IFH 071: Save the Cat – Screenwriting Story Structure Made Easy
Why would you want to ‘Save the Cat’? If you are a screenwriter or aspiring one you should of heard by now of Blake Snyder’s game changing screenwriting book.In his 20-year career as a film producer and screenwriter, Blake Snyder sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg — both million-dollar sales. Named “one of Hollywood’s most successful spec screenwriters,” Blake sold his last screenplay in 2009.His book, Save the Cat!® The Last Book on Screenwriting You’ll Ever Need, was published in May, 2005, and is now in its 24th printing. When I read this book it really had an impact on my storytelling and screenwriting.Thankful Blake was not done and apparently it was not quite the last book on screenwriting you’ll ever need, as the eagerly awaited sequel, Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told, was published in October, 2007 — shooting to #1 in the Screenwriting and Screenplay categories on Amazon.com. Blake’s third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of, was published in November, 2009.Blake’s method has become the “secret weapon” of many development executives, managers, and producers for its precise, easy, and honest appraisal of what it takes to write and develop stories that resonate. Save the Cat!® The Last Story Structure Software You’ll Ever Need has codified this method. Blake passed unexpectedly in 2009 but the Save the Cat community carries on Blake’s work.I had the pleasure of interviewing one of Blake’s main pupils Jose Silerio. Jose is carrying the torch of Blake’s work and travels around the world well…saving the cat.Enjoy my informative interview with Jose Silerio.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
4 Maj 20161h 11min
IFH 070: A Filmmaker's Focus - Podcast Interview with Alex Ferrari
So this week I'm doing something different. I occasionally get asked to be guest on other people's podcasts. In these podcast I go over topics I might not of spoken about on the IFH Podcast in the past so to mix things up, with the permission of the hosts, I'll be uploading bonus episodes with these interviews.In my effort to bring you more value I think you'll enjoy these interviews. First up is my interview with Doc Kennedy from the Filmmaker's Focus Podcast. This interview was a ton of fun. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
3 Maj 20161h 3min
IFH 069: Michael Polish - How to Make Money Selling a No Budget Indie Film
I'm always looking for indie filmmaking models to study. I like to analyze how other filmmakers make successful indie films while doing through a new DIY method, self distributing their film or achieving critical and fan respect for their work.Well I found a film that checks all the boxes, For Lovers Only create by the Polish Brothers, Michael and Mark Polish (more on that film later). These filmmakers have been making films, on their terms, for over a decade now.Since premiering at Sundance with their debut feature, 1999's Twin Falls Idaho, the brothers have remained steadfast in their commitment to creating personal, character-driven films.How does one make money shooting a feature film on a DSLR? The film in question came from a screenplay that Mark Polish wrote more than a decade ago called For Lovers Only, about an American photographer who runs into an old flame while on assignment in Paris. The film follows the rekindled lovers around Paris, France in a series of quiet vignettes that gradually reveal more about the complications in the couples' lives.Related: DSLR Video Tips: How to Make Your DSLR Film or Video Look More CinematicInspired by the guerilla style of the French New Wave filmmakers of yesteryear, Mark and Michael Polish came up with a simple plan: they'd fly over to France with only a Canon 5D Mark II camera (which they already owned) and one actress (Castle star Stana Katic) in tow and just go out and shoot feature film. Oh did I mention it was in black and white?Michael Polish sat down with me for an amazing interview about his filmmaking life, Hollywood and what it means to be an artist.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
27 Apr 20161h 35min
IFH 068: Do You Need a Movie Star to Sell Your Indie Film?
Do You Need a Movie Star to Sell Your Indie Film?Being in post production for over 20 years, many films have walked through my doors. Some with huge movie stars that go nowhere and other with no stars that win Sundance.The question is do you really need a movie star in your independent film to be able to sell it? The answer is yes...and no. I layout specifics on when and if you need star power in your film and I discuss what the new definition of star power is today.The times they are a changing my indie film hustlers and if you don't change with them you'll be left behind. Take a listen and let me know what you thin in the comments below.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
26 Apr 20168min
IFH 067: Film Festival Secrets - How to Crack the Festival Code with Chris Holland
Submitting to film festivals is a torture. Did I get in? Did the programmer watch it yet? When will I know? How much to submit? You wait by your email to see if Sundance or SXSW accepted you? Wouldn't be amazing if you had some insight to the film festival process? Maybe even some torture Film Festival Secrets?On the show today I have one of the leading authorities on film festivals, Chris Holland from Film Festival Secrets.com. The man literally wrote the book on the subject, Film Festival Secrets: A Handbook For Independent Filmmakers.So enjoy my conversation with Chris Holland.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
21 Apr 20161h 1min
IFH 066: What Really is an Independent Film?
This is a question I've been asked many times."What is an Independent Film?"Is George Lucas an independent filmmaker? He did make all his films outside the studio system and paid for them all out of his pocket. Is the $8000 horror feature created to with the sole purpose to be sold an independent film? Is the five million dollar film starring a major movie star that worked for scale an independent film?Take a listenBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
19 Apr 201611min
IFH 065: Lloyd Kaufman & Troma: How I Make Money Selling Movies
What can I say about Lloyd Kaufman? Director. Writer. Producer. Indie Filmmaker. Innovator. Nice guy. Pain in the ass of main stream media. I believe all of those statements are true and then some. Lloyd Kaufman is one the original indie filmmakers going back to the 1970's. The Troma Universe was born in 1974 with a series of highly original, raunchy comedies such as Squeeze Play!, Stuck On You!, Waitress!, and other film titles ending with an exclamation point.In my favorite decade, the 80's, is where Lloyd Kaufman really made a name for himself. His 1984 sleeper hit The Toxic Avenger launched his career and his production company Troma Entertainment. Creating his own brand of independent films, Lloyd Kaufman discovered there was a market for his "unique type" of films. The success of The Toxic Avenger was followed by a string of commercial and artistic triumphs in a similar vein, blending fantasy, comedy, bad ass action, and a bit of eroticism in a style that can only be described as “Tromatic”.To say this was an enjoyable and entertaining interview would be an understatement. Enjoy my conversation with the one and only Lloyd Kaufman.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
14 Apr 20161h 20min
IFH 064: No One Gives a CRAP What You Shoot Your Film On!
No One Gives a CRAP What You Shoot Your Film On!OK, so before I get bombarded with hate email please hear me out. I was speaking to my filmmaker inner circle the other day and the topic of format and camera came up. I'm a huge tech head. I love gear as much as the next filmmaker.Hell, you can't make movies without gear. Advances in filmmaking technology has liberated a generation of storytellers, filmmakers and content creators. Now does the audience give a SH*T about what camera you used to make your movie...NO!If you want to know what it really takes to be a successful filmmaker in today's world take a listen to this short podcast.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
12 Apr 201613min
