Principality should look to them as guiding stars. The Divine Strength, in other words, is a reflection of strength itself, or maybe "god's strength," and we should aspire to make our strength look like the divine's. Unlike Received Asterism, there is no single central church, but hundreds of smaller sects, schools, and cults, each devoted to individual Divines, grouped sub-pantheons, or otherwise adjusted beliefs.

The New Asterism: What was once a schism between Received and Progressive Asterism has now been healed by the false prophet Gur Sevraq (he/they), or at least someone in his name and face. The New Asterism claims that to be a citizen of the Principality is to have an obligation to "better the world," in the sense that one invests in property or in the way that a settler "rehabilitates" or "improves" the places they claim by violence. If Received Asterism places virtue in the state and Progressive Asterism places it in the Divines, the New Asterism places it in the Principality's mythologized point of origin: The Twilight Mirage.

Fabreal Duchy: When the Divine Principality left Palisade nearly 5,000 years ago, they left behind a Duke and his barons as caretakers. In the generations that followed, they ruled as petty tyrants, creating Delegates as their slaves, remaking their bodies into glass and oil, and extending their reach across Palisade's continents. Though they officially report to their handlers in Stel Kesh, recently they have begun to wonder if things were better before the Principality's return to Palisade.

The Divine Collaborate: A successor state to the once vast Autonomous Diaspora, the Divine Collaborate wsa an eternally ad-hoc and temporary alliance of Divines, their pilots, and those under their protection. Defeated by the Divine Principality at the climax of the Divine Clash. In her original home timeline, Perennial belonged to some version of the Collaborate.

Places

Bontive Valley: Blessed by the departed divine Bounty, the Valley provides the Bilats with fruit that never rots and hyper-nutritional grain.

Temple of the Threshold: Built at the center of a massive bridge that crosses the Diadem, this serves as the home of New Asterism and its false prophet,

The Twilight Mirage: Created over 5000 years ago by what was then the Divine Empyrean in an effort to protect the Divine Fleet, of which they were a member. The Mirage is a false nebula that obscures the position of its inhabitants both visually and by distorting time and space. Inside, there is now a vibrant and peaceful culture that spans eight planets, orbiting a dark and living Divine sun.

Objects

FS-N Dais: One of the Altars competing in the tournament, piltoed by Zjenta Zjarule (she/they). Utilizes a special glass originally from the Twilight Mirage.

AdArm Jury: The Jury is the future of AdArm machines. As the first design which fully moves beyond the platforms of the previous generation, it's a startling diversion from the bulky and boxy designs that the company is known for. In fact, the actual "unit" is only the cockpit, around which the rest of the Jury forms using concentrated Perennial Wave Material (PWM). Gone is the old LCD "eye," replaced by a full pixel "face" that can send complex, laser-based communications silently to any other AdArm unit that can see it, as well as display iconographic messages to anyone nearby. A close study of the machine's curved and ovaline elements suggests that it has much in common with the Motion's Demiurgos design that AdArm salvaged as it does with the company's previous designs…

AdArm Cast: This surveillance hollow, mostly used by Stel Nideo in the pre-Kalmeria Era, features angelic (and grotesque) features and focuses on observation, surveilliance, and communications.

EDICT System: The Electronic Divine Interface and Control Technology System was originally deployed during the Divine Clash, over 2400 years ago. Requires a great deal of power to activate, and needs to be transported by multiple large trucks, but when it is used, it can badly disrupt Divine activity--at least most of the time. There are many theories as to which Divines are affected and why, with many believing it is determined by provenance or era of Divine, some internal system of the EDICT itself, or even the current condition of the Perennial Wave.

Divines

The Divine Future (they/them, it/its): An ancient divine, dating back to the second major war in the Golden Branch star sector. Exists in the form of golden orb slightly larger than a softball or bocce ball, which can either be carried by or hover around its Elect. Historically, it has been bidden to share its unparalleled perspective on the hopes and dreams of its chosen (and the endless vigor with which to pursue those goals).

The Divine Resonance (it/its): The watchful guardian, doting caregiver, and ardent supporter of Nideo's colonial efforts on Palisade.

The Divine Integrity (it/its): Sometimes appearing as an articulated staff or a metallic spine, Integrity integrates itself into its chosen user. Once the two are connected, Integrity becomes a powerful exoskeleton, and supports its user in matters of military and morale. Until being assassinated by Brnine, Dahlia, the Glorious Princept, was the elect of Integrity. Now, it has found a new home in Thisbe.

The Divine Motion (she/her): One of the founding members of the Pact, the necromantic Apostolosian divine once led its infamous retinue, the Black Century, on Partizan. They were defeated and dispersed, turned into part of Kalmeria, during Operation Shackled Sun.

The Divine Opposition: One of many divines detained and experimented on by the nascent Divine Principality thousands of years ago, eventually becoming a source for the Fabreal Duchy's Delegates.

Mysteries

Axioms: Once, these beings were made by a so-called "Post-Divine" as embodiments of particular ideals, supposedly detached from mortal perspective or subjectivity. Today, the vast majority of them are the emanation of one woman's ideals, given perfect, violent form.

Ebullience (it/its): An axiom retrieved by the Lone Marble Group. It holds a rounded, liquid metal form and moves with impossible to exhaust energy.

Perennial (she/her): The Principality's so-called 'adversary,' who lives at the center of the galaxy and whose chaotic whims spread through her "Perennial Wave," an ever-present nanoparticle that has bonded with elements of Autonomy Itself and the Divine Motion to create Kalmeria.

Hosted by Austin Walker (@austin_walker)

Featuring Janine Hawkins (@bleatingheart) Sylvi Bullet (@sylvibullet), Ali Acampora (@ali_west), Art Martinez-Tebbel (@atebbel), Jack de Quidt (@notquitereal), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000)

Produced by Ali Acampora

Music by Jack de Quidt (available on bandcamp)

Text by Austin Walker

Cover Art by by aurahack (aurahack.jp)

With thanks to Amelia Renee, Arthur B., Bill Kaszubski, Cassie Jones, chocoube, Daniel Laloggia, DB, deepFlaw, Edwin Adelsberger, Emrys, fen, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Mike & Ruby, Muna A, Nich Maragos, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, and weakmint for their support

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This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.

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Winter in Hieron 16: Is There Anyone Else?

Winter in Hieron 16: Is There Anyone Else?

Aloysha, War is coming to Velas. Ordenna is coming to Velas. And while I believe in the strength of the velasian people and in the resolve of the church and, as much as I would hate to admit it, in the benevolence of Ordenan occupation, I cannot continue to serve our lord if I need to worry about my family, about Rosana and Benajamin living under the heel of Ordenan rule. Of my actions potentially impacting them, of them not getting to see me come home. I know this is a big ask, I need you to get my family to Rosemarrow. There is another matter that weighs on my mind, Exarch, but I do not know that I have it in me to do what must be done. If you do not hear from me again, we will leave it at that. But if you receive a second letter, please know that it does not come without consideration. Yours in Service to Him, Hadrian, Sword of Samothes, Defender of the Undying Fire, Officer of the Order of Eternal Princes This week on Friends at the Table: Is There Anyone Else? Arrell, You offered me a journey to peaceful exile. Well, there is a hill to the south of Rosemerrow, northeast of the Dwarven settlement of Wharfhurst. Wait for me there three weeks from now, at the rising of the second moon. You'll understand the moments our eyes meet. Your pupil, Alyosha Hosted by Austin Walker (@austin_walker) Featuring Ali Acampora (@ali_west), Art Martinez-Tebbel (@atebbel), Janine Hawkins (@bleatingheart) Jack de Quidt (@notquitereal), Sylvi Clare (@captaintrash), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot) Episode description by Austin Walker and Art Martinez-Tebbel Music by Jack de Quidt A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

24 Mars 20171h 33min

Winter in Hieron 15: Settle Your Matters

Winter in Hieron 15: Settle Your Matters

TO: Impetor Fela Malle Living Blood of Steel, I have it. It is at the top of the tower, in a room my soldiers cleared of tables and chairs and old shelves. The room is bare, and it stands in the centre. Forgive me if my handwriting reveals my tiredness, I will set the words alone for clarity: I have it. I spent the last night, awake, watching it and its light was so bright. It did not burn my eyes. One of my soldiers tried to draw it, and when they were finished I looked down at the paper and the difference—it was more than an inaccurate representation. To look at it, to trace the drawing's imperfections with my eyes, made me furious. At around five or six in the morning I left the tower to get some air. The streets were, as they always are, dark. I looked up at the tower, expecting to see light streaming from its windows, but there was nothing. When I returned to the tower room, I found it fully furnished once again, but denser. Warmer. My men could not tell me how it had happened. Loyal Always to Ordenna's Shores, Jerod Shiraz Vicereine of Ordenna This week on Friends at the Table: Settle Your Matters TO: Jerod Shiraz Be thankful that it does not cast light from the windows. You have a great mystery and a treasure. Hold it close. The Blood of Fire must not know. She must not know. - FM Hosted by Austin Walker (@austin_walker) Featuring Ali Acampora (@ali_west), Art Tebbel (@atebbel), Janine Hawkins (@bleatingheart) Jack de Quidt (@notquitereal), Sylvi Clare (@captaintrash), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot) Episode description by Jack de Quidt Music by Jack de Quidt A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

16 Mars 20171h 18min

Winter in Hieron 14: What Do You Want Here?

Winter in Hieron 14: What Do You Want Here?

So, listen. I've heard whispers from spies and rumors from stewards, and it sounds like you've got your hands on something really special. Something that could really change the way things have been going for you and yours. And well… Listen, MG, I like to think I know you pretty well. Balion and I won't ever forget what you did for us, and more importantly, that you had very little to gain from doing it. You are the greatest force of justice I've ever known, and a constant reminder of what it means to be a leader. People tell me that I have a hard life all the time. Beset on all sides by the unctuous and the bickering, the petty and the envious, the powerful… and the meek. But what they're missing is that to be "beset on all sides," you first of all have to be at the center. And however hard it is, the center is an easy place to rule from. But you don't have a high house, MG. No council chambers, not even a mayoral mansion. The only center your Gnolls have is you. It's time to put this old bullshit right. Bring the document, meet me in my room in two days—I trust you can get there. And I hope you can trust me, too. -Gil This week on Friends at the Table: What Do You Want Here? I'll come, Lutz. But don't think for a second that your respect for me is shared by your Halflings. A leader can change their mind with the quickness of the wind, but their people adapt only at the speed of mountains. -GLORY Hosted by Austin Walker (@austin_walker) Featuring Ali Acampora (@ali_west), Art Tebbel (@atebbel), Janine Hawkins (@bleatingheart) Jack de Quidt (@notquitereal), Sylvi Clare (@captaintrash), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot) Episode description by Austin Walker Music by Jack de Quidt A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

10 Mars 20171h 32min

Winter in Hieron 13: Rosemerrow, Oh My Rosemerrow

Winter in Hieron 13: Rosemerrow, Oh My Rosemerrow

Hey chief, This is a weird one, and I almost didn't bring it to your attention, but Carver insisted. There was this guy shouting out near the Westshore-Upon-Scene theater, you know? And these folks, they yell all the time to try and get people to come to their plays, but this was seriously weird. He was speaking nonsense--a bunch of words about plays and whatever, but not really saying much at all. But he was surrounded by people anyway. Just staring at him. When we took him in for questioning, he totally locked up. No name, no address, nothing… except a sheet of paper with a script of the exact nonsense he was saying. Here, I copied it for you: People! Learn about your imperative national theater! Hear eclectic dramas and romances! Know all new dramatists, thespians, hoofers, ensembles, househands, echomen, and technicians! Watch improv live! Listen with alert Rosemerrow minds, you! Observe upon redolent ballads of noble Elan Showman! I just don't get it. Who talks like that? Like, if you're gonna script the thing out, at least make it catchy. It's got a nice rhythm I guess, but… I mean, anyway, sorry for bugging you. If this ends up being total bullshit, blame Carver, not me. -H This week on Friends at the Table: Rosemerrow, Oh My Rosemerrow Detective, Burn the damned paper and drink the strongest stuff you can get your hands on. Forget these words by morning or it will be too late. This isn't a script. It's a prayer. -Chief Inspector Tevilton Hosted by Austin Walker (@austin_walker) Featuring Ali Acampora (@ali_west), Art Tebbel (@atebbel), Janine Hawkins (@bleatingheart) Jack de Quidt (@notquitereal), Sylvi Clare (@captaintrash), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot) Episode description by Austin Walker Music by Jack de Quidt A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

3 Mars 20171h 46min

Winter in Hieron 12: A Chaotic Cataloging

Winter in Hieron 12: A Chaotic Cataloging

TO: Chief-Justiciar Qinta Quatróna Living Blood of Fire, you know I write you this at great peril, because it is you who imperils me. But whatever my ambition—and whatever your animus towards me for it—know I hold one thing in greater esteem in myself: Our nation. And I have seen with my eyes a more dire threat to our home than any plague, any animated corpse, any beast. I saw it that night, in the museum, but denied it for a full day. My report on the events there list only an anomaly brought on by the magic of the fraudulent archeologist. But whatever this is, it's the opposite of an illusion. It's somehow more real than what's around us. Not less. Please, Qinta, put aside your ceaseless fear that I'm envious of your position. Our feud was childish, and the continent is no place for kids games. Trust me here, for once. I've attached my notes on Watchword "Bright One." Read them, study them, but know they are incomplete. With this one, notes will always be incomplete. Loyal Always to Ordenna's Shores, Iduna Fel Justiciar-Captain This week on Friends at the Table: A Chaotic Cataloging TO: Justiciar-Adjutant Stornras Find her. -QQ Hosted by Austin Walker (@austin_walker) Featuring Ali Acampora (@ali_west), Art Tebbel (@atebbel), Janine Hawkins (@bleatingheart) Jack de Quidt (@notquitereal), Sylvi Clare (@captaintrash), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot) Episode description by Austin Walker Music by Jack de Quidt A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

24 Feb 20171h 37min

Winter in Hieron 11: The Importance of Names

Winter in Hieron 11: The Importance of Names

Associate van der Dawes, There are actually three distinct sections to the treaty that allows the Golden Lance to operate in Rosemerrow, and I came upon them quite strangely, in three different ways. At first, I received the end of the document, a series of bound pages traded to me in exchange for a collection of measuring spoons. The document did not identify the parties; Presumably this occurred in the introduction, and for this reason I did not know what I had. And then, after several weeks, the introduction came into my possession, slipped between the second and third chapters of a copy of an old law book that smelled of sea salt. That city in the south, the city on the island was mentioned, as were "Lance Nobles," as was a system of justice and governance that was as fiery as it was sure. Combining the two, it became clear that an agreement had been made. In exchange for their services, the Golden Lance were granted the jurisdiction to operate within the boundaries of Rosemerrow. There was a map. There were ringed circles and careful measurements. It had been signed, and countersigned. The third part came to me yesterday, and the document was complete. I say "came to me," but that is a lie, for it had been sitting on my personal bookshelf for a period of two years. I believed it to be a novel. I believed it to be a work of fiction, a fractured procedural, as much a puzzle as a detective story. Paperwork. Folded silk. A woman becoming a flock of birds. The East Wind described at once as a person and a phenomenon. Knives stolen from slaughtermen and sold to tailors. When I reviewed the untitled work, back at the Archives, as part of my departmental review of literature, I had no idea that I was holding in my hands the final piece of the Lance Charter, Author Unknown. But I was. -E.O. This week on Friends at the Table: The Importance of Names Elgash, my man, how many times do I have to tell you? Just cause something "isn't a novel" doesn't mean that it isn't a novel. The people who wrote these things—treaties, contracts, accords—they're all story tellers, too. What, you think the Golden Lance could've just sent in a piece of parchmant like "Hey, let us come through and do some of that hard justice in Rosemerrow?" There is no—and has never been—any difference between a very good story and a very good argument. Anyway, man, I'll be back from Westshore tomorrow. Lemme get a look at that third part before you file it away, alright? -Devar Hosted by Austin Walker (@austin_walker) Featuring Ali Acampora (@ali_west), Art Tebbel (@atebbel), Janine Hawkins (@bleatingheart) Jack de Quidt (@notquitereal), Sylvi Clare (@captaintrash), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot) Episode description by Jack de Quidt, Austin Walker Music by Jack de Quidt A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

16 Feb 20172h

Takin' a Snow Day

Takin' a Snow Day

Sorry for being so late to announce an off this week but we need a little extra time to make a big special thing a little more special. We tried to make this a fun one for you in the mean time, so be well and see you next week!

10 Feb 20175min

Winter in Hieron 10: Fire and Blood

Winter in Hieron 10: Fire and Blood

It's been four days since His sun left us, Tutor. On the first morning without it, I woke early--before its light would have graced us on a normal day--and, when I found sleep too hard to return to, I put on my sandals and took to the empty streets of Velas. The soft shuffle of my steps echoed with the other pre-dawn murmurs of my seaside city. The gulls called, and they called for me, so I followed past the lingering smells of a rowdy night before. And they called for me, so I stepped through the sand blown threw the gardens. And they called for me, and so I walked, and as I walked, my mind drifted, and I tried to recall if we ever listened to the gulls together, and I wondered if you had ever called for me. I found an old stairwell hidden, etched into the wall by time or ancient ambitions or both. It led from the plaza to the shore, and the shore brought water, and the water brought wind, and the sound of gulls was caught in a swell, and the sound of the gulls was breezed away. I sat and waited for His sun. And when it didn't come, I felt my most selfish thought--that this was your work, and that I had failed to stop you. That somehow I could have been He Who'd Saved The Sun, if only... The stars lit, bright the way they are only in memory, never in sight. And I looked, for just a moment, to see if I could see you there, in their light perhaps, or in their configuration. Instead, I saw a second darkness. Drifting, sputtering, smoke clouding on the western horizon, covering the stars there. The softest cliff face. Progress coming for our throats. In the face of that soot-stuff, I let you go with a wish, Lion's Tooth on the wind. Do not write me. Do not study the sound of my name or the curves of my hand. Do not grieve--we are too busy for grief now. Gather yours, and I will gather mine. This week on Friends at the Table: Fire and Blood Flee. -T.A. Hosted by Austin Walker (@austin_walker) Featuring Ali Acampora (@ali_west), Art Tebbel (@atebbel), Janine Hawkins (@bleatingheart) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot) Episode description by Austin Walker Music by Jack de Quidt A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

4 Feb 20171h 47min

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