Episode 199: The “Best of” Series – In Search of the Austen Adaptation: Sense and Sensibility, Ep. 138

Episode 199: The “Best of” Series – In Search of the Austen Adaptation: Sense and Sensibility, Ep. 138

Due to illness among our hosts and holiday travel plans, we are airing a Best Of Series episode this week instead of our previously planned episode on The Mind of the Maker. Please enjoy this lighthearted discussion as you prepare for your Thanksgiving feasting, and join us right here next week for a very special 200th episode featuring our Friends and Fellows and introducing the 2024 Reading Challenge!

Today on The Literary Life Podcast we bring you another fun episode in our “In Search of the Austen Adaptation” series. Hosts Angelina Stanford, Cindy Rollins and Thomas Banks are joined by resident film aficionado, Atlee Northmore to discuss film adaptations on Sense and Sensibility. The conversation opens by revisiting the question of what makes a good adaptation of a book when translating it for the screen. They talk about the challenges of showing modern audiences the characters and situations as Jane Austen meant them to be understood. Atlee gives a brief overview of the lesser known film adaptations, as well as a more in depth discussion of the 1995 and 2008 versions. You can access the PDF he created with links to watch here.

Commonplace Quotes:

Sound principles that are old may easily be laid on the shelf and forgotten, unless in each successive generation a few industrious people can be found who will take the trouble to draw them forth from the storehouse.

Thomas Ruper, as quoted by Karen Glass

His senile fury was not exhausted by endless repetition.

Eric Linklater

‘Remember, no one is made up of one fault, everyone is much greater than all his faults,’ and then she would add with a smile: ‘I find it much easier to put up with people’s faults than with their virtues!’

Charlotte Mason, as quoted by Essex Cholmondeley

The great abstract nouns of the classical English moralists are unblushingly and uncompromisingly used: good sense, courage, contentment, fortitude, some duty neglected, some failing indulged, impropriety, indelicacy, generous candor, blameable distrust, just humiliation, vanity, folly, ignorance, reason. These are the concepts by which Jane Austen grasps the world. In her we still breathe the air of the Rambler and Idler. All is hard, clear, definable; by some modern standards, even naïvely so. The hardness is, of course, for oneself, not for one’s neighbours. It reveals to Marianne her want ‘of kindness’ and shows Emma that her behaviour has been ‘unfeeling’. Contrasted with the world of modern fiction, Jane Austen’s is at once less soft and less cruel.

C. S. Lewis Selection from With a Guitar, To Jane

by Percy Shelley

Ariel to Miranda:-- Take This slave of music, for the sake Of him who is the slave of thee; And teach it all the harmony In which thou canst, and only thou, Make the delighted spirit glow, Till joy denies itself again And, too intense, is turned to pain. For by permission and command Of thine own Prince Ferdinand, Poor Ariel sends this silent token Of more than ever can be spoken; Your guardian spirit, Ariel, who From life to life must still pursue Your happiness,-- for thus alone Can Ariel ever find his own. From Prospero's enchanted cell, As the mighty verses tell, To the throne of Naples he Lit you o'er the trackless sea, Flitting on, your prow before, Like a living meteor. When you die, the silent Moon In her interlunar swoon Is not sadder in her cell Than deserted Ariel. Book List:

In Vital Harmony by Karen Glass

The Story of Charlotte Mason by Essex Cholmondeley

Robert the Bruce by Eric Linklater

C. S. Lewis’ Selected Literary Essays edited by Walter Hooper

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also!

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Avsnitt(293)

Episode 270: “Best of” Series – “How Much Land Does a Man Need” by Leo Tolstoy

Episode 270: “Best of” Series – “How Much Land Does a Man Need” by Leo Tolstoy

This week on The Literary Life, we bring you a gem from the archives. In this episode hosts Angelina Stanford, Thomas Banks, and Cindy Rollins discuss “How Much Land Does a Man Need?” by Leo Tolstoy. To start off the discussion of this short story, Thomas gives us some background to help answer Angelina’s question about why this story seems so very different from other Tolstoy works. Angelina shares how to approach this story like a parable. Cindy brings up the question of the difference between ambition and vocation in terms of contentment.  The Literary Life Online Conference “Living Language: Why Words Matter” is coming up this month, so now is the time to register for lifetime access. Head over the HouseofHumaneLetters.com to sign up today! Don't forget to visit our website at https://theliterary.life/270 for the full show notes for this episode.

1 Apr 1h 26min

Episode 269: "An Experiment in Criticism" Revisited

Episode 269: "An Experiment in Criticism" Revisited

Welcome back to The Literary Life Podcast this week! Today we are bringing you a brand new episode on An Experiment in Criticism in which Angelina and Thomas revisit the ideas in this book and answer some listener questions from over the years! Angelina opens the discussion with a little background on the first series of episodes, then begins to unravel the two main areas of confusion about this book. First, she and Thomas talk about the idea that we are supposed to "receive" literature as opposed to "using" literature. Angelina seeks an answer the question, "What is a literary experience?" They also tackle the problem of the purpose of this book, since many people think it is Lewis' guide on how to read literature. Finally, they discuss how to have a literary experience and where Lewis addresses how to read well. The seventh annual Literary Life Online Conference is coming up April 23-26, 2025! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of this year. To view the full show notes for this episode, please visit https://theliterary.life/269.

25 Mars 1h 38min

Episode 268: “Best of” Series: An Experiment in Criticism, Ch. 10-Epilogue

Episode 268: “Best of” Series: An Experiment in Criticism, Ch. 10-Epilogue

On today’s “Best of” episode of The Literary Life, Angelina and Cindy are once again joined by Thomas Banks. They discuss the last two chapters and the epilogue of An Experiment in Criticism. The first topic of conversation is Lewis’ comments on poetry, including the un-literary reading of poetry and the importance of the sound of poetry. Angelina highlights Lewis’ take on reading “bad books,” and Cindy points out his warning against de-bunking. Thomas gives us some history on the reference to F. R. Leavis and his literary criticism.  Angelina dives into her favorite part of this section, all about what makes good literary criticism. She recaps Lewis’ own list of the types of literary commentators and historians who have helped him in his own reading. Angelina and Thomas both mention some of their favorite resources, including George Lyman Kittredge, Northrup Frye, J. W. MacKail and Dorothy Sayers. Another important point is to look for resources that point back to the text, not outside of the text.  Cindy and Angelina clear up some confusion about marginalia and what types of notes can help or hinder us in our reading. Finally, in discussing the epilogue, our hosts reiterate the purpose of reading as widening our souls and freeing ourselves to experience another person’s perspective. Cindy asks if we will read with hubris, or humility? That makes all the difference. Join us right here again next week for a brand new episode on An Experiment in Criticism in which Angelina and Thomas will revisit the book and answer some listener questions from over the years! The seventh annual Literary Life Online Conference is coming very soon! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025! To view the full show notes for this episode, please visit our website at https://theliterary.life/268.

18 Mars 1h 32min

Episode 267: “Best of” Series – An Experiment in Criticism, Ch. 8-9

Episode 267: “Best of” Series – An Experiment in Criticism, Ch. 8-9

This week’s episode is a continuation of Cindy Rollins and Angelina Stanford’s discussion of An Experiment in Criticism by C. S. Lewis. They start with an exploration of the difference between loving a book and evaluating a book as a work of art, followed by an explanation of Lewis’ idea that works of art do not teach us. Angelina goes in depth about why it is not our job as readers to find the “nugget of truth” in a book. Cindy brings up Lewis’ point about “using” literature as an academic tool, versus “receiving” literature as a work of art. In covering chapter 9, Angelina and Cindy dig into the dangers of rushing to express an opinion about what we read, rather than getting ourselves out of the way when approaching a book. Cindy points to the many similarities between what Lewis says in these chapters and what Charlotte Mason says about true education.  The seventh annual Literary Life Online Conference is coming very soon! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025! To view the full show notes for this episode, please visit https://theliterary.life/267/.

11 Mars 1h 21min

Episode 266: “Best of” Series – An Experiment in Criticism, Ch. 5-7

Episode 266: “Best of” Series – An Experiment in Criticism, Ch. 5-7

Angelina and Cindy open today’s discussion of C. S. Lewis’ An Experiment in Criticism with a recap of the terms that Lewis defines in chapters 5-7, starting with myth. They talk about what it means to have an “extra-literary” experience and how to cultivate the proper attitude of a good reader. Next Cindy and Angelina dig into the definition and benefits of literary fantasy versus the dangers of morbid fantasy. They talk about our deep need for stories of “the other” and have experiences with people and places that are not the same as our own. Another big topic of conversation is the idea of literature being escapist, particularly fantasy and fairy stories. Angelina and Cindy talk about several things related to this idea: belief and disbelief, fiction versus nonfiction, and the wonder of childhood. Cindy brings up Lewis’ comments on the comic and what relation that has to the current popularity of the graphic novel. Angelina also explains why we shouldn’t be looking to directly relate to a character in a novel in order to get something out of the book. To view the full show notes for this episode, including quotes, poetry, and book links, please visit https://theliterary.life/266/.

4 Mars 1h 37min

Episode 265: “Best of” Series – An Experiment in Criticism, Ch. 1-4

Episode 265: “Best of” Series – An Experiment in Criticism, Ch. 1-4

This week on The Literary Life Podcast, we bring you the first installment of our series reprising C. S. Lewis’ An Experiment in Criticism. Join us over the next few weeks as we replay the original discussions of this book hosted by Angelina Stanford and Cindy Rollins. Then come back for a new episode at the end of the series in which Angelina and Thomas Banks will add some further thoughts and clarity in reply to questions listeners have had over the years. The seventh annual Literary Life Online Conference is now open for registration. Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025! Angelina and Cindy discuss Lewis’ approach to literature and the point of this book being a critique more of readers than of books. Some main ideas they bring out of the first chapter are the importance of rereading, the fact that real readers will carve out time for books, how books have the power to change us, and the way readers can’t help but talk about books. Cindy highlights the connection between Lewis critique of the literati and Mr. Bons in “The Celestial Omnibus.” Angelina talks about the challenge of keeping the love of literature for those whose profession it is to teach it, especially in the modern American university culture.  Our hosts discuss the idea of reading to improve oneself as opposed to submitting to the experience of reading a challenging book. Angelina makes the point that it is about motive and whether or not you are trying to control the outcome. The benefits are the byproducts. From chapter 3, Angelina and Cindy contemplate how we approach art and the need to get ourselves out of the way so that we can enter the work of art. Finally, they cover the five characteristics of the unliterary reader according to Lewis. For the full show notes of this episode, including links to books mentioned, please visit our website at https://theliterary.life/265.

25 Feb 1h 32min

Episode 264: "Much Ado About Nothing" On-Screen Adaptations

Episode 264: "Much Ado About Nothing" On-Screen Adaptations

This week on The Literary Life podcast we are back with a fun episode all about film adaptations of Much Ado About Nothing by William Shakespeare! Angelina and Thomas are joined by Atlee Northmore for today's discussion, and you are in for quite a ride! Atlee begins the conversation with a general history of Shakespeare works on film, and the second half of the episode covers the two main film adaptations of Much Ado About Nothing. Whether talking about this play or the many others which have been made into movies, our hosts share thoughts on what makes a great adaptation work well and what interpretational choices make for a complete flop. To view the complete show notes for this episode, please visit https://theliterary.life/264.

18 Feb 1h 59min

Episode 263: “Much Ado About Nothing” by William Shakespeare, Acts 4 & 5

Episode 263: “Much Ado About Nothing” by William Shakespeare, Acts 4 & 5

This week on The Literary Life podcast, Angelina and Thomas are back to wrap up their discussion of Shakespeare’s Much Ado About About Nothing. Today, after some introductory talk about literary criticism, our hosts cover the last two acts of this play, highlighting how Shakespeare deals with the five act structure. Once again, we see the problem of things being not as they appear in act 4, as well as the ways in which this play is highly allegorical. Other topics they touch on in this episode are: the move from order to disorder and back to order, ultra-romantic versus anti-romantic, pious deception versus malevolent deceptions, and the restoration of the community. Be sure to listen all the way to the end to hear more of Angelina’s thoughts on why interpreting Shakespeare well is so important! To view the full show notes for this episode, please visit https://theliterary.life/263.  The seventh annual Literary Life Online Conference is open for registration! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025!

11 Feb 1h 40min

Populärt inom Utbildning

bygga-at-idioter
historiepodden-se
det-skaver
rss-bara-en-till-om-missbruk-medberoende-2
alska-oss
nu-blir-det-historia
svd-ledarredaktionen
harrisons-dramatiska-historia
allt-du-velat-veta
johannes-hansen-podcast
not-fanny-anymore
roda-vita-rosen
i-vantan-pa-katastrofen
sa-in-i-sjalen
handen-pa-hjartat
sektledare
rikatillsammans-om-privatekonomi-rikedom-i-livet
rss-max-tant-med-max-villman
rss-i-skenet-av-blaljus
rss-sjalsligt-avkladd