Episode 458: L'Amour Fou (1969)

Mike talks with author and filmmaker John Gaspard about Held Over (2025). They discuss the book’s focus on theatrical exhibition history, the practice of long-running engagements, and the logistics an...

4 Dec 202542min

The Langoliers. Adapted from the Stephen King novella and directed by Tom Holland, the production follows a group of passengers on a redeye flight from Los Angeles to Boston who awaken to find most of...

3 Dec 20252h 43min

Mike speaks with writer/director William Means and actress Rocky Shay and about their 2025 feature Junkie. The conversation covers the film’s development, its focus on addiction and recovery, and the ...

2 Dec 202533min

Carol Borden and Jackie Stargrove join Mike for a double-barreled deep dive into John Woo’s The Killer — both the 1989 Hong Kong classic and Woo’s own 2024 reimagining. They revisit the operatic gunfi...

1 Dec 20251h 49min

The Projection Booth pulls back the curtain on Paul Greengrass’s The Lost Bus (2025), a tense, docu-style thriller that pushes real-world chaos right to the edge of the frame. Mike sits down with spec...

28 Nov 202535min

Daniel Kremer returns to The Projection Booth with an irresistible double feature of cinephile obsession. Mike dives into Cruel, Usual, Necessary: The Passion of Silvio Narizzano (2024), Kremer’s exha...

27 Nov 202537min

Noirvember closes with James B. Harris’s Cop (1988)—the first time James Ellroy’s feverish fiction hit the big screen. Mike teams with Andrew Nette and Rod Lott for a deep read of Harris’s adaptation,...

26 Nov 20252h 15min

Mike talks with filmmaker Todd Rohal in a lively, no-holds-barred tour through one of the most delightfully unclassifiable careers in American indie cinema. From Knuckleface Jones to The Catechism Cat...

25 Nov 202559min