22: The Antichrist, part 1: An Attempt at the Revaluation of Values

22: The Antichrist, part 1: An Attempt at the Revaluation of Values

The Antichrist (1888) is one of the last books Nietzsche wrote before losing his sanity the next year. It serves as the culmination of a decade or more of Nietzsche's thoughts on morality, Christianity, and the need for a revaluation of values. This project - of finding or defining a new set of values by which man could live - was something about which Nietzsche was deeply ambivalent. On the one hand, some sort of moral direction is required for ascending life. It is essential that the philosophers of the future find some means of pushing their way through the stage of relativism, or "active nihilism". But such a project would be to ignore the contingency of all our moral beliefs; worse yet, by outlining a new values-structure, Nietzsche will have to think and work systematically. But Nietzsche's thinking is by its nature anti-systematic. As a result, numerous contradictions come to the forefront in his philosophical outlook, not all of which are neatly resolved. However, what we find as key to understanding the work is the opposition we discussed in the previous episode: of Dionysus v/s The Crucified One. The opposition is between the Dionysian morality of which gives a rough sketch, based on life, overcoming and will to power, and the Christian morality which is defined negatively and as the decline of all of these things. He uses this opposition to illuminate the true nature of the Christian religion and to argue for the values that he finds to be badly needed by the modern man. In the course of this moral revaluation, Nietzsche gives a theory of decadence: how empires behave during their decline and collapse. His various considerations lead him to the conclusion that all of the most cherished productions of our society, our highest values, our human ideals, art, philosophy, music, education, and our whole morality - are products of decadence, and thus of weakness. He thus calls into question the value of abstract thinking, and indeed the value of our faculty for conscious thought. Hilary Putnam on Quine and Ontology: https://www.youtube.com/watch?v=AhHIVEN839s

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3: “God is Dead!"

3: “God is Dead!"

Today we'll study the words of a saint, a pope, a madman, the ugliest man, and Zarathustra himself - in order to find out what they all have to tell us about one of the most momentous events in world history, but one which is not yet perceived or understood by the great many. This event is the Death of God, one of Nietzsche's most important ideas and one which lays the groundwork for understanding his thought, and where he saw himself in the context of Western Philosophy. While it is often the case that great attention is given to the infamous passage entitled, "The Madman" - and we'll spend a good amount of time on this passage in this very episode - this particular story is only the first step into the many implication's of God's death. And, of course, we will not be able to get through the episode without addressing ourselves to the elephant in the room, one Dr. Jordan B. Peterson, who has suggested that the Death of God was a sorrowful event for Nietzsche. On the contrary, Nietzsche celebrated the myriad possibilities laid open for humanity, for all the dangers that this entailed, such as the civilizational descent into nihilism.  This episode's art is Diogenes by Dutch painter Jan Victors (1619 – 1679)

29 Juni 202158min

2: Wandering Through Ice & Mountain Peaks

2: Wandering Through Ice & Mountain Peaks

In this episode, we discuss the character of The Wanderer. The Wanderer appeared in multiple Nietzsche works, mainly during the period from Human, All Too Human, through The Gay Science. Evidently Nietzsche identified himself with this character. The wandering that Nietzsche did throughout Europe, and while hiking the Alps, paralleled the metaphor of 'philosophical wandering' in Nietzsche's work. We'll also discuss a potential inspiration for Nietzsche, in the motif of "wanderers" in German culture. The significance of philosophical wandering as Nietzsche's approach to philosophy is that Nietzsche's project ends up looking very different from that of most other philosophers. Episode art is Caspar David Friedrich's Der Wanderer über dem Nebelmeer.

23 Juni 20211h

1: How the True World Finally Became a Fable

1: How the True World Finally Became a Fable

Welcome to The Nietzsche Podcast! In this first episode, we introduce Friedrich Nietzsche (1844-1900), through the passage, "How the True World Finally Became a Fable", from his book, The Twilight of Idols. In this passage, Nietzsche sketches the history of a particular error in Western philosophy: the error of metaphysics. Nietzsche establishes himself as an anti-metaphysical philosopher, who is against all doctrines of a "True World" that lies beyond our own. In this episode, we touch upon the ideas and historical context of Plato, Descartes, Kant, Schopenhauer, and others. INCIPT ZARATHUSTRA!

23 Juni 202158min

The Nietzsche Podcast Trailer

The Nietzsche Podcast Trailer

22 Juni 202154s

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