29: Too Good For This World (I: The Saint)

29: Too Good For This World (I: The Saint)

Back in season one, we teased the idea of Nietzsche looking for some way to elevate mankind beyond the natural world. While Nietzsche is celebrated for his uncompromising critique of Christian values and otherworldly metaphysics, the advantage of these ideas was that they showed man an ideal which was beyond the cynical view that human beings are simply "clever animals who invented knowledge". Nietzsche floats the idea of the saint, the artist, and the philosopher in the essay, "Schopenhauer as Educator", as figures that showed forward a way beyond nature: a leap into something above mankind.

Perhaps the most complex figure to examine in this formulation is the saint. Those of you who have been listening along since the beginning of the podcast, or who have read The Antichrist, may wonder how it is that Nietzsche ever offered a positive assessment of the life-denying holy men of the world at all. But Nietzsche, in his early writings, expresses an admiration for the power of the saint - the ascetic priest, the sage, the arahant, or whomever we might consider from world-history - as one in whom the "I" has melted away and power over the desires has been obtained. Unfortunately, all great things in the world, it seems, come from prolongued spiritual and physical torture, and the saint is no different. Beneath his power is a dark desire to set himself above the world by refuting the physical in favor of the abstract. Even though the priest offered the ideal to mankind, it was the ideal of nihilism - of seeking after nothingness. Why was this type tolerated among ancient societies at all, Nietzsche wonders? Because of the saint's remarkable power to strike fear into the hearts of men, and his utility for redirecting the destructive drives of the weak and the botched of every society. Join us for the first of several episodes examining these candidates Nietzsche entertained throughout his career for "higher people" - the type who is "too good for this world", the saint.

Avsnitt(229)

Beyond Good and Evil #9: Morality as Timidity (V.197 - V.203)

Beyond Good and Evil #9: Morality as Timidity (V.197 - V.203)

Much of the second half of the Natural History of Morals is a meditation on the common morality as one of prudence, stupidity, and fear. In one word: timidity. Nietzsche draws upon ideas he’s explored in Human all too Human, Daybreak & The Gay Science: man as animal/natural being, morality as a means of dealing with vehement drives, and the wicked person as being just as indispensable as the moral person. Episode art: John Maler Collier - Fire

8 Aug 20231h 52min

Q&A #7

Q&A #7

A question and answer session just from the patrons, though I figured the public would enjoy some of the topics covered. Enjoy!

1 Aug 20231h 42min

Beyond Good and Evil #8: Morality is a Tyrannical Impulse (V.186 - V.196)

Beyond Good and Evil #8: Morality is a Tyrannical Impulse (V.186 - V.196)

Finally getting into part five, The Natural History of Morals. We’re more than halfway through the text, and Nietzsche applies his psychological method to morality. Episode art is Satan overlooking Paradise by Gustave Dore.

25 Juli 20231h 59min

Beyond Good and Evil #7: Interlude (IV.63-IV.185)

Beyond Good and Evil #7: Interlude (IV.63-IV.185)

A whirlwind tour through the epigrams and interludes of Beyond Good & Evil. A relatively free spirited and brief segment of our analysis before we dive into some of the denser divisions of the work - albeit with a bit easier time in terms of the intellectual labor, given that the major premises of Nietzsche's project have already been outlined in the first half of the work. This part is placed as a 'bridge' between BGE's first and second half, and serves as an example of how one applies Nietzsche's approach to psychology, and his anti-metaphysics. Episode art: Miranda by John William Waterhouse

18 Juli 20231h 46min

Beyond Good and Evil #6: Self-Denial as Power (III.47-III.62)

Beyond Good and Evil #6: Self-Denial as Power (III.47-III.62)

Apologies on the late upload! There were technical difficulties that have since been resolved. We’re back on track and next week’s release will be on Tuesday again. The ascetic values of the saint are premised on self-denial. It was this self-denial that caused the saint to become a great mystery, who stood in judgment of the powerful people of the world. They suspected that the saint knew something they didn’t, as this miraculous being who transformed from evil to good. Good became synonymous with the otherworldly and the unsensual, and this image became most powerful in the hands of the extraordinary person who has turned out a failure in life. The person with great creative potential who is taken over by the power of self-denial becomes the most dangerous among the ascetics, and over centuries of this religious neurosis dominating the European mind, the result has been the modern man.

12 Juli 20232h 10min

Beyond Good and Evil #5: The Great Hunt (II.38 - III.46)

Beyond Good and Evil #5: The Great Hunt (II.38 - III.46)

Nietzsche finishes sketching his vision of a philosophy of the future. True free spiritedness represents a fundamental commitment to hardness and independence of spirit. This makes the philosopher opposite the scholar in terms of his virtues. This total individuality necessitates that there are some truths that are inexpressible or peculiar to the point that they cannot be shared: they must be ”masked”. We finish by looking at the first two sections of part three, “What is Religious”. We consider how N’s method so far brings him to regard religion as another field of study regarding the human soul (its knowledge and conscience), and how this section is an application of his psychological method. He considers what is meant by the religious pathology as part of his ongoing critique of Christianity. Episode art: Henri Lievens - The Wild Hunt of Odin

4 Juli 20231h 46min

Untimely Reflections #24: Karl Nord on James Burnham - His Life, His Thought & The Machiavellians

Untimely Reflections #24: Karl Nord on James Burnham - His Life, His Thought & The Machiavellians

WARNING: It seems my microphone was not fully plugged in during this exchange, and the computer defaulted to the internal microphone... which is, well, garbage. So, my audio quality sounds pretty dreadful here, but it's at least listenable, and there's no way we were re-doing this entire conversation. As mentioned towards the end, however, I may do a regular series episode concerning Burnham's Machiavellians at a later time, if there is further interest in the topic.My friend Karl Nord and I discuss James Burnham, one of the intellectual forebears of modern conservative thought in the United States. Remarkably, upon a closer look into his life, we find that Burnham is an iconoclast who could have been called a socialist, a nationalist, a conservative, a Trotskyist, a neoliberal, a centrist or a social democrat at various times in his life - and yet, he repudiates and attacks all of these ideologies at various times as well. This is a thinker who once thought a communist revolution was inevitable for America, who wrote briefs for the CIA, who supported McCarthy, and who shaped the worldview of generations of conservatives. In the end, the only label that suits him is "Machiavellian", which is fittingly the title of one of his books, which we take a cursory look at during this episode.

30 Juni 20231h 38min

Beyond Good and Evil #4: The Esoteric (II.26 - II.37)

Beyond Good and Evil #4: The Esoteric (II.26 - II.37)

In this section, Nietzsche describes the truth-seeker as an exception among the rule, and emphasizes the difference between esoteric and exoteric knowledge. Nietzsche explores differences in tempo of thinking between individuals and cultures, which he sources to physiological realities. This portion of the text also concerns Nietzsche’s natural history of morality in three stages (pre-, moral, post-) and an experimental portrait of the world as will to power. Does this mean God is refuted and the devil is not? On the contrary, friends, on the contrary! And who forces you to speak with the vulgar? Episode art is John William Waterhouse - The Magic Circle.

27 Juni 20232h 12min

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