IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).

Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.

Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.

Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.

Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.

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Avsnitt(966)

IFH 174: Hollywood Directing: How to Choose the Right Lens for Your Shot

IFH 174: Hollywood Directing: How to Choose the Right Lens for Your Shot

Hollywood Directing: How to Choose the Right Lens for Your ShotOn today's episode, I wanted to give you a sneak peek of one of the best selling filmmaking courses on Udemy right now, Hollywood Film & Television Directing Masterclass with former guest and master film instructor Gil Bettman. On the show, you'll hear a lesson on how you can AMP UP your static shots by the choosing the right lenses.Enjoy!LINKS AND RESOURCES MENTIONED IN THIS EPISODEBuy This is Megon iTunesHollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)Indie Film Syndicate Membership - First Month FREESPONSORSDirecting Actors Master Course – (30% OFF – CODE: HUSTLE)Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - DistribberHollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)Werner Herzog's Filmmaking MasterClassAaron Sorkin Screenwriting Master ClassFreeFilmBook.com (Download Your FREE Filmmaking Audio Book)KILLER RESOURCES!!!INDIE FILM SYNDICATE Filmmaking CommunityIFH's Online Film SchoolSix Secrets to get into Film Festivals for FREE!To share your thoughts:Leave a note in the comment section below.Share this show on Twitter, Facebook, or Pinterest.To help the show:Leave an honest review on iTunes. Your ratings and reviews really help and I read each one.Subscribe to the Podcast on iTunes,  Stitcher, Soundcloud or via RSSFilmmaking ResourcesFilmmaking Hacks: Filmmaking Master Course Directing Actors Film Workshop USC Film School's ONLY Online Course: Directing the Actor Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

9 Aug 201711min

IFH 173: This is Meg is LIVE on iTunes & Some Other Surprises

IFH 173: This is Meg is LIVE on iTunes & Some Other Surprises

This is Meg is LIVE on iTunes & Some Other SurprisesToday is the day. This is Meg is FINALLY been released to the world on iTunes. It's pretty incredible that an idea I had over a year ago is now a feature film that has been released on mutha f'in iTunes. It's humbling. I'm so grateful to you, the IFH Tribe for your support, love and well wishes. I know that I wouldn't have been able to do this with you guys. The power of community is pretty powerful and from the bottom of my heart thank you all so much for the support!So today is a big day. The more transactions we get on iTunes the higher we get ranked on their algorithm. This means sales and rentals (it's available for rental too today) count towards that goal. So if you are going to buy or rent This is Meg do it TODAY!Let's see how this experiment does and I'll report back the results. Here's the link to buy or rent the film today ---> This is Megon iTunesBy the way, I have a few surprises for you in this episodes so listen all the way through = ) Enjoy and thank you again!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Aug 201714min

IFH 172: Spielberg, Take Me & Directing for the Duplass Brothers with Pat Healy

IFH 172: Spielberg, Take Me & Directing for the Duplass Brothers with Pat Healy

Spielberg, Take Me & Directing for the Duplass Brothers with Pat HealyToday's guest prolific actor/writer/director Pat Healy. Pat discuss his new Netflix film Take Me starring himself and Orange is the New Black's Taylor Schilling. He also talks about his experience working with the Duplass Brothers, working with the legend Steven Speilberg, and how he has made a living being a script doctor over the years. Pay Healy's feature film screenplays Strange Skies and Snow Ponies found their way on the Black List in 2006 and 2007. Enjoy my conversation with Pat Healy.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

1 Aug 201756min

IFH 171: How to Make Money with Your Indie Film (Crazy Case Studies)

IFH 171: How to Make Money with Your Indie Film (Crazy Case Studies)

How to Make Money with Your Indie Film (Crazy Case Studies)So you want to make money with your film. Who doesn't? I've always been a hustler, and I used that word in the most positive way I can. Filmmakers need to stop just thinking about the art and start thinking about the business of filmmaking. They need to become entrepreneurs. That is the only way filmmakers from this and future generations will survive in the business.Sure for every Chris Nolan they're millions of indie filmmakers that are broke, frustrated, angry or just quit the business altogether but it doesn't have to be that rough. Sure the world of self-distribution has exploded and there are some many revenue avenues for filmmakers today but it doesn't have to stop there.In this episode, I break down and analyze a bunch of successful filmmakers that created multiple revenue streams leveraging their feature film, doc, web series or short film.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Juli 201728min

IFH 170: How a Screenwriter Becomes a First Time Director with Kelly Fremon Craig

IFH 170: How a Screenwriter Becomes a First Time Director with Kelly Fremon Craig

How a Screenwriter Becomes a First Time Director with Kelly Fremon CraigI'm asked all the time"How does a screenwriter get the opportunity to direct one of their screenplays?"That is the question. In Hollywood, more times than not, writers don't have the power or ability to direct their own material. It took a few screenplays before Quentin Tarantino got the shot with Reservoir Dogs. Today's guest is writer/director Kelly Fremon Craig. She got her shot to director her own screenplay on the 2016 critical darling Edge of Seventeen.Kelly's adventures through Hollyweird is inspiring to say the least. Enjoy my conversation with Kelly Fremon Craig.LINKS AND RESOURCES MENTIONED IN THIS EPISODEBuy This is Meg on iTunesKelly Fremon Craig - TwitterKelly Fremon Craig - InstagramINDIE FILM SYNDICATE Filmmaking CommunityBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Juli 201747min

IFH 169: How to Make Money Renting Your Film Gear with ShareGrid

IFH 169: How to Make Money Renting Your Film Gear with ShareGrid

How to Make Money Renting Your Film Gear with ShareGrid's Brent BarbanoHave you ever wanted to make a little extra cash with that film gear sitting in your closet? Have you ever wanted o rent that new Arri ALEXA but were afraid you couldn't afford it? Well, I came across the solution for both problems, it's call ShareGrid.ShareGrid is a per to per community, think Airbnb for filmmakers, that allows list film gear for rental or rent gear directly from other filmmakers with instant insurance. I reached out to Brent Barbano, co-founder of Sharegrid to discuss how he built this community up, talk about how to be a working cinematographer and just talk shop.Heres a couple of videos explain what ShareGrid is all about.  Enjoy my conversation with ShareGrid Co-Founder Brent Barbano.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Juli 20171h 4min

IFH 168: How To Be Creative - The War of Art & Turning Pro

IFH 168: How To Be Creative - The War of Art & Turning Pro

How To Be Creative - The War of Art & Turning ProHow to be creative? This is a question that surprisingly has a simple answer. DO THE WORK! In this episode, I'll be going over a remarkable book I've read that has truly changed the way I think about life, the creative process and making films. The book is [easyazon_link identifier="1936891026" locale="US" tag="whatisbroke-20"]The War of Art: Break Through the Blocks and Win Your Inner Creative Battles[/easyazon_link] by Steven Pressfield.If you have writer's block, can't break through the fear or just want some tips on how to be creative this is the episode you need to hear. I'm also running the FIRST EVER Indie Film Hustle Contest. Steve Pressfield sent me a bounty of books to give away to the tribe. All you have to do to enter is "mail me", not email, but actually mail me a letter or video telling me your break through story, when you decided to do the work and stopped being afraid of following that dreamWinner's story will be read on an episode of the IFH Podcast. You can send letters or videos to:Indie Film Hustle Contest - Pressfieldc/o Alex Ferrari531-A North Hollywood Way #257Burbank, CA 91505I can't wait to read your stories. So stop reading this and listen to the podcast already.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Juli 201722min

IFH 167: How to Make $3 Million Selling Your Indie Film on iTunes & Amazon w/ Range 15

IFH 167: How to Make $3 Million Selling Your Indie Film on iTunes & Amazon w/ Range 15

How to Make $3 Million Selling Your Indie Film on iTunes & Amazon w/ with Nick Palmisciano of Range 15We all hear that self-distribution is the future for indie filmmakers. Build an audience and make a film for that audience but finding real world examples of a "true" indie film breaking $1,000,000+ using that model is tough. Well, I'm happy to introduce you to Range 15, the indie film that not only made $1 million selling on iTunes and Amazon but they have made $3 million+ to date, and growing.Today's guest is Nick Palmisciano, one of the writers, producers, and actors in Range 15. His story of how this film came into the world is truly inspiring.Nick and Mat Best, his co-producer/writer/lead of Range 15, had a crazy idea to create a feature film for the communities they had built up over the years. They are both military veterans and own military themed apparel companies Ranger up Article 15, respectively.They wanted to make a film that the military community would enjoy and they did just that. Check out the fun trailer below. They crowdfunded $1.2 million to make the film. Their goal was $350,000 but they made that in the first 30 hours of the campaign. With the extra cash, they were able to get William Shatner, Keith David, Sean Astin and Danny Trejo in the film. Check out the crowdfunding video below. As you can tell from the videos above Nick and the gang don't take themselves too seriously but what is serious is how much dinero Range 15 has pulled in. For an indie film with no studio and no distributer to break $3 million bucks is a miracle. My hats off to Range 15.Enjoy my inspirational conversation with Nick Palmisciano.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

13 Juli 20171h 15min

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