IFH 203: How to Shoot & Sell Digital Series (The Bannen Way) with Mark Gantt

IFH 203: How to Shoot & Sell Digital Series (The Bannen Way) with Mark Gantt

How to Shoot & Sell Digital Series (The Bannen Way) with Mark Gantt
Today's guest is Mark Gantt. He's a man of many talents, actor, director, writer, and producer. He's best known for co-creating, producing and starring in the award-winning The Bannen Way for Sony Pictures Television. Financed by Sony’s Crackle distribution arm, this unique web series/feature film had a compelling cast which included Michael Ironside, Academy Award nominees Robert Forster and Michael Lerner, and Emmy winner Vanessa Marcil.
Within the first 10 weeks of release, The Bannen Way garnered over 14 million views and went on to win 4 Streamy Awards including Best Actor (Mark Gantt), Best Drama, Best Director and Best Editor; as well as being nominated for two Webby Awards and a BANFF Award. The film is currently distributed internationally on VOD, DVD, iTunes, and Amazon as a feature film.

I wanted to bring Mark on the show to discuss how he got The Bannen Way shot, how he got HUGE sponsors to come on board and how he convinced Sony Pictures to buy a web series...in 2009. Here's some more info on Mark Gantt.
Mark’s onscreen credits include American Horror Story: Hotel, Ocean’s Eleven, Charlie’s Angels: Full Throttle, Buffy, the Vampire Slayer, Dexter, Major Crimes, Bluff, Barely Famous and currently recurring on The Arrangement premiering March 2017 on E!
As a director, Mark feature directorial debut, Murder In Mexico starring Colin Egglesfield premiered on Lifetime in Sept of 2015. He recently directed Intricate Vengeance for Ron Howard and Brian Grazer’s New Form Digital with Wilson Cleveland. He’s also won several awards including Best Director at Philadelphia First Glance Film and Best of the Fest at the Cinema Series Festival for the short film Donor. He recently directed the branded series Seamlessly She with Monica Potter for AOL and GMC as well as two episodes of the branded series Suite 7 with Shannen Doherty, Jaime Murray, and Eddie McClintock. Suite 7 episodes were nominated for the 2011 BANFF Rockies and the 2012 Webby Awards. Shannen Doherty was awarded Best Performance by the Webbys for her work in the episode.

As a producer Mark recently completed principal photography on Psychophonia, a thriller that his wife, Brianne Davis, directed. Mark starred opposite Vedette Lim (“True Blood”). He’s also completing post-production on two horror/sci-fi films, The Night Visitor and The Night Visitor 2: Heather’s Story with Blanc-Biehn Productions’ Jennifer Blanc-Biehn, Michael Biehn, Lony Ruhmann and Brianne Davis.
In 2013, Mark began teaching acting at the Beverly Hills Playhouse where he studied with and assisted Milton Katselas on two dozen productions. He and his wife actress/director Brianne Davis started Give & Take Productions, a film and television production company with several projects in development.
Enjoy my conversation with Mark Gantt.

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IFH 020: Why Indie Filmmakers Should NOT Shoot 4k!

IFH 020: Why Indie Filmmakers Should NOT Shoot 4k!

An issue I see come up again and again is indie filmmakers shooting a format that they can't handle in post production. Currently the big buzz word is "Ultra High Definition."Technically, "Ultra High Definition" is actually a derivation of the 4K digital cinema standard. However while your local multiplex shows images in native 4096 x 2160 4K resolution, the new Ultra HD consumer format has a slightly lower resolution of 3840 X 2160. Now while having a larger image to play with is better it does bring a ton of baggage along with it. RED Cameras started popularizing 4k with it's first camera the RED ONE. It was so far beyond anything else on the market at the time that it ignited the imagination of indie filmmakers everywhere. Now shooting 4k in todays world is a bit different. It cost much more than you'd expect once you factor in all the things you'll be dealing with down the pipeline.In this episode I go over a ton of info on why you shouldn't shoot 4k if you're an indie filmmaker.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Nov 201516min

IFH 019: How to Make a Terrifying Horror Film with Edwin Pagan

IFH 019: How to Make a Terrifying Horror Film with Edwin Pagan

Making scary independent horror films in the current marketplace is difficult to say the least. Today’s sophisticated audiences are getting harder and harder to scare every dayWhen many filmmakers start out they make a film in the horror genre. It worked for famed filmmakers like Guillermo del Toro, Sam Raimi, George Romero, James Wan, John Carpenter, Wes Craven, Roman Polanski, David Cronenberg and Alfred Hitchcock just to name a few.In this week’s episode, I’m joined by the aficionado of horror films Edwin Pagan from LatinHorror.com. We discuss what it takes to make terrifying horror films, the difference between Latino horror films versus Korean or American horror films and what is truly terrifying.We also packed this scary episode with indie filmmaking tips on the do’s and don’ts of indie horror filmmaking, adventures of a working cinematographer in New York City and what it really takes to scare the hell out of your audience.Don’t listen to the episode alone. Happy Halloween and be safe everyone!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Okt 20151h 26min

IFH 018: Don't Only Hire a DP because they own a RED Camera!

IFH 018: Don't Only Hire a DP because they own a RED Camera!

Now before I get a bunch of hate mail please let me explain. I love cinematographers. You can;t make a movie without on. It's by far one of the toughest positions on set. The pressure is immense.With that said the explosion of low cost cameras and lighting gear has thrown a huge amount of "cinematographers" into the market place.This podcast is a warning to young and inexperienced filmmakers not to hire not just a director of photography but any top level crew member  solely because they on some of the latest gear.This advice also goes for sound department, editorial, lighting, visual effects and definitely color grading. When hiring any top level positions in a film production it should be based on resume, demo reel, or reputation.All I'm saying is don't hire a crew member just because of the gear he or she owns. You'll thank me. Take a listen to this episode to hear my horror story that cost me over $50,000. OUCH!Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH PodcasBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

27 Okt 201513min

IFH 017: Indie Film Distribution on VOD with Linda Nelson

IFH 017: Indie Film Distribution on VOD with Linda Nelson

The world of film distribution is filled with unknown land mines. Even more mysterious is how an indie filmmaker can get their film placed on these elusive VOD or Video on Demand platforms?That's where this episode comes in, we have video on demand expert Linda Nelson from Indie Film Rights, the film distribution arm of Nelson Madison Films. Linda walks us through the maze of VOD and film distribution options and explains what it takes to get your film placed in the potentially very lucrative platforms.Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH PodcasBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

22 Okt 20151h 12min

IFH 016: Getting Attention from Influencers – My Roger Ebert Story

IFH 016: Getting Attention from Influencers – My Roger Ebert Story

I always get asked by indie filmmakers:“How do I get attention for my indie film?”This is one of the major challenges facing indie filmmakers/entrepreneurs in today’s noisy independent film landscape. One fast way is to get an “influencer” to focus a little light onto you or your project.Now this is much easier said than done. When I promote my projects I approach every online indie film influencer I can.This includes indie film sites, niche sites (around your subject matter), industry news outlets, film magazines, movie fan websites, film festivals, podcasters, conventions, and movie reviewers.In this podcast I tell the story of how the legendary film critic Roger Ebert was so amazingly kind to a young filmmaker.Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH PodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Okt 201511min

IFH 015: Selling Your Film at the American Film Market with Ben Yennie

IFH 015: Selling Your Film at the American Film Market with Ben Yennie

If you have ever looked into selling your film at a film market then you more than likely have heard of the North America's largest film market, AFM or the American Film Market.The American Film Market is a labyrinth of crazy characters, thieves, wannabes, filmmakers hustling their latest film, distributors, industry professionals and of course buyers and sellers from around the globe.My guest this week is Ben Yennie who has written the only real guide to this carnival called "The Guerilla Rep: American Film Market Distribution Success on No Budget." You should not go to the American Film Market or any film market for that matter without reading this book.Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH PodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Okt 20151h 6min

IFH 014: Post Production Workflow - Understand it or DIE!

IFH 014: Post Production Workflow - Understand it or DIE!

I know I'm being a bit dramatic when I say "Understand Post Production Workflow or DIE!" but I've seen and been involved with sooooooo many independent films that just die in post production because of one simple thing, they didn't understand post production workflow.Post Production Workflow is not a black art that only a few understand, granted it is getting more and more complicated these days but you as a indie filmmaker can still understand the basics.Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH PodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Okt 201516min

IFH 013: Inside the Edit with Paddy Bird

IFH 013: Inside the Edit with Paddy Bird

I've been an editor now for over twenty years. When I was starting out I looked everywhere for some course, book, video, or anything that could teach me the black art of creative editing. There are many courses design to teach you AVID, Adobe Premiere or Final Cut Pro software but nothing on the creative process.One day I was surfing the net and found this site called "Inside the Edit." The site was boasting the it was the world's first "creative editing course," which I found very hard to believe. I took the course for a test ride and OH MY GOD, they did it, they cracked the code.LINKS AND RESOURCES MENTIONED IN THIS EPISODEInside the Edit - 10% OFF email: IFHDISCOUNT@insidetheedit.comInside the EditBlackmagic Design DaVinci Resolve Software for Mac/Win/LinuxAdobe Premiere Pro CCFinal Cut Pro XFreeFilmBook.com (Your FREE Audio Book)Six Secrets to get into Film Festivals for FREE!Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH PodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Okt 20151h 30min

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