THROWBACK FRIDAY: How to Direct the Character, Not the Actor with Mark Travis

THROWBACK FRIDAY: How to Direct the Character, Not the Actor with Mark Travis

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he'll be on the show soon).

Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here's a bit on The Travis Technique.

Acting is too often just pretending. And most directing is demanding and controlling and result oriented. And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences. The Travis Technique is an organic approach to directing actors that are guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.

Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget. In the last 20-years, the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.

When actors, directors, and writers use the Travis Technique, it’s not just a performance anymore. It becomes REAL! The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.

Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master. They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.

Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including all stages of preparation, pre-production, production, and post-production. Mark has been instrumental in launching successful directorial careers in the US and internationally.

Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.

Here's some info on Mark Travis:

Mark Travis is regarded by Hollywood’s top brass and international film professionals as the world’s leading authority on the art and craft of film directing. All of his techniques stem from the pursuit of organic authentic performances that are deeply felt by audiences.

He is currently on the faculty of HFF (Munich), HSU (Kiev) and has taught at AFI, UCLA, The Binger Institute (Amsterdam), PU (Pixar University), FAS Screen Training Ireland and many other internationally acclaimed institutions and film schools. He has served as He has served as a directorial and creative consultant to Mark Rydell, George Tillman, Cyrus Nowrasteh, and dozens of Independent filmmakers in Hollywood and internationally. He is respected and recommended by top actors such as Beau Bridges, Henry Winkler, and Bill Pullman.

Enjoy my conversation with Mark Travis.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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IFH 067: Film Festival Secrets - How to Crack the Festival Code with Chris Holland

IFH 067: Film Festival Secrets - How to Crack the Festival Code with Chris Holland

Submitting to film festivals is a torture. Did I get in? Did the programmer watch it yet? When will I know? How much to submit? You wait by your email to see if Sundance or SXSW accepted you? Wouldn't be amazing if you had some insight to the film festival process? Maybe even some torture Film Festival Secrets?On the show today I have one of the leading authorities on film festivals, Chris Holland from Film Festival Secrets.com. The man literally wrote the book on the subject, Film Festival Secrets: A Handbook For Independent Filmmakers.So enjoy my conversation with Chris Holland.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Apr 20161h 1min

IFH 066: What Really is an Independent Film?

IFH 066: What Really is an Independent Film?

This is a question I've been asked many times."What is an Independent Film?"Is George Lucas an independent filmmaker? He did make all his films outside the studio system and paid for them all out of his pocket. Is the $8000 horror feature created to with the sole purpose to be sold an independent film? Is the five million dollar film starring a major movie star that worked for scale an independent film?Take a listenBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Apr 201611min

IFH 065: Lloyd Kaufman & Troma: How I Make Money Selling Movies

IFH 065: Lloyd Kaufman & Troma: How I Make Money Selling Movies

What can I say about Lloyd Kaufman? Director. Writer. Producer. Indie Filmmaker. Innovator. Nice guy. Pain in the ass of main stream media. I believe all of those statements are true and then some. Lloyd Kaufman is one the original indie filmmakers going back to the 1970's. The Troma Universe was born in 1974 with a series of highly original, raunchy comedies such as Squeeze Play!, Stuck On You!, Waitress!, and other film titles ending with an exclamation point.In my favorite decade, the 80's, is where Lloyd Kaufman really made a name for himself. His 1984 sleeper hit The Toxic Avenger launched his career and his production company Troma Entertainment. Creating his own brand of independent films, Lloyd Kaufman discovered there was a market for his "unique type" of films. The success of The Toxic Avenger was followed by a string of commercial and artistic triumphs in a similar vein, blending fantasy, comedy, bad ass action, and a bit of eroticism in a style that can only be described as “Tromatic”.To say this was an enjoyable and entertaining interview would be an understatement. Enjoy my conversation with the one and only Lloyd Kaufman.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Apr 20161h 20min

IFH 064: No One Gives a CRAP What You Shoot Your Film On!

IFH 064: No One Gives a CRAP What You Shoot Your Film On!

No One Gives a CRAP What You Shoot Your Film On!OK, so before I get bombarded with hate email please hear me out. I was speaking to my filmmaker inner circle the other day and the topic of format and camera came up. I'm a huge tech head. I love gear as much as the next filmmaker.Hell, you can't make movies without gear. Advances in filmmaking technology has liberated a generation of storytellers, filmmakers and content creators. Now does the audience give a SH*T about what camera you used to make your movie...NO!If you want to know what it really takes to be a successful filmmaker in today's world take a listen to this short podcast.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Apr 201613min

IFH 063: The Walking Dead - Working on the Dead Set with Vince Gonzales

IFH 063: The Walking Dead - Working on the Dead Set with Vince Gonzales

IFH 063: The Walking Dead - Working on the Dead SetIf you are a Walking Dead fan you are going to LOVE this episode. If you ever wanted to know what an assistant director does on set you are going to LOVE this episode. On today's episode we have a long time friend Vince Gonzales. Vince has been working in the film industry for over top decades. His IMDB page is pretty crazy. He's worked on 90 classics like The Sandlot, Speed and What Dreams May Come. Now after 2000 his credits start to heat up: Pearl Harbor, Six Feet Under, Charmed, Boston Legal, Grey's Anatomy, Transformers: Age of Extinction and of course The Walking Dead. I wanted to bring Vince on the show to discuss his time on The Walking Dead but also what it takes to be an assistant director on both small and "monstrous" sets. Don't listen to this episode in the dark. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

6 Apr 201648min

IFH 062: Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!

IFH 062: Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!

Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!I've been at a fair share of film festivals in my life and I've submitted to many more than I've been accepts to. With that said I have seen many less than honorable film festival organizers throughout the process. Now not all film festivals are run by grifters and con men but you need to be aware of the signs that a film festival you are submitting to may just be in existence to remove you from you hard earned cash and not to celebrate amazing independent film and filmmakers. I put together a few warning signs you should look out for when submitting to film festivals. Stay safe out there everyone!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

5 Apr 201613min

IFH 061: Chris Vogler - Screenwriting & The Writer's Journey Blueprint

IFH 061: Chris Vogler - Screenwriting & The Writer's Journey Blueprint

If you have seen Star Wars then you know Joseph Campbell's work. If you ever have seen The Lion King then you have seen one of Campbell's best student's, Chris Vogler, work.Chris Vogler wrote the game changing book  The Writers Journey: Mythic Structure for Writers. I read this book over 20 years ago and it changed the way I look at story. Chris studied the work and principles of the late master Joseph Campbell. His book The Hero with a Thousand Faces was the bases for Star Wars as well as almost every other Hollywood feature film in the past 60 years. What Chris Vogler did so well is that he translated Campbell's work and applied it to movies. The Writer's Journey explores the powerful relationship between mythology and storytelling in a clear, concise style that's made it required reading for movie executives, screenwriters, playwrights, scholars, and fans of pop culture all over the world. He has influenced the screenplays of movies from THE LION KING to FIGHT CLUB to BLACK SWAN to NOAH."I teach sometimes, and always say that Chris Vogler is the first book that everyone's got to read." -- Darren Aronofsky , Oscar-nominated Screenwriter/Director, Noah, Black Swan, The WrestlePretty high praised from one of the best filmmakers working today. In this episode I ask Chris to breakdown a bunch of concepts of the Hero's Journey, why it resinates with people around the world and what makes an amazing hero and villain. Enjoy my conversation with Chris Vogler.Screenwriting & Story Blueprint: The Hero's Two JourneysThe Writers Journey: Mythic Structure for Writers, 3rd EditionMyth & the Movies: Discovering the Myth Structure of 50 Unforgettable FilmsThe Hero with a Thousand Faces (The Collected Works of Joseph Campbell)Memo from the Story Department: Secrets of Structure and CharacterThe Million Dollar ScreenplayBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

31 Mars 20161h 12min

IFH 060: Should You Work for Deferred Payment or Back End Points?

IFH 060: Should You Work for Deferred Payment or Back End Points?

A Indie Film Hustle Tribe member recently asked me"Should You Work for Deferred Payment or Back End Points?"Believe it or not I get this question A LOT! So I decided to dedicate a podcast episode to the question. There are times I would say yes definitely work for deferred payment or back end points. I heard a story of a screenwriter that was asked to do a rush job, write an entire screenplay in two week over Christmas vacation. He really didn't want to do it but the agent said he could get him paid and get him back end points. The screenwriter took the gig, the producer love the script and the movie went on to gross $500,000,000 world wide. He took home over $20 million. Not bad.So yes there is a time to make that deal but alas there are times you should never work for deferred. Take a listen to when to and when not to work for deferred payments or back end points. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Mars 20166min

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