A Police Procedural Audition

A Police Procedural Audition

This week’s episode is an excerpt of a coaching Milton did with JP for a SWAT audition. You’ll notice that the difference here between teaching and coaching. Teaching demands that the actors themselves comes up with the choices and tools they’ll use for that specific material. Whereas coaching requires less independence because the coach gives it to you. It’s important to take note of what you’re function is in the grand scheme of the episode. If you’re a “plot point” there to further the storyline, you don’t want to build too much, or else you risk stealing focus. “What you really want to do,” Milton says, “is look at the plot that is there, and figure out what you need to both earn the plot, and make it more interesting.”

We want to know: what is the worst, most confusing, unhelpful, or enraging acting note or direction you’ve ever received? Send us a voice message (link below ⬇️), or an email at questionsformilton@gmail.com

WANT MORE? Become a subscriber for bonus content!

https://podcasters.spotify.com/pod/show/actingclass/subscribe

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(247)

Simplify Your Choices

Simplify Your Choices

There's a tendency to complicate our choices by inventing elaborate plots, when simplifying to something specific will bring us to life. Also being more specific allows you to dig deeper.

21 Juli 0s

Living Off Your Partner

Living Off Your Partner

Building a solid relationship with the partner gives you grounding. Knowing who I'm talking to and what my attitude is towards them opens up what's going on in a scene.

14 Juli 11min

Talking Out a Preparation

Talking Out a Preparation

In this video Milton works with Rashaud as he prepares a monologue from The Laramie Project.

12 Juli 7min

Specificity • a Key

Specificity • a Key

Not just unexperienced facts can deaden our work as actors, the need to explain or report the facts can get in the way of our most creative work. Digging down specifically can help this problem.

7 Juli 12min

Getting to Depth

Getting to Depth

It's not just enough to be functional or accurate or good enough. There's a road in to our actor work that helps us find extraordinary choices and frees us up to do our best work.

30 Juni 16min

Before the First Line

Before the First Line

If you think of the play as a continuation of what has already happened, it gives you a sense of how much work you have to do in order to earn the play. Excerpted from my New York class, we continue o...

23 Juni 17min

The Human Being Behind the Character

The Human Being Behind the Character

Continuing work on the Frank Gilroy play, The Subject Was Roses, this expert from Milton's in-person class begins to explore the road in to building a character with more depth.

16 Juni 16min

Working on Text

Working on Text

Working on a play begins to give actors the foundation of working on any text they get. These are excerpts from my Script Analysis class at The Actor Lab in New York.

12 Juni 12min

Populärt inom Premium

mellan-himmel-och-jord-med-jlc
rattegangspodden
den-som-skrattar-forlorar-podcast-2
podme-dokumentar
hogt-i-tak-2
svenska-mordhistorier
en-mork-historia
bank-niva
jocke-jonna-sanningen-maste-fram
infor-ratta
daddy-issues
filip-fredrik-svarar
seriemordarpodden
mordpodden
sillypodden
fangelsepodden
alla-andra-kan-ga-hem
mardromsgasten
bakom-galler
tv4-nyheterna-story