24: The Tragedy Begins

24: The Tragedy Begins

We can pinpoint the end of an era in Nietzsche’s philosophy precisely at Book IV of the Gay Science. This is where Nietzsche marks off a new chapter in his life. He begins the book with the aphorism, "For the New Year", and there is a celebration of the month of January, as the beginning of the year – a celebration of newness, of rejuvenation. In a letter to Franz Overbeck, on September 9th, of that year, still in 1882, he wrote: "If you have read 'Sanctus Januarius', you will have noticed that I have already come to a turning point. Everything lies new before me, and it will not be long before I am able to see the frightening face of my life’s future task." In this episode, the final show of season one, we examine this self-described turning point in Nietzsche's life & work, as a means of understanding Nietzsche's desire to eternally justify and elevate human life. While we have touched on this theme throughout the season, I think the best way to shift our focus from his moral project to his "life-problem" is to examine the period in his life where he felt he'd hit a breakthrough in confronting this task. It's been a crazy six months; thank you to all of our listeners! Disputing the Lou Salome marriage proposal story: https://paradoxoftheday.com/friedrich-nietzsche-and-lou-von-salome-the-myth-of-marriage-proposals/ My own essay, "Disputing the Three Periods of Nietzsche's Writing", where I criticize the whole idea of Zarathustra being a "turning point" (it's worth noting that the sense in which Nietzsche means it's a turning point, relevant to this episode, I think is perfectly valid, but I just thought I'd include it here): https://www.reddit.com/r/Nietzsche/comments/fefq8k/disputing_the_three_periods_of_nietzsches_writing/ INCIPIT TRAGOEDIA

Avsnitt(229)

Birth of Tragedy #8: 22-25 (Conclusion)

Birth of Tragedy #8: 22-25 (Conclusion)

Nietzsche recapitulates and summarizes his positions, and provides us with a few relatively simple formulas for understanding the interaction of the two art-forces. He hopes for a rebirth of tragic art in Europe. We conclude with my distillation of the main philosophical concepts, the significance of which can be expanded beyond the work.

4 Okt 20222h 4min

Birth of Tragedy #7: 18-21 (Alexandrianism)

Birth of Tragedy #7: 18-21 (Alexandrianism)

Here we find the idea of cultures as admixtures of the Apollinian, Dionysian, or Socratic approaches to life. The Socratic is distinguished from the Apollinian, and modern art and culture is assessed as theoretic parasitism on art.

27 Sep 20221h 59min

Birth of Tragedy #6: 14-17 (The Theoretic v/s the Tragic)

Birth of Tragedy #6: 14-17 (The Theoretic v/s the Tragic)

Socrates, having been introduced in the last chapter we studied in the previous section, appears now to threaten all art, with a worldview described as "the theoretic", which is fundamentally opposed to the tragic. The theoretical worldview is, by nature, optimistic, moralistic, and against all illusion and ignorance. Nietzsche first raises the prospect of "an artistic Socrates", and rails against the New Attic Comedy as a degenerated artform in comparison to Attic Tragedy.

20 Sep 20222h 36min

Birth of Tragedy #5: 11-13 (Euripedes & The Death of Tragedy)

Birth of Tragedy #5: 11-13 (Euripedes & The Death of Tragedy)

Now we turn to the effect of Euripedes, and Nietzsche’s charge that this tragedian came under the influence of Socrates, and the new form of drama, New Attic Comedy, that followed.

13 Sep 20222h

Birth of Tragedy #4: 8-10 (Evolution of the Satyr Chorus & Suffering Hero)

Birth of Tragedy #4: 8-10 (Evolution of the Satyr Chorus & Suffering Hero)

Let’s talk about the evolution of the Attic Tragedy: from solo dithyrambic poet, to dithyrambic chorus, to chorus plus the ritualized portrayal of a masked Dionysus, to an entire tragedy performed on stage behind the “magic wall” of the chorus.

6 Sep 20222h 12min

Birth of Tragedy #3: 4-7 ("Objective" v/s "Subjective" Art)

Birth of Tragedy #3: 4-7 ("Objective" v/s "Subjective" Art)

We continue our analysis of Birth of Tragedy, and enter one of the most byzantine sections of the text. Don’t worry, I shall be your Ariadne.

30 Aug 20222h 4min

Birth of Tragedy #2: 1-3 (The Two Art-Forces)

Birth of Tragedy #2: 1-3 (The Two Art-Forces)

Today we cover the first three sections of Birth of Tragedy. Slow going, I know- but things will begin to move at a faster clip as we continue. In this episode the core concepts of the Apollinian and Dionysian art forces are explained, their relation to one another, and their origin in dreams and intoxication.

23 Aug 20221h 56min

Birth of Tragedy #1: Attempt At Self-Criticism/Preface to Wagner

Birth of Tragedy #1: Attempt At Self-Criticism/Preface to Wagner

In the name of Lord Dionysus, it with great joy and solemnity that we commence this, the first of our Nietzschean bookclubs. This series will see me undertake an in-depth analysis, moving section-by-section, through Nietzsche’s first book: The Birth of Tragedy. In the first episode, we’ll look at Nietzsche’s masterful second preface, written in 1886 and attached to the beginning of the work. This episode will therefore serve as a sort of introduction to the text, contextualizing it within Nietzsche’s own understanding of his early text and how it laid the foundations for many of his later ideas.

16 Aug 20222h 25min

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