IFH 589: Confessions of a Hollywood Writer & Actor with John Leguizamo

IFH 589: Confessions of a Hollywood Writer & Actor with John Leguizamo

Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys; cold-blooded killers like Benny Blanco in Carlito's Way; a heroic Army Green Beret, stopping aerial terrorists in Executive Decision; and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar.

Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man had a youthful Latino personality had such a powerful impact on critics and fans alike. John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo.

He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away.

The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice. His first film appearance was a small part in Mixed Blood, and he had minor roles in Casualties of War and Die Hard 2 before playing a liquor store thief who shoots Harrison Ford in Regarding Henry.

His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.

The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth, in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award.

He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama. It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards. In 1995 he created and starred in the short-lived TV series House of Buggin', an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines.

The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros., Romeo + Juliet and Spawn. In 1998 he made his Broadway debut in John Leguizamo: Freak, a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.

Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle before appearing in the dynamic Spike Lee-directed Summer of Sam as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge!.

He also voiced Sid in the animated Ice Age, co-starred alongside Arnold Schwarzenegger in Collateral Damage and directed and starred in the boxing film Undefeated. Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead.

There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s.

Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Avsnitt(967)

IFH 056: Do You Need an Agent or Talent Agency to Make it in Hollywood?

IFH 056: Do You Need an Agent or Talent Agency to Make it in Hollywood?

Is an agent or talent agency needed to make it in Hollywood? Well it helps! Seriously, this is a question I get asked all the time.In this episode I go over what you need to do to get an agent and also help you figure out if you need one right now. Below are the seven major talent agencies in Hollywood.APA Talent AgencySize: 3,400 clients; 325 employees (210 agents, 15 managing partners); offices in Los Angeles, New York and NashvilleOrigin story: Founded in 1962 by former MCA agents David Baumgarten, Roger Vorce and Harvey Litwin.CAA Talent AgencySize: About 5,000 clients; 1,500+ employees; 11 offices worldwide, including in ChinaOrigin story: Founded in 1975 by William Morris agents Mike Rosenfeld, Michael Ovitz, Ron Meyer, Bill Haber and Rowland Perkins.GERSH Talent AgencySize: About 2,000 clients; 175 employees (75 agents, 16 partners); offices in L.A. and New YorkOrigin story: Founded in 1949 by Phil Gersh.ICM PARTNERS Talent AgencySize: 4,500+ clients; 400+ employees (200+ agents and execs, 40 partners); four officesOrigin story: Formed in 1975 with the merger of Creative Management Associates and International Famous Agency.PARADIGM Talent AgencySize: 2,500 clients; 370+ employees (160 agents); six officesOrigin story: Founded in 1992 by Sam Gores through the mergers and acquisitions of several boutiquesUTA Talent AgencySize: 3,000+ clients; 500 employees (200 agents, 46 partners); offices in L.A. and New YorkOrigin story: Founded in 1991 with the merger of Bauer-Benedek and Leading Artists.WME | IMG Talent AgencySize: 4,000+ clients; nearly 5,000 employees (200 agents) in 25+ countriesOrigin story: WME | IMG was founded in 2014 with the merger of IMG and WME, which was founded in 2009 with the takeover of William Morris by upstart Endeavor.Hope this episode helps you out on your journey to get an agent. Good luck!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Mars 20169min

IFH: Filmmaking Motivation - Go Make Your Film!

IFH: Filmmaking Motivation - Go Make Your Film!

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Mars 20163min

IFH 055: Michael Hauge - Writing a Screenplay That Sells

IFH 055: Michael Hauge - Writing a Screenplay That Sells

Michael Hauge - Writing a Screenplay That SellsYou are in for a treat. This week's guest, MICHAEL HAUGE has been one of Hollywood’s top script consultants, story experts and authors for more than 30 years. He coaches screenwriters, novelists, filmmakers, professional speakers, internet marketers and corporate leaders, helping transform their stories and their audiences using the principles and methods of Hollywood’s most successful movies. Michael has consulted on films starring – among many others - Will Smith, Tom Cruise, Reese Witherspoon, Julia Roberts and Morgan Freeman, and has presented lectures and workshops to more than 70,000 participants worldwide. He is the best selling author of Writing Screenplays That Sell (now in its 20th Anniversary Edition), and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read. According to Will Smith, “No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” - Will SmithAfter our interview Michael Hauge and I decide to bring one of his best courses to the IFH Tribe. We called is Screenplay and Story Blueprint: The Hero's Two JourneysIf you click here you'll get a SPECIAL IFH DISCOUNT: Screenplay & Story BlueprintBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Mars 201653min

IFH 054: How NOT to Get Ripped Off in Post Production

IFH 054: How NOT to Get Ripped Off in Post Production

Over the years I've seen many of my fellow indie filmmakers get completely ripped off when they entered the post production process.So many promises are given and the rates they charge are criminal. I wanted to put together a podcast to pull the curtain back on the "true" pricing of post production services.Now this is based on my experience working in Los Angeles so the prices might differ depending where you are in the country or the world.I hope this episode provides a great amount of value and that it saves you your hard earned cash while making your next indie film. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Mars 201619min

IFH 052: The 5 Lies of Film Distribution

IFH 052: The 5 Lies of Film Distribution

Film distribution in a mystery to most indie filmmakers. It is filled with deception, scams, mis-information and straight out LIES! I wanted to put together an episode spotlighting the five major lies filmmakers hear about film distribution.Like many truths in the world these might not be easy to swallow but there is hope. If you have a plan "BEFORE YOU SHOOT YOUR FILM" your odds of success go up greatly.I see so many indie filmmakers killing themselves to make their films but have no idea how to recoup their money or actually make a living doing what they love to do. I hope this podcast helps.Insider View of Creating an Indie Feature Film - FULL ACCESS MEMBERSHIPBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Feb 201617min

IFH 051: Are the Oscars Too White…Again? #OscarsSoWhite

IFH 051: Are the Oscars Too White…Again? #OscarsSoWhite

So the question of the moment is"Why are the Oscars® so white again? #OscarsSoWhiteThe 88th Annual Academy Awards haven’t even aired yet, and there is a hurricane of drama surrounding Hollywood’s most exciting night. Celebrities like Spike Lee and Will and Jada Pinkett Smith have called for a boycott due to a lack of minority nominees.If you look at the graphic below (Courtesy of www.mirror.co.uk) you see the Acadamy doesn't have a firm foundation to stand on.Courtesy of www.mirror.co.ukI usually don't discuss topics like this on Indie Film Hustle but when the opportunity to have a sit-down with RB Botto from Stage32.com and talk all things Oscar I jumped at the chance.Related: Filmmaking Hacks: How to Shoot and Market Your Indie FilmWe discuss not only "Why are the Oscars® so white again? #OscarsSoWhite" but we discuss this year's Oscar races, surprises, snubs and we talk about the current state of the film business. Take a listen!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Feb 20162h 17min

IFH 049: How to Pitch Your Film Like a Pro with Stephanie Palmer

IFH 049: How to Pitch Your Film Like a Pro with Stephanie Palmer

Stephanie Palmer - How to Pitch Your Film Like a ProEver wanted to learn the dark craft of being able to pitch your story idea successfully? Stephanie Palmer has made it her life's mission to help people do just that. Stephanie Palmer is a former MGM Pictures executive and best-selling author of the book "Good in a Room: How To Sell Yourself (And Your Ideas) And Win Over Any Audience"She has heard thousands of pitches. She know how to and how not to pitch your screenplay or story idea. She worked on films like Legally Blonde, Armageddon, Con Air and was even on an intern on Titanic, there's a very inserting story there.Learn how to pitch your screenplay like a pro with Stephanie Palmer.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Feb 201647min

IFH 048: What to do when people DON'T BELIEVE IN YOU!

IFH 048: What to do when people DON'T BELIEVE IN YOU!

I know that everyone reading this has had a moment in time where someone did not believe in them for one reason of another. It is a part of life and a REAL BIG PART of the film industry. So many times in my career I was told that:"You nuts! That'll never work."or"That's never been done before."Well I love hearing that. I has taken time for me to enjoy when people say "it can't be done." I truly use it as fuel. You must first believe in yourself before anyone will believe in you.Now you also have to be smart about this. You can't blindly believe in yourself without having a plan, educating yourself and understanding the playing field you'll be walking on to.In this episode I go over exactly that, how to deal with nonbelievers and how to build a plan to make your goal come true. Please share this episode with anyone who needs to hear it.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

9 Feb 201619min

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