IFH 126: Should You Own Your Own Film Gear? - Ask Alex

IFH 126: Should You Own Your Own Film Gear? - Ask Alex

Should You Own Your Own Film Gear?
Happy New Year IFH Tribe! We are now in 2017 and this will be ana amazing, creative and monumental year for us all. I wanted to start off the year with an "Ask Alex" episode. On this episode I answer the follow tribe member questions:


Though I plan on hiring a DP for my movies, I'd like to invest in my very own camera equipment and lights. (Was thinking about investing in that BlackMagic Cinema you keep raving about.)



However, I'm being advised NOT to buy my own camera and lights! I was told that unless I'm planning on being a DP myself, and unless I plan on keeping up with all the new models of cameras coming out (which can be expensive), that buying camera equipment makes no sense.


What say you? Shouldn't an independent filmmaker seek to have his or her own filmmaking arsenal, just in case? Shouldn't directors at least try to go out, shoot, get a feel for the camera, etc., so that they are better directors, even if they'll never be DPs?


What advice would you give someone working with non-acting actors who will be getting little to no pay?

So If I go to submit my film to contests and festivals will I have problems with people in public in background shots?

Would making the background more out of focus help?

I have scenes in stores. Do I need to blur product labels?


When is the perfect time in pre-production should you start casting?


How important do you feel it is to shoot on film if your plan is to go to the big film festivals hoping to get a distribution deal? Taking Dov Simens DVD class he stresses its important, but the content is in the age of miniDV, so technology has changed quiet a bit since those DVDs were produced. Although I know the story is really more important than digital vs film, which do you feel the major film festivals are looking for today or does it matter any more? I'm looking to shoot mostly film (~75%) and mix some shots and coverage that are shot digitally (~25%).



Let's get to answering some questions.
Right click here to download the MP3Download on iTunes Direct

Slamdance Workshop Discussed on the Show
Join Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.


Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.

Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.

A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!
Join Blackmagic Design afterward from 5:00pm to 7:00pm for a happy hour in th

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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IFH 297: The Toxic Filmmaker Mindset and How You Can Change It

IFH 297: The Toxic Filmmaker Mindset and How You Can Change It

Today we will tackle the toxic filmmaker mindset. That screenwriting mindset. That artist mindset. We discuss the mindset. How the beliefs we have stop and derail our dreams and life. So many of us have belief systems that limit us. Today we are going to break this down and give you some tools to reprogram yourself into the person and filmmaker you want to be. "To have results that very few people have you have to start doing things that very few people do."Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

5 Feb 201926min

IFH 296: The State of Indie Film for Women with Jen McGowan

IFH 296: The State of Indie Film for Women with Jen McGowan

Today on the show we have writer​/director Jen McGowan on the show. We discuss the state of women directors in Indie FIlm, her new film Rust Creek and what it is really like to be a female director, from her perspective in today's world.Jen McGowan is a director based in Los Angeles. Her first feature KELLY & CAL (Juliette Lewis & Cybill Shepherd) premiered at SXSW where she won the Gamechanger Award. The film was released theatrically by IFC Films to rave reviews. McGowan got her start with award-winning short films, CONFESSIONS OF A LATE BLOOMER and TOUCH, both of which played at over a hundred festivals worldwide. TOUCH qualified for the Oscar when it won the Florida Film Festival.McGowan studied directing in the MFA program at USC where she was honored with a scholarship from Women in Film and a grant from The Caucus Foundation. She received her BFA in Acting at NYU’s Tisch School of the Arts, studying under David Mamet, Bill Macy & Sam Shepard at the Atlantic Theatre. She is the creator of filmpowered.com, an international skill-sharing, networking & jobs resource for professional women in film and television.With nearly 2,500 active members, Film Powered was named Best in LA by LA Weekly, is part of the Sundance Women’s Initiative Resource and was featured in Forbes. A Film Independent Fellow, a finalist for the Clint Eastwood Filmmakers Award, recipient of the AWD Breakout Award for Excellence in Directing and one of Vulture’s Women Directors Hollywood Should Be Hiring, she was named one of 50 Women Who Will Change the World in Media & Entertainment by the Take the Lead Foundation.The tv series she created, Angelica, about the last remaining abortion clinic in a small Midwest town was one of twelve series selected from 4,000 submissions and the only American project for the MIPTV In Development program at Cannes 2018. McGowan’s second feature film, the survival thriller, RUST CREEK, is being released in theaters January 2019 by IFC Midnight.Enjoy my eye-opening conversation about the state of women directors in indie film with Jen McGowan.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

31 Jan 20191h 15min

IFH 295: How Bad Do You Want Your Filmmaking Dream?

IFH 295: How Bad Do You Want Your Filmmaking Dream?

What are you willing to sacrifice to make your dreams come true? How bad do you want it? These are the questions I'll be discussing in today's episode. If you are looking for something to get you revved up look no further. This is my "tough love" episode. I keep running into filmmakers and people in the business who just like to talk or hide behind excuses. I have two things to say about that.Life doesn’t care. The film business doesn’t care.There are 24 hours in a day. I breakdown 24 hours and I promise you will find out that you have, at least, 4-6 hours a day to dedicate to your craft and dream. Yes, even for those who have a 2-hour commute, work 8 hours and has a family. The power to make your dream to become a reality is only in your hands. No one else's! I really hope this episode lights that fire in your belly to make your dream come true.Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Jan 201925min

IFH 294: All Filmmakers are Marketers - Branding, Marketing & Social Media

IFH 294: All Filmmakers are Marketers - Branding, Marketing & Social Media

Today I'm talking about marketing! Yup, marketing. If you, as indie filmmakers, do not understand branding, marketing, and social media YOU WILL NOT MAKE IT IN THE BUSINESS. I really want to get through to you guys. I've been consulting more and more filmmakers lately and I see there is a MAJOR disconnect between filmmakers and understanding the basics of branding (whether personal, company or project), marketing, and social media.In this episode I'll be discussing:Tribe or Audience BuildingBrand Marketing vs. Directing MarketingUnderstanding your smallest viable audienceBrand BuildingBuilding Your Personal BrandDiscovering how you can love the GRIND or your journeyChoosing platforms to build your brandContent creationAlso below are six books that will help you along your path to understanding these basic concepts. I truly hope that you find value in this episode. The understanding, at a basic level, of branding, marketing, and social media is not a luxury but a necessity in today's and tomorrow's world.  Don't get left behind. I want every single #IFHTribe member to make there dream come true, to build a better life for themselves and to love their own journey towards their goals.Warning: this episode might make you think about stuff so beware! Enjoy and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Jan 201931min

IFH 293: Music Licensing for Film Demystified with Chris Small

IFH 293: Music Licensing for Film Demystified with Chris Small

We have all wanted to have a killer song we love in one of our films or projects, that perfect song that makes the scene pop off the screen. When you begin to investigate how to get permission for the song you soon discover the maze of red tape and crap you need to deal with in order to have the song in your film.From getting film festival rights to broadcast rights to VOD rights, Music Licensing is a headache and a half. Today on the show with have Chris Small, a music licensing professional here to demystified the ridiculous and antiquated process of licensing music for film. Chris breaks down the way to properly license music without falling into legal pitfalls.Chris also works for Soundstripe, a music licensing company that is disrupting the way filmmakers get music for their films and projects. I just love what the team at Soundstripe is doing so I've partnered with them. Soundstripe is now the OFFICIAL SOUND LIBRARY OF INDIE FILM HUSTLE.As part of the #IFHTribe, you get an exclusive DISCOUNT CODE: IFH (10% OFF MEMBERSHIP). Click here to check Soundstripe out.I love this service and am using Soundstripe music in all of my videos, podcasts and IFHTV Original Productions. Music licensing is a nightmare but it doesn't have to be.Enjoy my conversation with Chris Small from Soundstripe.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

22 Jan 201948min

IFH 292: Fighting the Good Indie Film Fight with Mark Polish

IFH 292: Fighting the Good Indie Film Fight with Mark Polish

Today on the show we have writer, director, author, actor, and all-around indie film pioneer Mark Polish. His new film Headlock (aka Against the Clock, more on that later in the interview)  is out in theaters and VOD.Also, do yourself a favor and read his amazing filmmaking book The Declaration of Independent Filmmaking which is easily one of my favorite filmmaking books of all time. Mark and I discuss his career, the challenges of maintaining your creative vision and working within and out of the Hollywood system. We also discuss how Sundance has radically changed over the years and some of his horror stories when shooting and distributing his films.Enjoy my epic conversation with Mark Polish.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Jan 20191h 25min

IFH 291: I Want to Give You $30,000 to Make a Web Series

IFH 291: I Want to Give You $30,000 to Make a Web Series

You must be saying,Wait? What? You want to give me $30,000 to make a web series?Yup, that is exactly what I want to do. I've partnered with Filmaka.com to launch an amazing Web Series Filmmaking Competition.We are launching cross-platform Web Series filmmaking competition, sourcing diverse ideas & pitches. Filmaka & Indie Film Hustle will select and award the Web Series competition winner with a production budget for completion of the winning series.HOW IT WORKS:Filmaka members have three weeks to submit written Pitches only for the 3-5 minute pilot of an original web series they want to create based on the prompt: THE HUSTLE.After the Pitch competition closes, up to four (4) winners will be given $5000 each to shoot their Short/Pilot which is their pilot for an original web series. The winners will have eight weeks to submit their Short along with nine (9) written Scripts, that together make up a ten-episode web series. Of the up to four (4) submissions, one winner will be awarded $25,000 to produce their original web series.THE PITCH:The Pitch and/or the Scripts should be as detailed as possible so that Filmaka executives have a clear vision of the web series the Member wants to create. Character lists, an overall summary of the web series, storyboards and scene sketches may be included as part of the Member's submission. While there is no limit to the number of pages for the Pitch or Scripts, it is important to remember that the produced version of the Pitch or Script will only be three (3) to five (5) minutes in length.Who is Filmaka?Filmaka is a digital platform for aspiring filmmakers to showcase their talents, compete for opportunities, and build their careers globally. Filmaka currently partners with MarVista Entertainment in a pact to source new and diverse talent through an ongoing pitch forum aiming to aggregate original & unique story ideas. Filmaka’s partnerships also include Riverstone Pictures, with whom they hold a feature film funding pact for the winner of Filmaka’s Final Competition.Through the platforms numerous competitions and production budget prizes, Filmaka creates opportunities for filmmakers without traditional access into Hollywood. Films that are submitted to Filmaka are seen, judged, and selected by a jury of top tier professionals in the entertainment industry and by fellow Filmaka members. At Filmaka, aspiring filmmakers from across the world can connect, collaborate, and compete for a wide range of professional opportunities.I can't tell you how excited I am to bring this opportunity to the IFH Tribe.To submit just go to Filmaka.comIt has been a dream of mine to be able to give this kind of access to the tribe. I can't wait to see what you guys submit. Also the winner's pilots and series will be available to view on Indie Film Hustle TV.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Jan 20198min

IFH 290: How I Almost Directed a $20 Million Film for the Mob with Alex Ferrari

IFH 290: How I Almost Directed a $20 Million Film for the Mob with Alex Ferrari

The teasing is over. Here it is, I've written a book and not just any book but a book about the craziest and darkest time in my life. Read below to get the skinny on what I'm talking about.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,"If I'm going to write this I have to tell the entire story, warts and all."The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves. As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself. The book will be released on Jan 31st, 2019 on Amazon and we will roll it out around the country soon after that. I plan to do a signing book tour with talks and possibly workshops around the US and then hopefully overseas as well.If you want to sign up for the Shooting for the Mob LAUNCH TEAM email at ifhsubmissions@gmail.com. As part of the launch team, you'll get access to me, we'll have a private Facebook Group and you can see how I market and release this book, which is similar to how you would release an indie film. For more info on the book go to:Shooting for the Mob - (Sign Up for Exclusive Videos and Content)I also want to give a big shoutout to my brotha-in-arms Dan Cregan for designing such an amazing cover. Thank you so much for your support. More to come!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Jan 201919min

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