9: The Wisdom of the Body

9: The Wisdom of the Body

This week we’re going heavy on the source material, because this particular set of ideas was fleshed out (no pun intended) in passages spanning multiple works, and for the most part in unpublished notes. As Nietzsche was fond of saying, however, all the main points of his philosophy are covered at one point or another in his Zarathustra — and so this week’s episode takes its name from a passage in Zarathustra, wherein the titular character says “there is more wisdom in your body than in your deepest philosophy”. The Nietzschean view of the self is that the body and its instincts are primary, in contrast to the Enlightenment view of the mind as primary. For Nietzsche, the rational consciousness is a narrator which merely gives an after-the-fact explanation. The true person is the body and its unconscious, irrational drives. This view of the self subverts many of our presuppositions about the power of reason, and about man’s free will. Episode art: Da Vinci’s Vitruvian Man, courtesy of Wikimedia commons.

Avsnitt(230)

Q&A #5

Q&A #5

You asked me anything. I answered most of it. Season Three begins next week!

11 Okt 20222h

Birth of Tragedy #8: 22-25 (Conclusion)

Birth of Tragedy #8: 22-25 (Conclusion)

Nietzsche recapitulates and summarizes his positions, and provides us with a few relatively simple formulas for understanding the interaction of the two art-forces. He hopes for a rebirth of tragic art in Europe. We conclude with my distillation of the main philosophical concepts, the significance of which can be expanded beyond the work.

4 Okt 20222h 4min

Birth of Tragedy #7: 18-21 (Alexandrianism)

Birth of Tragedy #7: 18-21 (Alexandrianism)

Here we find the idea of cultures as admixtures of the Apollinian, Dionysian, or Socratic approaches to life. The Socratic is distinguished from the Apollinian, and modern art and culture is assessed as theoretic parasitism on art.

27 Sep 20221h 59min

Birth of Tragedy #6: 14-17 (The Theoretic v/s the Tragic)

Birth of Tragedy #6: 14-17 (The Theoretic v/s the Tragic)

Socrates, having been introduced in the last chapter we studied in the previous section, appears now to threaten all art, with a worldview described as "the theoretic", which is fundamentally opposed to the tragic. The theoretical worldview is, by nature, optimistic, moralistic, and against all illusion and ignorance. Nietzsche first raises the prospect of "an artistic Socrates", and rails against the New Attic Comedy as a degenerated artform in comparison to Attic Tragedy.

20 Sep 20222h 36min

Birth of Tragedy #5: 11-13 (Euripedes & The Death of Tragedy)

Birth of Tragedy #5: 11-13 (Euripedes & The Death of Tragedy)

Now we turn to the effect of Euripedes, and Nietzsche’s charge that this tragedian came under the influence of Socrates, and the new form of drama, New Attic Comedy, that followed.

13 Sep 20222h

Birth of Tragedy #4: 8-10 (Evolution of the Satyr Chorus & Suffering Hero)

Birth of Tragedy #4: 8-10 (Evolution of the Satyr Chorus & Suffering Hero)

Let’s talk about the evolution of the Attic Tragedy: from solo dithyrambic poet, to dithyrambic chorus, to chorus plus the ritualized portrayal of a masked Dionysus, to an entire tragedy performed on stage behind the “magic wall” of the chorus.

6 Sep 20222h 12min

Birth of Tragedy #3: 4-7 ("Objective" v/s "Subjective" Art)

Birth of Tragedy #3: 4-7 ("Objective" v/s "Subjective" Art)

We continue our analysis of Birth of Tragedy, and enter one of the most byzantine sections of the text. Don’t worry, I shall be your Ariadne.

30 Aug 20222h 4min

Birth of Tragedy #2: 1-3 (The Two Art-Forces)

Birth of Tragedy #2: 1-3 (The Two Art-Forces)

Today we cover the first three sections of Birth of Tragedy. Slow going, I know- but things will begin to move at a faster clip as we continue. In this episode the core concepts of the Apollinian and Dionysian art forces are explained, their relation to one another, and their origin in dreams and intoxication.

23 Aug 20221h 56min

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