IFH 640: The Essentials of Screenwriting with Richard Walter

IFH 640: The Essentials of Screenwriting with Richard Walter

Our guest today, is expert storytelling educator, author, and UCLA professor, Richard Walter--- bestselling author of Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. He recently retired as Professor and Interim Dean of the UCLA School of Theater, Film, and Television where, for more than forty years, he chaired the graduate program in screenwriting.

The amazing thing about Richard is he has been the instructor of some of the most amazing screenwriters in Hollywood history. A handful of them has been on the show, including Sacha Gervasi, Jim Uhls, the writer of Fight Club, and Paul Castro, just to name a few.

He's written scripts for major studios, television networks, and even wrote the earliest drafts of George Lucas's American Graffiti. Talking to Richard in this conversation was essentially sitting front row at a masterclass of storytelling and screenwriting.

It was an absolute treat talking to Richard. Not only has his work been appreciated in the US but in other parts of the world, conducting lectures in London, Paris, Jerusalem, Madrid, Rio de Janeiro, Mexico City, Beijing, Shanghai, Sydney, and Hong Kong.

He complains that L.A. has relentless good weather which he says, ‘Is not writing weather’, yet, in 1988, he released his first instructional book Screenwriting: The Art, Craft, and Business of Film and Television Writing (Plume). This was followed a decade later (2000) by his debut novel Escape from Film School, which tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.

Richard is one of the few OG writers who have studied, and taught through the evolutive eras of screenplays and screenwriting in Hollywood. With his wealth of knowledge, he released his third and most recent book, Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. In this one, he shares the secrets of writing and selling successful screenplays for aspiring screenwriters.

It contains highly coveted lessons and principles from Screenwriting with material from his companion text, The Whole Picture, and includes new advice on how to turn a raw idea into a great movie or TV script and sell it.

Besides his outstanding career, we chatted about his love for Spike Lee films, we talked about screenplay structuring and many more. It's been an absolute treat talking with Richard.

Enjoy this epic conversation with Richard Walter.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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IFH 255: Behind the Curtain of Blackmagic Design with President Dan May

IFH 255: Behind the Curtain of Blackmagic Design with President Dan May

If you are an avid listener of this podcast you know how much I LOVE Blackmagic Design products. From giving away Davinci Resolve for free to releasing a 4K Pocket Camera with RAW, Blackmagic is truly in the corner of every filmmaker. Their motto is..."Power to the people!"I always wanted to know how and why they make such amazing products for filmmakers at such ridiculously affordable prices. Today's guest, Dan May - President of Blackmagic Design, would be the man to ask. I go deep into the weeds on how the company works, why they make their products so accessible to so many people and why they care so much about the little guy.Just to clarify, no I was not paid for this interview at all. I really wanted to get into the mind of one of my favorite camera and post-production companies. We also talk a little bit about gear.Enjoy this rare look behind the curtain at Blackmagic Design with President Dan May.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Juli 20181h 4min

IFH 254: What Does a First Assistant Director Really Do? with Brandon Riley

IFH 254: What Does a First Assistant Director Really Do? with Brandon Riley

What does a First Assistant Director actually do on set? Do you need one? The short answer is YES! I've directed with no First Assistant Directors, with bad 1st Assistant Directors, and with world-class First ADs and trust me I rather work with the latter. Today's guest is First Assistant Director, Brandon Riley. Brandon started out in the entertainment industry working as an Assistant Director and later joined the DGA. With a vast knowledge of how a set operates and functions, Brandon has since gone on to produce, line produce and UPM features and TV projects. Brandon is a natural born leader who aims to lead every show in a calm assertive manner. He prides himself in aiming to create an environment where both cast and crew are treated well and have an enjoyable experience on set.  Brandon is one who continually tries to bring the best out in others and always pushes for excellence in every area. He has a passion for problem-solving and is an invaluable team player.Enjoy my conversation with Brandon Riley.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Juli 201848min

IFH 253: No Film School Needed - Direct & Sell Six Features in Two Years with Elizabeth Blake-Thomas

IFH 253: No Film School Needed - Direct & Sell Six Features in Two Years with Elizabeth Blake-Thomas

I have an inspirational treat for you today. On the show, we have writer/producer/director Elizabeth Blake-Thomas. She has recently financed, written, directed and sold six feature films in the past two years, with no professional film school training. Elizabeth has been involved in the creative industries for over 30 years. Studying drama from a young age led her to run theatre schools, train other students and companies and work in various creative industries, culminating in where she is now, a director and writer.When I heard her story I had to hunt her down and find out how she did it. BTW, she's not stopping, Elizabeth is currently in prep for three more feature films. Talk about hustle. She is the definition of the phrase "INDIE FILM HUSTLE." Enjoy my conversation with Elizabeth Blake-Thomas.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Juli 201841min

IFH 252: Rebel without a Crew - $7000 Feature Film Robert Rodriguez Style with Alejandro Montoya Marin

IFH 252: Rebel without a Crew - $7000 Feature Film Robert Rodriguez Style with Alejandro Montoya Marin

Today on the show we have writer/director Alejandro Montoya Marin. He had the pleasure of being selected to be a director on Robert Rodriguez's Rebel without a Crew Television Show. If you've been following me at all over the past three years you'll know how much of a fan I am of Robert Rodriguez (check out How to Make Rodriguez's Guacamole Gun). Here's some info on the show.Armed with a ridiculously low budget and just 14 days to shoot his movie, Robert Rodriguez created El Mariachi an award-winning film that changed independent filmmaking. The 12-part "Rebel Without a Crew: The Series" follows Scarlet Moreno, Alejandro Montoya Marin, Bola Ogun, Josh Stifter, and Bonnie-Kathleen "BK" Ryan as they shoot their own feature-length film in 2 weeks with a budget of only $7,000.I had a ball talking with Alejandro Montoya Marin about filmmaking, working with Robert Rodriguez, his experience being on a reality show and making his film MONDAY for $7000 and in 14 days.Enjoy my conversation with Alejandro Montoya Marin.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Juli 201843min

IFH 251:  How to Get Your Indie Film on Netflix with Neil Ames

IFH 251: How to Get Your Indie Film on Netflix with Neil Ames

Today on the show we have Neil Ames from Distribber. Neil is the Netflix Yoda over at Distribber. He's been working with Netflix since before they were a streaming juggernaut. I wanted Neil to come on the show and pull back the curtain on the inner workings of Netflix. We discuss:What Netflix is looking for?How to submit an indie film to Netflix?How does Netflix decide what to license?What you can do as a filmmaker to have a better chance of getting on Netflix.What Netflix typically pays for acquisitionsand a ton more.So if you ever wanted to get your film on Netflix get ready to take some notes, my friend. Enjoy my conversation with Neil Ames.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Juni 201850min

IFH 250: The Secret to Making Money with an Independent Film

IFH 250: The Secret to Making Money with an Independent Film

We are here! Episode #250! I can't believe we got here. I'm humbled that the IFH Tribe has allowed me to continue this show for almost three years now. I wanted to do something special for episode #250 so today I'm going to talk about The Secret to Making Money with an Independent Film. After being a part of over 60 features films and studying hundreds more I've noticed a few things that filmmakers should avoid.This is not all just doom and gloom I promise. I also go over what I think the future of independent film is and how you can be a part of it. So please enjoy this episode and I hope it's of value to you on your filmmaking journey. Keep on hustlin'!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Juni 201828min

IFH 249: How to Breakdown the Door in Hollywood with Carole Kirschner

IFH 249: How to Breakdown the Door in Hollywood with Carole Kirschner

Today's guest is Carole Kirschner. Carole was at CBS Comedy and then hired as Vice President of Steven Spielberg’s first Amblin Television. During that time, Carole heard more than 3,000 pitches, bought hundreds of scripts, and was involved in developing dozens of television series.In all, she probably read about 5,000 scripts. She created the CBS Diversity Institute Writers Mentoring Program, which she has run for 14 years.  Soon after, Carole was asked to help Jeff Melvoin (creator of the WGA Showrunner Training Program) develop the program’s curriculum. She has also been running that program for the past 13 years.Carole Kirschner wrote a book revealing the “inside,” unwritten truth about what it takes to succeed in this business. Hollywood Game Plan: How to Land a Job in Film, TV and Digital Entertainment has been enthusiastically received and is used in many colleges and universities across the country. We discuss breaking into the business, working with Steven Speilberg and how to create a career in Hollywood.Enjoy my conversation with Carole Kirschner.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Juni 20181h 3min

IFH 248: Bomb City - Tapping into Your Audience and Selling Your Indie Film with Major Dodge

IFH 248: Bomb City - Tapping into Your Audience and Selling Your Indie Film with Major Dodge

Today's guest is producer Major Dodge. His new film Bomb City is quite frankly...da bomb (sorry I couldn't help myself). Here's some info on his film.Bomb City is a crime-drama, about the cultural aversion of a group of punk rockers in a conservative Texas town. Their ongoing battle with a rival, more-affluent clique leads to a controversial hate crime that questions the morality of American justice. Based on the true story of Brian Deneke. Directed by Jameson Brooks.I wanted Major Dodge on the show so he can share with the IFH Tribe how he raised the money, got the rights to the story, got a theatrical release, tapped into his key audience and created merch to sell to that audience. Bomb City is a great case study.Enjoy my conversation with Major Dodge.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Juni 201851min

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