IFH 543: Inside X-Men, Deadpool, Logan & The 355 with Oscar® Nominee Simon Kinberg

IFH 543: Inside X-Men, Deadpool, Logan & The 355 with Oscar® Nominee Simon Kinberg

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg.

He has established himself as one of Hollywood’s most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide. 

Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie.

Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong’o, Penelope Cruz, Diane Kruger and Fan Bingbing.

A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.

When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong’o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.

As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).

The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC’s Smash, Trouble) and Kinberg, from a story by Rebeck.

The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain’s Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.

His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple’s most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon.

Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast.

Additionally, he is producing several projects for Netflix including “Lift” starring Kevin Hart with director F. Gary Gray, his original script "Here Comes the Flood" with Jason Bateman directing, "Endurance" with Camille Griffin directing, and “Pyros” with Reese Witherspoon starring and producing. Kinberg’s latest spec “Wayland” will also begin production next year for Lionsgate, with Michael Showalter directing, and Jessica Chastain producing alongside Kinberg

Kinberg will also be producing “The Running Man” at Paramount Pictures to be directed by Edgar Wright, “Artemis” to be directed by Oscar winners Chris Miller and Phil Lord and based on a book by the writer of “The Martian”, the remake of “The Dirty Dozen” at Warner Brothers with David Ayer writing and directing, “Starlight” at 20th Century Studios to be written and directed by Joe Cornish, “Death Notification Agency” at Amazon based on the novel of the same name, “Karma” at Sony Pictures, “Chairman Spaceman” at Fox Searchlight, to be directed by Oscar Winner Andrew Stanton, and an Untitled Action-Romance starring Idris Elba at Apple.

Following almost a decade’s worth of Marvel films, Kinberg will also write and produce “Battlestar Galactica” for Universal which will be his latest franchise universe.

In 2006, he wrote “X-Men: The Last Stand,” which opened on Memorial Day to box office records and began his ongoing relationship with the franchise. In 2008, Kinberg wrote and produced Doug Liman’s film “Jumper” for 20th Century Fox. In 2009, Kinberg co-wrote the film “Sherlock Holmes” starring Robert Downey Jr, directed by Guy Ritchie. The film received a Golden Globe for Best Actor and was nominated for two Academy Awards.

In 2010, Kinberg established his production company Genre Films, with a first look deal at 20th Century Fox. Under this banner, he produced “X-Men: First Class,” executive produced “Abraham Lincoln: Vampire Hunter” and wrote and produced “This Means War.” In 2013, Kinberg produced “Elysium," which starred Matt Damon and Jodie Foster, directed by Neill Blomkamp.

On Memorial Day of 2014, Fox released “X-Men: Days of Future Past," which Kinberg wrote and produced. The film opened number one at the box office, received critical acclaim and went on to gross more than $740 million worldwide.

In 2015, Kinberg had four films in release. He re-teamed with Neill Blomkamp to produce “Chappie,” starring Hugh Jackman and Sharlto Copley. Kinberg produced Disney’s Academy Award-nominated film “Cinderella," starring Cate Blanchett and directed by Kenneth Branagh.

In addition, Kinberg was the co-writer and producer of “The Fantastic Four.” His final film of the year was “The Martian,” which he produced. The film, directed by Ridley Scott and starring Matt Damon, grossed more than $630 million worldwide, won two Golden Globes (including Best Picture) and was nominated for seven Academy Awards (including Best Picture).

In 2016, Kinberg produced “Deadpool,” starring Ryan Reynolds. The film broke international and domestic records for box office, including becoming the highest-grossing R-rated film of all time globally. It went on to win two Critics Choice Awards (including Best Picture - Comedy) and receive two Golden Globe nominations (including Best Picture), a WGA nomination and a PGA nomination for Best Picture. That year, Kinberg also wrote and produced “X-Men: Apocalypse.”

In 2017, he produced “Logan,” the final installment of the Wolverine franchise with Hugh Jackman. It was selected as the closing film of the Berlin Film Festival and opened #1 at the box office. It was named one of the ten best films of the year from the National Board of Review, garnered three Critics Choice Nominations and an Academy Award Nomination.

Kinberg was also a producer on “Murder on the Orient Express,” directed by Kenneth Branagh, with Branagh starring alongside Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Daisy Ridley, Judi Dench, and others.

In 2018, Kinberg produced “Deadpool 2,” which matched the success of the first film. It was Kinberg’s fourteenth film to open number one at the box office.

In 2019, Kinberg made his directorial debut with “X-Men: Dark Phoenix,” which was released June 7. The film once again starred Jennifer Lawrence, Michael Fassbender, James McAvoy, Nicholas Hoult, Sophie Turner, with new addition Jessica Chastain.

In television, he was the executive producer of “Designated Survivor,” starring Kiefer Sutherland on ABC and Netflix. He was also the executive producer of “Legion,” “Gifted,” and executive producer and co-creator with Jordan Peele of the remake of “The Twilight Zone” on CBS All Access. 

Kinberg has served as a consultant on “Star Wars: Episode VII” and “Rogue One," and he was the creator and executive producer of the animated show “Star Wars: Rebels” on Disney networks.

You can also watch Simon's Screenwriting Masterclass on The Dialogue Series on Indie Film Hustle TV.

The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods, and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.

Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Avsnitt(969)

IFH 066: What Really is an Independent Film?

IFH 066: What Really is an Independent Film?

This is a question I've been asked many times."What is an Independent Film?"Is George Lucas an independent filmmaker? He did make all his films outside the studio system and paid for them all out of his pocket. Is the $8000 horror feature created to with the sole purpose to be sold an independent film? Is the five million dollar film starring a major movie star that worked for scale an independent film?Take a listenBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Apr 201611min

IFH 065: Lloyd Kaufman & Troma: How I Make Money Selling Movies

IFH 065: Lloyd Kaufman & Troma: How I Make Money Selling Movies

What can I say about Lloyd Kaufman? Director. Writer. Producer. Indie Filmmaker. Innovator. Nice guy. Pain in the ass of main stream media. I believe all of those statements are true and then some. Lloyd Kaufman is one the original indie filmmakers going back to the 1970's. The Troma Universe was born in 1974 with a series of highly original, raunchy comedies such as Squeeze Play!, Stuck On You!, Waitress!, and other film titles ending with an exclamation point.In my favorite decade, the 80's, is where Lloyd Kaufman really made a name for himself. His 1984 sleeper hit The Toxic Avenger launched his career and his production company Troma Entertainment. Creating his own brand of independent films, Lloyd Kaufman discovered there was a market for his "unique type" of films. The success of The Toxic Avenger was followed by a string of commercial and artistic triumphs in a similar vein, blending fantasy, comedy, bad ass action, and a bit of eroticism in a style that can only be described as “Tromatic”.To say this was an enjoyable and entertaining interview would be an understatement. Enjoy my conversation with the one and only Lloyd Kaufman.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Apr 20161h 20min

IFH 064: No One Gives a CRAP What You Shoot Your Film On!

IFH 064: No One Gives a CRAP What You Shoot Your Film On!

No One Gives a CRAP What You Shoot Your Film On!OK, so before I get bombarded with hate email please hear me out. I was speaking to my filmmaker inner circle the other day and the topic of format and camera came up. I'm a huge tech head. I love gear as much as the next filmmaker.Hell, you can't make movies without gear. Advances in filmmaking technology has liberated a generation of storytellers, filmmakers and content creators. Now does the audience give a SH*T about what camera you used to make your movie...NO!If you want to know what it really takes to be a successful filmmaker in today's world take a listen to this short podcast.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Apr 201613min

IFH 063: The Walking Dead - Working on the Dead Set with Vince Gonzales

IFH 063: The Walking Dead - Working on the Dead Set with Vince Gonzales

IFH 063: The Walking Dead - Working on the Dead SetIf you are a Walking Dead fan you are going to LOVE this episode. If you ever wanted to know what an assistant director does on set you are going to LOVE this episode. On today's episode we have a long time friend Vince Gonzales. Vince has been working in the film industry for over top decades. His IMDB page is pretty crazy. He's worked on 90 classics like The Sandlot, Speed and What Dreams May Come. Now after 2000 his credits start to heat up: Pearl Harbor, Six Feet Under, Charmed, Boston Legal, Grey's Anatomy, Transformers: Age of Extinction and of course The Walking Dead. I wanted to bring Vince on the show to discuss his time on The Walking Dead but also what it takes to be an assistant director on both small and "monstrous" sets. Don't listen to this episode in the dark. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

6 Apr 201648min

IFH 062: Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!

IFH 062: Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!

Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!I've been at a fair share of film festivals in my life and I've submitted to many more than I've been accepts to. With that said I have seen many less than honorable film festival organizers throughout the process. Now not all film festivals are run by grifters and con men but you need to be aware of the signs that a film festival you are submitting to may just be in existence to remove you from you hard earned cash and not to celebrate amazing independent film and filmmakers. I put together a few warning signs you should look out for when submitting to film festivals. Stay safe out there everyone!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

5 Apr 201613min

IFH 061: Chris Vogler - Screenwriting & The Writer's Journey Blueprint

IFH 061: Chris Vogler - Screenwriting & The Writer's Journey Blueprint

If you have seen Star Wars then you know Joseph Campbell's work. If you ever have seen The Lion King then you have seen one of Campbell's best student's, Chris Vogler, work.Chris Vogler wrote the game changing book  The Writers Journey: Mythic Structure for Writers. I read this book over 20 years ago and it changed the way I look at story. Chris studied the work and principles of the late master Joseph Campbell. His book The Hero with a Thousand Faces was the bases for Star Wars as well as almost every other Hollywood feature film in the past 60 years. What Chris Vogler did so well is that he translated Campbell's work and applied it to movies. The Writer's Journey explores the powerful relationship between mythology and storytelling in a clear, concise style that's made it required reading for movie executives, screenwriters, playwrights, scholars, and fans of pop culture all over the world. He has influenced the screenplays of movies from THE LION KING to FIGHT CLUB to BLACK SWAN to NOAH."I teach sometimes, and always say that Chris Vogler is the first book that everyone's got to read." -- Darren Aronofsky , Oscar-nominated Screenwriter/Director, Noah, Black Swan, The WrestlePretty high praised from one of the best filmmakers working today. In this episode I ask Chris to breakdown a bunch of concepts of the Hero's Journey, why it resinates with people around the world and what makes an amazing hero and villain. Enjoy my conversation with Chris Vogler.Screenwriting & Story Blueprint: The Hero's Two JourneysThe Writers Journey: Mythic Structure for Writers, 3rd EditionMyth & the Movies: Discovering the Myth Structure of 50 Unforgettable FilmsThe Hero with a Thousand Faces (The Collected Works of Joseph Campbell)Memo from the Story Department: Secrets of Structure and CharacterThe Million Dollar ScreenplayBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

31 Mars 20161h 12min

IFH 060: Should You Work for Deferred Payment or Back End Points?

IFH 060: Should You Work for Deferred Payment or Back End Points?

A Indie Film Hustle Tribe member recently asked me"Should You Work for Deferred Payment or Back End Points?"Believe it or not I get this question A LOT! So I decided to dedicate a podcast episode to the question. There are times I would say yes definitely work for deferred payment or back end points. I heard a story of a screenwriter that was asked to do a rush job, write an entire screenplay in two week over Christmas vacation. He really didn't want to do it but the agent said he could get him paid and get him back end points. The screenwriter took the gig, the producer love the script and the movie went on to gross $500,000,000 world wide. He took home over $20 million. Not bad.So yes there is a time to make that deal but alas there are times you should never work for deferred. Take a listen to when to and when not to work for deferred payments or back end points. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Mars 20166min

IFH 059: How a 17 yr old Shot & Sold her 1st Feature on 16mm Film

IFH 059: How a 17 yr old Shot & Sold her 1st Feature on 16mm Film

Every once in a while I get sent a story that blows my mind. They story is a 17 year old 1st time director shoot and sells her first feature film (that was shot on 16mm) right out of the gate.How that hell does that happen? Well may I introduce you to Kansas Bowling, the director of the feature film B.C. Butcher. Inspired by the likes of Russ Meyer, Annette Funicello, and Roger Corman, Kansas and her friend Kenzie began writing a script in high school about a tribe of cavewomen being stalked by a prehistoric monster.Thus, the first prehistoric slasher was born! At only 17, Kansas directed, co-wrote, and funded her own feature film, entirely shot on 16mm, called “B.C. Butcher”.The film is unique in many ways, being a horror flick and a comedy, featuring live music, gore, gags, and campy historical inaccuracy. Because of this, immediately after shooting, “B.C. Butcher” caught the eye of Lloyd Kaufman (who will be a guest on the podcast in a few weeks), legendary producer/director and founder of Troma Entertainment Inc. Troma acquired the film for distribution and is now slated for a 2016 release.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Mars 20161h 1min

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