IFH 614: Kubrick, Nolan & Spielberg: The Power of Staging with Mark W. Travis

IFH 614: Kubrick, Nolan & Spielberg: The Power of Staging with Mark W. Travis

Mark W. Travis acclaimed as "the director’s director", Mark W. Travis is regarded by many Hollywood and International professionals as one of the world’s leading authorities in the art and craft of film directing. Drawing from his impressive background in design, writing, acting, and his wide range of experience directing theater, film and television, Mark is able to bring new insights and exceptional clarity to the complex task of directing the feature film.

Mark W. Travis earned a B.A. degree in Theatre at Antioch College and did his graduate training in Directing in the MFA program at the Yale School of Drama. Mark is a creative consultant to film directors Mark Rydell, George Tillman, Cyrus Nowrasteh and many other notable writers and directors.

Mark’s television directing credits include The Facts of Life, Family Ties, Capitol and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. In 1998 he directed the pilot for LifeStories.

In 1990 he completed his first film, Going Under, for Warner Bros., starring Bill Pullman and Ned Beatty. In 2001 he wrote and directed The Baritones (parody of The Sopranos) as well as the short documentary, Earlet. In 2006 he co-directed the documentary, Ancient Light.

Mark’s unique approach to working with actors and characters (The Travis Technique) has gained the attention of directors, writers and actors worldwide and is becoming a standard approach for stimulating powerful performances.

Since 1992 Mark has been sharing his techniques on writing, acting and directing worldwide.

USA: The Directors Guild, American Film Institute, Pixar Animations Studios, UCLA Extension, Taos Talking Pictures Film Festival, Denver Film Festival, Hollywood Actor’s Workshop, Hollywood Film Institute.
JAPAN: Film & Media Lab and Vantan Film School.
GERMANY: UW Filmseminares, ActionConcept, IFS, and HFF, the Munich Film School.
POLAND: The Film Farm in Kotla.
ENGLAND: Raindance, Paradigm Film Productions, Hurtwood House, Metropolitan Film School, National Film and Television School, London Film School, Lionhead Studios, London Film Academy.
FRANCE: The Cannes Film Festival,
NETHERLANDS: The Maurits Binger Institute.
UKRAINE: HSU in Kiev, OIFF in Odessa;
RUSSIA: International Film Actors Workshop,
IRELAND: FAS Screen Training Ireland,
NORWAY: The Norwegian Film School,
DENMARK: The National Film School ofDenmark,
SPAIN: afilm International Film Workshops,
CZECH REPUBLIC: FAMU Academy of Film and Television.

Mark has served as a Creative Consultant on several feature films including: Here’s Herbie; Notorious; Not Forgotten; The Stoning of Soraya M,; Black Irish; Men of Honor; Barbershop; Barbershop 2; The Day Reagan Was Shot; Norma Jean, Jack and Me and television episodes of: Lois and Clark; The Pretender; Picket Fences, 90210, Melrose Place; Strong Medicine; NYPD Blue; The Practice and Ally MacBeal.

Mark is the author of the Number-One Best Seller (L.A. Times), THE DIRECTOR’S JOURNEY: the Creative Collaboration between Directors, Writers and Actors. His second book on directing, DIRECTING FEATURE FILMS (published in April of 2002) is currently used as required text in film schools worldwide. His next book, THE FILM DIRECTOR’S BAG OF TRICKS will be published in September 2011.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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Getting into film festival is getting tougher and tougher everyday. Indie filmmakers can end up spending thousands and thousands of dollars submitting to every film festival around, and there are a to...

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IFH 045: From Film Geek to Online Media Empire with Todd Brown

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How does a film geek turn his love for movies into a media empire? Ask Todd Brown from Twitch Film. I met Todd Brown over ten years ago when I was promoting my short film "BROKEN." He did a killer rev...

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IFH 044: How to Create Multiple Revenue Streams for Your Indie Film

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The one thing more difficult than actually making an indie film is marketing and selling that film. I get asked all the time the same question:"How can I make CASH, MONEY, DINERO with my film?"So I de...

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IFH 043: Ultimate Guide to Film Distribution & Marketing with Jon Reiss

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