Pacing Notes Are Dangerous

Pacing Notes Are Dangerous

In this episode, Milton takes a great question about pacing, which is a note actors get all the time, especially from people like agents and casting directors, and even directors. The reason it’s so precarious is because it’s an “effect/result” direction and never addresses the reason for the pacing. Does the pacing need to be different because of the genre you’re in? Or is it because the moments aren’t “filled” and therefore the work is dying? Or is it both? Most people who give notes about pacing have no idea *why* the pacing needs to change, and so they don’t know how to direct the actor to change it. In so many cases, the actor runs the risk of just “doing it faster” without any regard for *what* will help achieve that result and *why* it needs to be be achieved. He also takes a question from a listener, (James) who asks about casting based on your credits.

Thank you for a wonderful season! If you have an acting question while we’re on break, send us a voice message (link below ⬇️), or an email at questionsformilton@gmail.com and Milton will send you a personal audio response.

WANT MORE? Become a subscriber for bonus content!

https://podcasters.spotify.com/pod/show/actingclass/subscribe

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(247)

Simplify Your Choices

Simplify Your Choices

There's a tendency to complicate our choices by inventing elaborate plots, when simplifying to something specific will bring us to life. Also being more specific allows you to dig deeper.

21 Juli 0s

Living Off Your Partner

Living Off Your Partner

Building a solid relationship with the partner gives you grounding. Knowing who I'm talking to and what my attitude is towards them opens up what's going on in a scene.

14 Juli 11min

Talking Out a Preparation

Talking Out a Preparation

In this video Milton works with Rashaud as he prepares a monologue from The Laramie Project.

12 Juli 7min

Specificity • a Key

Specificity • a Key

Not just unexperienced facts can deaden our work as actors, the need to explain or report the facts can get in the way of our most creative work. Digging down specifically can help this problem.

7 Juli 12min

Getting to Depth

Getting to Depth

It's not just enough to be functional or accurate or good enough. There's a road in to our actor work that helps us find extraordinary choices and frees us up to do our best work.

30 Juni 16min

Before the First Line

Before the First Line

If you think of the play as a continuation of what has already happened, it gives you a sense of how much work you have to do in order to earn the play. Excerpted from my New York class, we continue o...

23 Juni 17min

The Human Being Behind the Character

The Human Being Behind the Character

Continuing work on the Frank Gilroy play, The Subject Was Roses, this expert from Milton's in-person class begins to explore the road in to building a character with more depth.

16 Juni 16min

Working on Text

Working on Text

Working on a play begins to give actors the foundation of working on any text they get. These are excerpts from my Script Analysis class at The Actor Lab in New York.

12 Juni 12min

Populärt inom Premium

mellan-himmel-och-jord-med-jlc
rattegangspodden
podme-dokumentar
den-som-skrattar-forlorar-podcast-2
hogt-i-tak-2
svenska-mordhistorier
jocke-jonna-sanningen-maste-fram
bank-niva
infor-ratta
en-mork-historia
daddy-issues
seriemordarpodden
filip-fredrik-svarar
mordpodden
sillypodden
alla-andra-kan-ga-hem
fangelsepodden
tv4-nyheterna-story
mardromsgasten
bakom-galler