IFH 140: 6 Mistakes To Avoid Your First Day On a Film Set

IFH 140: 6 Mistakes To Avoid Your First Day On a Film Set

6 Mistakes To Avoid Your First Day On a Film Set
1. Arriving Late
If you’re not early, you’re late. I aim to get to work at least 15 minutes early each day on a film set. This gives me time to setup, read my call sheet and sides, cram in some extra breakfast and make my boss a coffee. If you are late on day one you instantly create a bad reputation for yourself and this industry is built on reputation and relationships. Set your alarm early for the first day, pick out what you need to wear the night before and make sure you’ve had a look at where you need to get to so you don’t get lost.
2. Forgetting Names
No one will remember your name but don’t let that be an excuse to forget theirs. It’s great if you can remember as many names as possible on your first day on a film set, at least those in your department. This will make you stand out and give you the best chance of them remembering you. I sometimes even write down people’s names in a notebook or phone when they aren’t looking so you can refer back to it. Alternatively, you can also ask the production office for a crew list to help you remember who’s who.
3. Asking An Actor What They Do
You’ll be trying small talk with whoever is standing around. It’s pretty embarrassing when you ask an actor what department they are in or what they do. Embarrassing for them I guess, as they expect that you’ll know them from the seven short films they released on Vimeo last year. As long as you are polite I’m sure they’ll get over it. I’ve asked Mel Gibson’s son what his last name was. He politely replied ‘Gibson’. That makes sense, I thought.



4. Phone Ringing During A Take
This is even more embarrassing than when you wet yourself in kindergarten and had to go to sick bay to get some spare clothing. Don’t let your phone ring on set, especially during a take. At least have it on silent or even better, just turn it off if you don’t need it for some kind of emergency calls. Your Facebook and Instagram updates can wait until you get home. If your phone does ring during a take I can guarantee the crew will remember who you are and be hassling you each day until you provide a case of beer for your sins.
5. Walking Through The Back Of Shot
Film sets can be a daunting place at the best of times with crew members rushing about knowing exactly what to do and where to be. You’ll find it hard on day one to even find a place to stand that is out of the way. Have a good look at where the cameras are pointing and make sure you don’t settle in the back of the shot. It’s always embarrassing when you hear “Cut!” and the director berates the person that was standing in the shot only to realize that was you…
A safe bet is near all the equipment trolleys. Usually, this is fairly close to set but enough out of the way until you discover your place on set.
6. Standing In The Actor’s Eye line
An eye line refers to where an actor is looking in the scene. It may be directly at the other actors, it could be out to the horizon or it could be an imaginary moving car that is driving in the distance. So, why should you stay clear of it? Actors are performers and they need to feel secure during filming.
You’d likely not love fifty people gawking while you feign ‘true love’ and awkwardly kiss your sweaty co-star in a claustrophobic studio. Such a kiss could only be made worse by a wandering PA aimlessly ambling into their line of sight. If you need to be close to the action during the scene, try and hide yourself behind some equipment or set dressing so that you remain inconspicuous. Alternatively, turn your back to them or simply look down at the ground while the scene is played out. Don’t move around and fidget.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Avsnitt(984)

IFH 841: What a Real Film Producer Actually Does with Marc Bienstock

IFH 841: What a Real Film Producer Actually Does with Marc Bienstock

Marc Bienstock shares an honest look at what producing really means, drawing from decades of experience on both independent and studio films. From his early days at NYU and directing features to becom...

10 Feb 46min

IFH 840: Finding Your Way into Film Without Film School with David Powers

IFH 840: Finding Your Way into Film Without Film School with David Powers

David Powers shares his unconventional path into filmmaking, one driven by curiosity rather than credentials. From discovering cinema through genre films and festivals to learning production hands-on ...

3 Feb 2h 8min

IFH 839: The Rodriguez List: How to Make Movies with What You Already Have with Aaron Kaufman & Brian Levin

IFH 839: The Rodriguez List: How to Make Movies with What You Already Have with Aaron Kaufman & Brian Levin

Aaron Kaufman and Brian Levin share an unfiltered look at how independent filmmakers can build real momentum by creating instead of waiting. Drawing from experiences ranging from YouTube comedy to stu...

27 Jan 54min

IFH 838: Finding a New Creative Path in Indie Film with Charmane Star

IFH 838: Finding a New Creative Path in Indie Film with Charmane Star

Charmane Star shares her unexpected journey from a small role in Black Dynamite to discovering a deep passion for independent filmmaking. What began as a routine booking evolved into a Sundance Film F...

20 Jan 52min

IFH 837: How Filmmakers Can Win in the Digital Marketing Age with David Feinman

IFH 837: How Filmmakers Can Win in the Digital Marketing Age with David Feinman

David Feinman shares how cinematic storytelling can be used to build successful businesses and viral experiences. From creating Zombie Run—a nationwide immersive event inspired by zombie films—to foun...

13 Jan 55min

IFH 836: The New Rules of Indie Filmmaking No One Is Teaching with the Jalbert Brothers

IFH 836: The New Rules of Indie Filmmaking No One Is Teaching with the Jalbert Brothers

The Jalbert Brothers share how they built their filmmaking careers by embracing low budgets, consistent output, and hands-on learning. Rather than waiting for funding or studio approval, they focused ...

6 Jan 1h 2min

IFH 835: What Really Happens After You Write the Script with Michael K. Snyder

IFH 835: What Really Happens After You Write the Script with Michael K. Snyder

Michael K. Snyder shares a behind-the-scenes look at what it really takes to build a sustainable screenwriting career. From film school and early networking with Lloyd Kaufman to moving to Los Angeles...

30 Dec 20251h 4min

IFH 834: How to Build a Screenwriting Career That Actually Lasts with Bob Saenz

IFH 834: How to Build a Screenwriting Career That Actually Lasts with Bob Saenz

Bob Saenz shares a rare, honest look at what it means to build a long-term career as both an actor and screenwriter. From his early days in theater and television to writing studio films and Hallmark ...

23 Dec 20251h 10min

Populärt inom Utbildning

rss-bara-en-till-om-missbruk-medberoende-2
historiepodden-se
det-skaver
nu-blir-det-historia
alska-oss
harrisons-dramatiska-historia
johannes-hansen-podcast
rss-viktmedicinpodden
roda-vita-rosen
not-fanny-anymore
sektledare
rss-sjalsligt-avkladd
allt-du-velat-veta
rss-max-tant-med-max-villman
sa-in-i-sjalen
i-vantan-pa-katastrofen
rikatillsammans-om-privatekonomi-rikedom-i-livet
rss-basta-livet
psykologsnack
sex-pa-riktigt-med-marika-smith